BA szakdolgozat (korábban Major Paper) témavezetés
/BA Thesis Supervision
SZTE Angol-Amerikai Intézet
Ádám Nóra. Androgyny in Woolf’s Orlando. 2006.
Balázs Katalin. Feminist thought in the performances of Carolee Schneemann and Orlan. 2006
Csaba Zsófia. Intermediality in Artistic Dance Photography. 2006.
Csontos Noémi. The (Im)possibility of Feminine Revolt in Louisa May Alcott’s Little Women. 2007.
Udvari Tünde. Monstrous Femininity in Poe’s Ligeia and Morella. 2007.
Varga Diána. Engendered Representations of Madness in Virginia Woolf’s Mrs Dalloway and Michael Cunningham’s The Hours. 2008.
Valtner Vivien. Symbols of Passion in Wuthering Heights and Winwards Heights. 2008.
Harmath Csilla. The Problematic Role of Language in Lewis Carroll’s Through the Looking Glass and What Alice Found There. 2009.
Nagy Boglárka. The Struggles for Independence and the Rejection of Conventions in Charlotte Bronte’s Jane Eyre and Daphne du Maurier’s Rebecca. 2009.
Mikola Anita. The Development of the literary fairy tale and the refashioning of the genre in the Victorian era. 2009.
Czifra Zoltán. Re-reading Lewis Carroll’s Alice’s Adventures in Wonderland as a Coming-of-Age Guide for Victorian Young Adult Girls. 2010.
Benkő Ferenc. Harry Potter Through the Genres. Elements of Detective Fiction, Fantasy and Children’s Literature in Rowling’s Series. 2010.
Kohut Adrienn, A Comparative Analysis of Jane Eyre by Charlotte Bronte and The Eyre Affair by Jasper Fforde. 2010.
Kunji Szuzanna, Monster or Criminal? Comparing the Victorian and the Postmodern Sweeney Todd. 2010.
Suhajda Annamária, The Symbolical Significance of Food in Lewis Carroll’s Alice Books. 2010.
Csuka Mónika. Muse, Model, Artist and Revolutionary: Elizabeth Siddal’s Role in Challenging the Victorian Myths of Femininity, 2010.
Bozsik Eszter. Changing Gender Roles in “Beauty and the Beast”’s versions and Rewritings. From Cupid and Psyche to Angela Carter’s Bloody Chambers , 2011
Hajtmann Barbara. Fashion in Contemporary Women’s Literature, 2011
Hartai Adrienn. The Transformations of Little Red Riding Hood’s Wolf Figure in Joan M. Schenkar’s Postmodern Drama, The Universal Wolf, 2011
Horváth Tünde. Weaving the Text in Tracy Chevalier’s The Lady and the Unicorn, 2011
Kató Alexandra. Disability in Society: Frankenstein, Monstrosity and Perceptions of Otherness, 2011
Kovács Ildikó Etelka. Dual Readership in Lewis Carroll’s Alice in Wonderland, 2011
Tábi Emőke Szilvia. Through the Castle Door: Exploring Diana Wynne Jones’s Postmodern Fantasy, 2011
Sándor András. Cosmic Carnival: Dark Carnivalesque in Lovecraft’s “The Festival”, 2012
Hulmán Alícia, Reconsidering the Dangers of Violence in Children’s Classic Fairy Tales, 2012
Molnár Luca. Puer Aeternus: A Dream that has Turned into a Nightmare, 2012
Sloboda Izabela. The Uncanny in Neil Gaiman’s Coraline, 2013
Nagylaki Dóra. The Criteria of Efficient Children’s Fantasy Writing in C.S.Lewis’s View Through the Example of The Chronicles of Narnia, 2013
Mikecz Dóra. The Aesthete as Manipulator. The Reinterpretation of Lord Henry Wotton’s Role in Oscar Wilde’s The Picture of Dorian Gray, 2013.
Dupák Karina. Twisted Mother-Daughter Relationship as Formative of the Artistic Self in Jeanette Winterson’s Fictional Autobiographies, 2014
Gerhát Anita. The Ambiguous Social Construction of the Fashionable Gendered Body through the Example of American Apparel’s Controversial Advertisements, 2014
Farkas Barbara Angelina. Challenging the Victorian Ideal of Femininity: Florence Nightingale and her Cassandra, 2014
Keller Katalin, Charlotte Bronte’s Jane Eyre: Victorian Self-Writing from a Feminist Perspective, 2014.
Varga Mária Viktória. Harry Potter’s Im/possible Universe: Making a Fantastic World Plausible with References to Real Life Problems, 2015.
Szabó Ferenc. Harry Potter and the Battle of Media: Adapting Books to the Screen, 2015.
Fogas Dániel, The American South After the Civil War in „A Rose for Emily”, 2015.
Muhel Tamara. Poe for the Pre-Readers. Examining the Positive Effects of Horror Fiction on Children through Micah Edwards’ Gothic Picture Book Ricky’s Spooky House, 2015.
Tóth Anita. Challenging the Victorian Ideal of Femininity through an Analysis of Becky Sharp’s Character, 2015.
Kis-Prumik Nóra. Failed and Refound „Eucatastrophe” in Old and New Versions of Little Red Riding Hood, 2015.
Molnár Keri Edit. Alternatives for Femininity? Insane Women in Charles Dickens’ Great Expectations, 2015.
Oláh Szabina. The Representation of Women in Contemporary Horror Film, 2015.
Boros-Gyevi Szabolcs. Subversions of the Fantasy Genre in Mark Lawrence’s The Broken Empire Trilogy, 2015.
Kispál Zsófia. The Evolution of Disney Princesses’ Imaginative Agency, 2016.
Takács Ildikó Katalin. Dystopic Visions of Reproduction in Feminist Science Fiction: Sexuality and Motherhood in The Handmaid’s Tale, 2017.
Rúzsa Gitta. Revival of Gothic Fiction in Postmodern Minimalist Prose: Poe Meets Palahniuk, 2017.
Ferenczi Dániel. The Reevaluation of Heroism in Postmodern Historical Fantasy: J.R.R Tolkien vs G.R.R. Martin, 2017.
Fülöp Zalán. A Comparative Psychoanalytic Analysis of Alice’s and Coraline’s Uncanny Adventures, 2017.
Pató Diána. Making Sense of Nonsense? The Dual Readership of Dr Seuss, 2017.
Sebők Alexandra. Marginalised Gender Identity and Romantic Orientation in Middle-Grade Fiction: The Universe of Rick Riordan, 2017.
Jankovics Nóra. The Translator’s (In)visibility: Translating Proper Names and Fantastic Neologisms in the Harry Potter Books to Hungarian, 2018.
Mészáros Zoltán Péter. Understanding Magic: The Effects of Storytelling Traditions on Intergenerational Bonding, 2018.
Diósi Zsófia. Questioning the hierarchy of female characters in Charlotte Brontë’s Jane Eyre: Is Bertha only a Double?, 2018.
Csinos Zsófia. A Victim or a Femme Fatale? Playing with Ambiguity in Gillian Flynn’s Gothic Novel Gone Girl, 2018.
Ágoston Helga. The Feminist Revision of the Vampire Figure in Angela Carter’s Short Fiction, 2018.
Vreckó Noémi. Psychoanalytical Interpretation of the Effects of Horror Tales on Children, 2018.
Nagyapáti Flóra. Liminality in Philip Pullman’s His Dark Materials Trilogy. 2019.
Bársony Fruzsina. The Omnipresent Gaze: Totalitarian Societies and the Power of Constant Surveillance in the 20th-21st Century Dystopian Literature. 2019.
Osoliová Viktória. „Some are made to scheme, and some to love.” Challenging Victorian Stereotypes of Femininity through the Portrayal of Rebecca Sharp and Amelia Sedley in WM Thackeray’s Vanity Fair. 2019.
Gila Kata Klaudia. Recycling Fairy-Tale Motifs in Neil Gaiman’s Stardust. 2019.
Nagy Gábor István. FairyTales and Horror: The Unofficial Siblings in Literature through J.R.R. Tolkien and Neil Gaiman. 2020.
Budai Ágota. Once Upon an Archetype: Reading “Snow White” by the Brothers Grimm and “Snow, Glass, Apples” by Neil Gaiman from a Jungian perspective. 2020.
Szokolyai Dóra. Intertextual Affairs in a Postmodern Novel: Jeanette Winterson’s The Powerbook. 2020.
Horvay Lili Enikő. The Fictionalization of Taboo Topics in Ian McEwan’s First Love, Last Rites. 2020.
Fekecs Liliána. Parallel Alices: Representations of Lewis Carroll’s Alice’s Adventures in Wonderland in Cinema. 2020.
Vácz Orsolya. Generic hybridity as a means of postmodern fantastification in Yana Toboso’s manga Black Butler, 2021.
Fekete Fanni. The Portrayal of Nineteenth-Century Mother-Daughter Relationship in Louisa May Alcott’s Little Women, 2021.
Dalmadi Barbara. Fantastification of the young adult novel through the recycling of fairy traditions in Sarah J. Maas’ A Court of Thorns and Roses, 2021.
