2015 “A Shakespeare-i képregény terei.” University of Szeged, October 8-10 („Ki merre tart a magyar Shakespeare-kutatásban?” Jágonak V. Project Conference)
2015 “Koktélcseresznye-piros tűsarkú vagy zabkásaszínű mokaszin? Avagy mit illik és m it nem illik ’öreglányoknak.” University of Szeged, September 25-26 (11 NYIM: A nő és a kor/osodás Magyar vetületei 1989 óta)
2015 “Fan Fiction and the Pleasure of Adaptation.” University of Debrecen, Debrecen, January 29-31 (12HUSSE)
2014 “The Body of Modesty.” Pavol Jozef Šafárik University, Košice, Slovakia, August 29 – September 2 (12ESSE, Panel: Intermedial Body Politics: Towards a Feminist Analysis of Image/Text Dynamics)
2013 “Mert az angyal a részletekben lakik” – Angelina Jolie masztektómia műtétének fogadtatásáról.” University of Szeged, September 27-28 (9NYIM: A “magyar” társadalmi nemi és szexuális viszonyok sajátosságai. Összehasonlító megközelítések)
2013 “‘What Cannot Be Described’: The Agency of Spirits in Milton’s Paradise Lost.” University of Szeged, May 29-31 (European Iconology East & West 5: Cultural Imageries of Body and Soul – Intermedial Representations of the Corporeal, the Psychic and the Spiritual)
2013 “Ventriloquized Voices in the English Renaissance. Donne to Philaenis.” Eötvös Loránd Tudományegyetem, Budapest, January 24-26 (11HUSSE, Panel: Male Appropriations of the Female Voice).
2012 “‘Web Like Dickens’: The Dickens Fan Fictions.’ University of Pécs, November 9-10 (Charles Dickens 200 – Text and Beyond. A Commemorative Conference)
2012 “Frye and the Musical Poet.” Károli Gáspár University of Reformed Church, Budapest, September 7-8 (Northrop Frye 100: A Danubian Perspective)
2011 “Unholesome Henbane between two Fragrant Roses? Milton and the Book of Tobit.” Károli Gáspár University of Reformed Church, Budapest, September 16-18 (The King James Bible (1611-2011): Prehistory and Afterlife International Conference)
2011 “Milton and the Cherubim in Embrace.” University of Szeged, July 6-10 (ESSWE3: The Visual and the Symbolic in Western Esotericms)
2010 “‘The mind is its own place’: Milton and the construction of fantastic realms in Paradise Lost.” Pázmány Péter Catholic University, Piliscsaba, May 27-28 (1st Pázmány Conference on the Fantastic in the Arts)
2009 “Milton and the trial by ‘what is contrary.'” Katolícka univerzita v Ružomberku, Ružomberok, Slovakia, June 24-26 (Ambiguity Conference)
2009 “The proper shape of Milton’s angels.” University of Pécs, January 22-24 (HUSSE 9)
2008 “Naked innocence, or the representation of Milton’s unfallen angels.” Károli Gáspár University of Reformed Church, Budapest, September 4-7 (Milton Through the Centuries. International Milton Conference)
2008 “Surprised by Sin, Again.” University of London, London, July 7-11 (The 9th International Milton Symposium)
2008 “‘That complication of Horrors’: Milton’s Sin through the eyes of Henry Fuseli.” University of Szeged, June (VampireSympo II).
2008 “Authors or ‘auteur’: Graphic Novel as a Blakeian Coposite Art.” University of Szeged, April 4-5 (Medial Interactions in the Literary Fantastic, Salzburg-Szeged Dissertation Network Workshop)
2007 “Raphael, an angel of Milton’s own.” University of Szeged, January 25-27 (8HUSSE)
2006 “Poetics of incertitude and intangling in Milton’s Paradise Lost.” Brunauerzentrum, Salzburg, November 3-4 (Joint PhD Network Symposium: Communicative Strategies in Literature)
2006 “Lilith: fantastic female representations of Sin.” University of Szeged, June 9-10 (Bilateral PhD/Post-Doc Seminar: What Constitutes the Fantastic?)
2005 “Milton and Defension Prima on the Frontier.” Universite Pierre Mendes France, Grenoble, June 7-11 June (Milton, rights and liberties, The 8th International Milton Symposium)
2005 “‘Renaissance Pictures’, avagy a fandom emblematikus kifejezésmódja.” University of Szeged, April 25-27 (Kép/szöveg/reprezentáció a multimediális korban, Nemzetközi Konferencia)
2004 “‘I am not what I am’: The Subversive Antitheatricality of Iago.” Pázmány Péter Catholic University, Piliscsaba, May 28-30 (2HUSSDE Conference: Now You See It, Now You Don’t: Hiding and Revealing in Text and Performance)