MA SZAKDOLGOZAT TÉMAVEZETÉS /MA THESIS SUPERVISION
SZTE Angol-Amerikai Intézet
Tóth Zsolt. Oozing Body-Text(ure)s: Posthuman Enfreakment in and through David Cronenberg’s The Fly
Jankovics Nóra. Disciplining the girl child’s body in children’s literature: Corporeal taboos in Lewis Carroll’s Alice’s Adventures in Wonderland and in its contemporary adaptations
Osoliova Viktória. Haunting Gender: The Representation of Female Gothic Anxieties in Daphne du Maurier’s Rebecca
Sebők Alexandra.Queering Peter Pan: Transgender Identity in Austin Chant’s Peter Darling. 2020.
Pató Diána. Taboos in Children’s Literature: Dread, Diversity and Disability, 2019.
Szűcs Edit. Challenging the boundaries of the “normal” in Steven Universe: Queering the Landscape in American Children’s Cartoons, 2018.
Szarvas Réka. Mad Housewives and Cool Girls. Reading Gillian Flynn’s Novels as Feminist Metafiction, 2018.
Mikola Anita. Romanticizing the Horror Genre: Fairy-Tale Motifs in Stephenie Meyer’s Twilight Saga, 2018.
Csipe Szilvia. An intraracial conflict between the black male and the black female in Toni Morrison’s Paradise, 2018.
Ádám Andrea. The Beautiful, The Happy, and the Starving. Everyday Stories of Female Anorexia Nervosa and Margaret Atwood’s The Edible Woman, 2016.
Dr Borosné Molnár Anikó. Bipolarity as a Creative Force in Virginia Woolf’s Life and Literary Achievements, 2015.
Gorzás Zsófia Mária. Tattooing as an Embodied Mode of Female Self-Expression, 2013.
Czifra Zoltán. Fictionalizing the Anxieties of Girls’ Coming-of-Age in Lewis Carroll’s Alice’s Adventures in Wonderland, 2012.
Barcal Noémi. Beauty, Don’t Bet on the Beast! Women’s Subordination in Three Versions of an Animal-Groom Fairy Tale Classic, 2012
Kokovay János Dezső. Empowerment Through ’Feminist-Monstrous’ Presence in Horror Cinema, 2012
Kunji Szuzanna. Uncanny Female Empowerment in Coraline. Freud Meets Neil Gaiman, 2012
Gyöngyösi Nikolett: Genre, Representation, and the Female Subject: Rewriting the Myths of Femininity in Emma Tennant’s Sisters and Strangers, 2012
Nagy Boglárka. The Transformations of Dorian Gray, 2011
Medve Tamara. Prostitution and Cross-dressing as Performance in Sarah Waters’ Tipping the Velvet, 2011
Mankovics Kitti. The Representations of the Fictionalized Figure of Sylvia Plath Through Life Writing, 2011
Harmath Csilla. The Problematic Role of Language in Lewis Carroll’s Alice Tales, 2011
Hágelmann Henriett: “Reader, I betrayed him.” Revisioning (Retro)Victorian Sexual Matters in Charlotte Bronte’s Jane Eyre and D.M. Thomas’s Charlotte, 2010
Kiss Szilvia. Dorian Gray, the Dandy as the Fictional Self-Portrait of Oscar Wilde. 2010
Pap Marianna. Tim Burton, Fairy-Tale Auteur. 2010.
Valtner Vivien. A Comparative Analysis of Symbols of Passion in Emily Bronte’s Wuthering Heights and Maryse Condé’s Winward Heights.
Végh Annamária. Physical and Spiritual Evolution in George MacDonald’s The Princess and the Goblin.
Csontos Noémi. (Im)possibilities of Feminine Revolt in Louisa May Alcott’s Little Women.
Balog Hermina, The Sublime of the Pathological in Joel-Peter Witkin’s Photography. 2010.
Cserháti Ágnes: Fictional Revisitings of Western Attitudes to Death in J.K. Rowling’s Harry Potter Series. 2010.
Csontos Rita. Deviant Female Characters in the Victorian and the Postmodern Era. A Comparison of Charles Dickens’s and Alfonso Cuarón’s Great Expectations. 2010.
Tóthova Andrea. (Im)possibility of Transgression for the Becoming-Woman: Salman Rushdie’s The Ground Beneath her Feet.
Udvari Tünde. Fanfiction Writer. The Impertinent Admirer. 2009.
Kunstár Kata Anna. Unity and hidden meanings in C.S. Lewis’s Chronicles of Narnia. 2009.
Kónya Beáta. The Abjectification of the Subjectivity in Sylvia Plath’s The Bell Jar. 2009.
Mészáros Linda. A Body of One’s Own. A Comparative Analysis of Corseting and Anorexia Nervosa. 2009.
Székesi Dóra. Between Referentiality and Fiction. A Double Reading of Sylvia Plath’s Autobiographical Novel The Bell Jar.
Virágh Anna. A Female Quijote? Neopicaresque as an Authorial Narrative Strategy in Angela Carter’s Nights at the Circus.
Balázs Katalin. Subversion in Visuality and Language in Sarah Kane’s Blasted and Cleansed.
Kreidlmayer Márta. From Grotesque Monstrosity to Extraordinary Success in Fay Weldon’s The Life and Loves of a She Devil. 2007.
Kiss Borbála. Ethical Critique in an Ironic Voice. Bridget Jones’s Diary as a Rewriting of Pride and Prejudice.
Tari Erika. A Comparative Analysis of Jane Austen’s Pride and Prejudice and Helen Fielding’s Bridget Jones’s Diary.
Tóth Andrea. The Representations of Femininity in Katherine Mansfield’s Short Stories. 2006.
Vilman Amália. Women’s Reproductive Rights in 20th Century Women’s Literature in English. 2006.
Máté Annamária. Intertextuality in Woolf’s Mrs Dalloway and Cunningham’s Hours. 2005.
Bárácz Ágnes. Gothic Themes in Interview with the Vampire. 2005.
Hegedűs Zoltán. Transgressions: Body, Love, Desire in Jeanette Winterson’s The Passion. 2005.
Gyaraky Márta. Haunting Women in Toni Morrison’s Beloved 2005.
