{"id":542,"date":"2017-06-08T12:54:29","date_gmt":"2017-06-08T12:54:29","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=542"},"modified":"2021-09-05T20:33:58","modified_gmt":"2021-09-05T20:33:58","slug":"cv-english","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/cv-english\/","title":{"rendered":"CV (English)"},"content":{"rendered":"

Curriculum Vitae\u00a0\u00a0\u00a0 <\/strong>(Jan 2021)<\/h3>\n

Anna K\u00e9rchy<\/strong><\/h4>\n

Associate Professor of English, University of Szeged, Hungary<\/p>\n

Work Address:<\/u><\/p>\n

University of Szeged, Faculty of Arts, Institute of English & American Studies, English Dept.<\/p>\n

Szeged 6722, Egyetem u 2, Room 3303, Hungary<\/p>\n

Phone: 36-62-544 526 Fax: 36-62-544\u00a0259 E-mail<\/u>: akerchy@ieas-szeged.hu<\/a><\/p>\n

Education and Qualifications<\/strong><\/h4>\n

2016 Doctoral habilitation in Literature<\/strong> and Culture<\/strong>, University of Debrecen, Hungary (26\/2016 hab. FI17198)\u00a0\u00a0 Habilitation Dissertation title: Alice in Transmedia Wonderland. Postmodern Configurations of Victorian Fantasy<\/em><\/p>\n

2007 PhD in Literature<\/strong> (summa cum laude<\/em>), University of Szeged, Hungary (BTK-3\/2007.)\u00a0 Dissertation title: Self-freakings. Body-Texts in Angela Carter\u2019s Novel Trilogy. Feminist Grotesque Bodies, Fictionalized Identities, and Somatized Narratives in The Passion of New Eve, Nights at the Circus, and Wise Children<\/em><\/p>\n

2000-2003 Doctoral School of British and American Literatures and Cultures, University of Szeged, Hungary<\/p>\n

2004 Certification as English-Hungarian and Hungarian-English Translator and Interpreter <\/strong>in the Fields of Economics and Social Sciences<\/strong><\/p>\n

2000-2003 Post-graduate Course in Translation and Interpreting, University of Szeged, Hungary<\/p>\n

2000 DEA (<\/strong>Dipl\u00f4me d\u2019Etudes Approfondies) d\u2019Histoire et S\u00e9miologie du Texte et de l\u2019Image,<\/strong> (mention tr\u00e8s bien<\/em>), Universit\u00e9 Paris VII, France, Dissertation title: Le<\/em> symbole de l\u2019oeil dans l\u2019oeuvre de Georges Bataille<\/em><\/p>\n

1999-2000 UFR Sciences des Textes et Documents, Equipe Litt\u00e9rature au Pr\u00e9sent, Universit\u00e9 Paris VII Denis Diderot, France<\/p>\n

1994-1999 BA and MA in English and French Language and Literature <\/strong>Institute of English and American Studies, English Department, University of Szeged, (formerly J\u00f3zsef Attila University), Hungary<\/p>\n

1998 Spring University of Tennessee, English Department, literary theory, Knoxville, USA<\/p>\n

1990-1994 \u00a0\u00a0S\u00e1gv\u00e1ri Endre Secondary School, Szeged, class specialized in French and German<\/p>\n

1988-89\u00a0\u00a0\u00a0\u00a0\u00a0 Tri North Trojans Middle School, Bloomington, Indiana, USA<\/p>\n

1982-1990 \u00a0\u00a0S\u00e1gv\u00e1ri Endre Primary School, Szeged, class specialized in French and Russian<\/p>\n

Position:<\/strong><\/h4>\n

2017 September: Associate Professor<\/strong>, University of Szeged, IEAS, English dept.\u00a0 (2003-2006 Lecturer, 2007 Part-Time Research Assistant, 2008 Assistant Professor, 2008-2017 Senior Assistant Professor)<\/p>\n

2021 Head of Literatures and Cultures in English Doctoral Program<\/p>\n

Major Research Interests:<\/strong><\/h4>\n

Gender studies, body studies, posthumanism, monstrosity, disability<\/p>\n

cultural- and literary-theory (the post-semiotics of the embodied subject, corporeal narratology, feminist literary theory),<\/p>\n

19th<\/sup> century (Victorian) and 20th<\/sup>-21st<\/sup> century (postmodern) fantastic imagination, women\u2019s writing\/arts,<\/p>\n

children\u2019s\/YA literatures and cultures,<\/p>\n

the Literary Fantastic (fairy tales, magic realism, nonsense fantasy),<\/p>\n

transmedia storytelling, intermedial cultural representations, image-text relations<\/p>\n

Memberships in Academic Associations<\/strong><\/h4>\n

MTA N\u0151k a Kutat\u00f3i \u00c9letp\u00e1ly\u00e1n Bizotts\u00e1g: Women in Science Committee of Hungarian Academy of Sciences (2020-2023)<\/p>\n

MTA Irodalom- \u00e9s Kult\u00faratudom\u00e1nyi Bizotts\u00e1g<\/p>\n

HUSSE Hungarian Society for the Study of English (2001- ) (presidential board: 2011-12, 2019-)<\/p>\n

ESSE European Society for the Study of English (2001- )<\/p>\n

HAAS Hungarian Association for American Studies (2001- )<\/p>\n

EAAS European Association for American Studies (2001- )<\/p>\n

IRSCL International Research Society for Children\u2019s Literature (2013-2014, 2019-)<\/p>\n

HUBBY (Hungarian Board on Books for Young People) (2017-)<\/p>\n

ISIS International Society for Intermedial Studies (2013- )<\/p>\n

ATHENA European Women\u2019s Studies Network (2013- )<\/p>\n

SFEVE Soci\u00e9t\u00e9 Fran\u00e7aise des Etudes Victoriennes et Edouardiennes (2016-<\/p>\n

The Lewis Carroll Society (2013-2015)<\/p>\n

The Angela Carter Society (2020-)<\/p>\n

ANIMALIA Research Group, SZTE (2016- )<\/p>\n

General Assembly of the Hungarian Academy of Sciences (2008- )<\/p>\n

Szeged University, supervisor in Doctoral School of Literature at Faculty of Arts<\/p>\n

Publications: <\/strong><\/h4>\n

Books <\/strong><\/p>\n

A n\u0151 nyelvet \u00f6lt. Feminista narratol\u00f3giai, eszt\u00e9tikai, testelm\u00e9leti tanulm\u00e1nyok.\u00a0 (Essays on feminist narratology, aesthetics, and body studies) <\/em>Ikonol\u00f3gia \u00e9s M\u0171\u00e9rtelmez\u00e9s sorozat 14. Szeged: JATE SZTE University Press, 2018. (pp. 324, ISBN: 978 963 315 383 3)
\n<\/em><\/p>\n

Alice in Transmedia Wonderland. Curiouser and Curiouser New Forms of a Children\u2019s Classic<\/em>. Jefferson: McFarland, 2016. (pp. 268, ISBN-10: 1476666687 ISBN-13: 978-1476666686)<\/p>\n

Body-Texts<\/em> in the Novels of Angela Carter. Writing from a Corporeagraphic Point of View<\/em>. Lewiston, Lampeter: The Edwin Mellen Press, 2008. (pp. 372, ISBN10:\u00a0 0-7734-4892-6\u00a0\u00a0\u00a0ISBN13:\u00a0 978-0-7734-4892-6)<\/p>\n

Editorial Work<\/strong><\/p>\n

Translating and Transmediating Children’s Literature. <\/em>Eds. Bj\u00f6rn Sundmark, Anna K\u00e9rchy. New York: Palgrave, 2020.<\/p>\n

The Fairy-Tale Vanguard. Literary Self Consciousness in a Marvelous Genre.<\/em> Eds. Stijn Praet and Anna K\u00e9rchy. Newcastle Upon Tyne: Cambridge Scholars Press. 2019.<\/p>\n

Translating and Transmediating Children\u2019s Literatures and Cultures<\/em>. Special Issue for Bookbird<\/em>: A Journal of International Children’s Literature<\/em>. Eds. Bj\u00f6rn Sundmark, Anna K\u00e9rchy. IBBY, 2018.<\/p>\n

EJES, European Journal of English Studies<\/em>. Thematic issue Feminist Interventions in Intermedial Studies<\/em> Eds. Anna K\u00e9rchy, Catriona McAra. Taylor & Francis, 2017, Fall.<\/p>\n

Interspecies Encounters in Postmillenial Filmic Fantasies<\/em>. Special Issue of Americana E-Journal<\/em>. Ed. Anna K\u00e9rchy. 2018.<\/p>\n

Posthumanism in Fantastic Fiction. <\/em>Ed. Anna K\u00e9rchy. Americana<\/em> E-book, 2018.<\/p>\n

Exploring the Cultural History of Continental European Freak Shows<\/em> and Enfreakment.<\/em> Eds. Anna K\u00e9rchy and Andrea Zittlau. Newcastle Upon Tyne: Cambridge Scholars Press. 2012. (ISBN13: 978-1-4438-4134-4 ISBN: 1-4438-4134-X)<\/p>\n

Postmodern<\/em> Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings<\/em>. Ed. Anna K\u00e9rchy. Lewiston, Lampeter: The Edwin Mellen Press, 2011. (pp. 520, ISBN10:\u00a00-7734-1519-X\u00a0\u00a0\u00a0ISBN13:\u00a0978-0-7734-1519-5)<\/p>\n

The Iconology of Law and Order<\/em>. Legal and Cosmic<\/em>. (Papers in English and American Studies 21) Eds. Anna K\u00e9rchy, Attila Kiss, Gy\u00f6rgy E. Sz\u0151nyi. Szeged: JATE University Press, 2012. ISBN: 978-963-315-076-4<\/p>\n

What Constitutes the Fantastic?<\/em> Eds. Sabine Coelsch-Foisner, Gy\u00f6rgy E. Sz\u0151nyi, Sarolta Marinovich-Resch, Anna K\u00e9rchy. Szeged: JATE University Press, 2010.<\/p>\n

From 2011 Editor of TNT Ef Interdisciplinary E-journal of Gender Studies<\/em><\/a>,<\/p>\n

From 2020 Editor of “Mesecentrum Tanulm\u00e1nyok”<\/a> Literary Critical\/Theoretical Essays section on the website of the Hungarian Centre for the Study of Children’s Literature<\/p>\n

From 2012 Reading committee member of Journal of the Short Story in English. Les cahiers de la nouvelle<\/em>. Universit\u00e9 d\u2019Angers<\/p>\n

From 2017 serves on Editorial Review board of Bookbird<\/em><\/p>\n

Has acted as external Reviewer for Wayne State University Press, Routledge, Marvels & Tales, IRCL, Libri & Liberi, Victorian Poetry, The Anachronist, The Journal of the Austrian Association of American Studies<\/em><\/p>\n

Refereed Book Chapters<\/strong><\/p>\n

\u201cAlice Beyond Wonderland: Transmedia, Hybridity, and Intersemiotic Play in Contemporary Adaptations of a Children’s Classic.\u201d Ed. Ana Margarida Ramos et al. Transmedia and Hibdrity<\/em>. Universidad de Aveiro. 2021. 13-37.<\/p>\n

\u201eA mad\u00e1rn\u0151 m\u00e1gi\u00e1ja. A sz\u00f6rnyetegs\u00e9g mint mutatv\u00e1ny Angela Carter Est\u00e9k a cirkuszban<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9ben.\u201d R\u00e9mesen n\u00e9pszer\u0171<\/em>. Szerk. Limp\u00e1r Ildik\u00f3. Budapest: Atheneum, 2021. 137-160.<\/p>\n

\u201eMire k\u00e9pes egy Viktori\u00e1nus k\u00e9pesk\u00f6nyv? K\u00e9ptelen interakt\u00edv k\u00e9psz\u00f6vegek az Alice Csodaorsz\u00e1gban \u00e9s T\u00fck\u00f6rorsz\u00e1gban els\u0151 kiad\u00e1saiban.\u201d BILLUFESZT Tanulm\u00e1nyk\u00f6tet. <\/em>Tempev\u00f6lgy. Szerk. Varga Emese.<\/p>\n

\u201c\u2018Whichever way you go, you are sure to get somewhere.\u2019 Dysgeographic mappings of playable loci and the \u2018compass\u2019 of girlish curiosity in Lewis Carroll\u2019s and China Mi\u00e9ville\u2019s spatial fantasies.\u201d Geographies of Affect in Contemporary Literature and Visual Culture. Central Europe and the West<\/em>. \u00c1gnes Gy\u00f6rke and Imola B\u00fclg\u00f6zdi. Leiden: Brill, 2020. 163-180.<\/em><\/p>\n

\u201cThe Curious Case of Evie in Fairyland. Nonsense\u2019s Creative Reinventions and Domesticating the Implied Child Reader in Hungarian Translations of Alice\u2019s Adventures in Wonderland.<\/em>\u201d Children\u2019s Literature in Translation<\/em>. Szerk. Jack McMartin \u00e9s Jan van Coillie. Leuven: Leuven UP, 2020. 159-178.<\/p>\n

\u201cThe (im)possibilities of translating literary nonsense: Attempts at taming iconotextual monstrosity in Hungarian domestications of Lewis Carroll\u2019s \u2018Jabberwocky.\u2019\u201d Translating and Transmediating Children\u2019s Literature<\/em>. London: Palgrave. Szerk. Bj\u00f6rn Sundmark and Anna K\u00e9rchy, 2020. 133-155.<\/p>\n

K\u00e9rchy Anna, Bj\u00f6rn Sundmark. \u201eIntroduction.\u201d Translating and Transmediating Children\u2019s Literature<\/em>. Eds. Bj\u00f6rn Sundmark and Anna K\u00e9rchy. New York: Palgrave, 2020. 1-25.<\/p>\n

\u201cPerverted Postmodern Pinocchios: Cannibalistic Vegetal-children as Ecoterrorist Agents of Maternal Imagination.\u201d The Cultural Construction of Monstrous Children. Essays on Anomalous Children from 1595 to the Present Day. <\/em> Simon Bacon, Leo Ruickbie. London: Anthem, 2020. 151-165.<\/em><\/p>\n

\u201eHumor, horror, hi\u00e1tus. A groteszk gyerektest mint sz\u00f6vegmotor K\u00f3cos Petit\u0151l Pacasr\u00e1cig.\u201d Medialit\u00e1s \u00e9s gyerekirodalom<\/em>. Szerk Hermann Zolt\u00e1n et al. Budapest: L\u2019Harmattan, K\u00e1roli k\u00f6nyvek, 2020. 63-77.<\/p>\n

\u201cPsychogeography in the Curiosity Cabinet. Angela Carter\u2019s Poetics of Space.\u201d The Arts of Angela Carter.<\/em><\/a> Marie Mulvey Roberts. Manchester: Manchester University Press, 2019. 39-57.<\/p>\n

\u201cMeta-imagination in Lewis Carroll\u2019s Literary Fairy Tales about Alice\u2019s Adventures.\u201d The Fairy-Tale Vanguard<\/em>. Literary Self Consciousness in Marvellous Genres<\/em>. Szerk. Stijn Praet \u00e9s Anna K\u00e9rchy. Newcastle Upon Tyne: Cambridge Scholars, 2019. 55-77.<\/p>\n

\u201eAnalytical Approaches to Fairy-tale Cultures and Media in Children\u2019s and Young Adult Literature.\u201d The Routledge<\/em> Companion to Media and Fairy-Tale Cultures<\/em><\/a>. Ed. Pauline Greenhill, Lauren Bosc, Jill Rudy. New York: Routledge, 2018. 235-245.<\/p>\n

\u201cTransmedia Commodification: Disneyfication, Magical Objects, and Beauty and the Beast<\/i>.\u201d The Routledge Companion to Transmedia Studies<\/a>, <\/em>Eds. Gambarato Rampazzo Renira, Matthew Freeman. New York: Routledge, 2018. 223-233.<\/p>\n

\u201eAmicable Alices. Lewis Carroll and his Child Friends.\u201d The Politics and Poetics of Friendship<\/em>. Eds. Ewa Kowal and Robert Kusek. Krakow: Jagellonian University Press, 2017. 223-239.<\/p>\n

\u201cThe song of the dodo bird. Environmental- and language philosophy in Lewis Carroll\u2019s Victorian Nonsense Fairy-tale Fantasies.\u201d \u00c1llati Jelek<\/em>. Ed. \u00dajv\u00e1ri Edit et al. Szeged: Juh\u00e1sz Gyula Fels\u0151oktat\u00e1si Kiad\u00f3, 2018. 163-179.<\/p>\n

\u201cGondolatok a diverzit\u00e1s, sokf\u00e9les\u00e9g, \u00e9s a M\u00e1ss\u00e1g elt\u00e9r\u0151 form\u00e1ir\u00f3l a t\u00e1rsadalmi nem \u00e9s a fogyat\u00e9koss\u00e1g kultur\u00e1lis olvasatainak t\u00fckr\u00e9ben.\u201d Sokf\u00e9les\u00e9g mint t\u00e1rsadalmi \u00e9rt\u00e9k. Hatodik Fogyat\u00e9koss\u00e1gtudom\u00e1nyi Konferencia K\u00f6tete. <\/em>Szerk. S\u00e1ndor Anik\u00f3 et al. Budapest: ELTE B\u00e1rczi Guszt\u00e1v Gy\u00f3gypedag\u00f3giai Kar, 2018. 56-63.<\/p>\n

\u201cBoundaries, Bridges, Becomings. Interspecies Politics in Women\u2019s Performance Arts in the Contemporary US\u201d Transnational Americas: Home(s), Borders and Transgresssions<\/em><\/a> Conference Proceedings, SZTE, Centro InterAmerican, 2019. Americana E-book series.<\/p>\n

\u201cIntroduction.\u201d Posthumanism in Fantastic Fiction. <\/em> Anna K\u00e9rchy. Americana<\/em> E-book, 2018.<\/p>\n

\u201c\u2019Mystic, awful was the process.\u2019 Changing Meanings of Victorian Child Photography in Lewis Carroll\u2019s Darkroom and Bright Text.\u201d European Iconology East & West: Cultural Imageries of Body and Soul \u2013 Intermedial Representations of the Corporeal, the Psychic, and the Spiritual. <\/em>Eds. Sz\u0151nyi Gy\u00f6rgy Endre, et al. Szeged: JATE University Press. (forthcoming)<\/p>\n

\u201cRe-enacting Otherness as a Strategy of Resistance in Hungarian Jewish Dwarf Performance Artists\u2019 Memoirs\u201d The Anthropology of Encounters Conference Proceedings. <\/em>Szerk. Poved\u00e1k Istv\u00e1n et al. MAKAT k\u00f6nyvek 1. Budapest: Magyar Kultur\u00e1lis Antropol\u00f3giai T\u00e1rsas\u00e1g, 2017. 236-250.<\/p>\n

\u201cQueering the gaze in the museal space. Orshi Drozdik\u2019s feminist (post)concept art.\u201d Space, Gender, and the Gaze in Literature and Art.<\/em> Eds. \u00c1gnes Zs\u00f3fia Kov\u00e1cs, L\u00e1szl\u00f3 B S\u00e1ri. Newcastle Upon Thyne: Cambridge Scholars, 2017. 63-86.<\/p>\n

\u201cAlice\u2019s Eroticized Adventures on the Other Side of the Looking-Glass.\u201d Tantalizing Alice. Aprroaches, Concepts, and Case Studies in Adaptations of a Classic.<\/em> Eds. Sissy Helff and Nadia Butt. Trier: Wissenschafter Verlag Trier. 2016. 59-81.<\/p>\n

\u201cPerverted Postmodern Pinocchios: Cannibalistic Vegetal-children as Ecoterrorist Agents of Maternal Imagination.\u201d Little Horrors<\/em>: Interdisciplinary Perspectives on Anomalous <\/em>Children<\/em> and the Construction of<\/em> Monstrosity. <\/em>Eds. Simon Bacon and Leo Ruickbie. Oxford: Inter-Disciplinary Press, 2016. 195-215.<\/em><\/p>\n

\u201cDilemm\u00e1k a t\u00e1rsadalmi nemek tudom\u00e1nya \u00e9s a fogyat\u00e9koss\u00e1gtudom\u00e1ny metsz\u00e9spontjain.\u201d <\/sup>[Dilemmas at the intersection of disability studies and gender studies] A felelet k\u00e9rd\u00e9sei k\u00f6z\u00f6tt. Fogyat\u00e9koss\u00e1gtudom\u00e1ny Magyarorsz\u00e1gon<\/em>. Szerk. Hern\u00e1di Ilona \u00e9s K\u00f6nczei Gy\u00f6rgy. Budapest: ELTE B\u00e1rczi Guszt\u00e1v Gy\u00f3gypedag\u00f3giai Kar: Fotri Digit\u00e1lis K\u00f6nyvek 1. 2015. 10-32.<\/p>\n

\u201cThe Street Urchin as an Iconic Agent of Childish Imagination in Dickens\u2019 Fiction and its Victorian and Postmodern Visual Adaptations.\u201d Charles Dickens 200: Text and Beyond. A Commemorative Volume. <\/em>Eds. Andrew Rouse and Gabriella Hartvig. Martonfa: SPECHEL e-ditions, 2015.<\/p>\n

\u201cEssay on the Hungarian Translations of Alice\u2019s Adventures in Wonderland<\/em>.\u201d Alice in a World of Wonderlands: Translations of Lewis Carroll\u2019s Masterpiece<\/em>. Vol. 1. Eds. Jon Lindseth and Markus Lang. New Castle, DE: Oak Knoll Press, USA, 2015. 294-299.<\/p>\n

\u201cThe Translation and Reception of Angela Carter\u2019s Work in Hungary.\u201d Angela Carter traductrice-Angela Carter en traduction. <\/em>Cahiers du Centre de Traduction Litt\u00e9raire. Ed. Martine Hennard Dutheil De La Rochere. Universit\u00e9 de Lausanne, <\/a>2014. 159-175.<\/p>\n

\u201cLes traductions hongroises de The Great<\/em> Gatsby.\u201d Quand l’Europe retraduit<\/em> The<\/em> Great Gatsby.<\/em> Le<\/em> corps transfrontalier du texte. <\/em>(Collection Translations. Pens\u00e9es et Pratiques de la traduction<\/em>) Ed. V\u00e9ronique B\u00e9ghain. Pessac: Presses Universitaires de Bordeaux, 2013. 19-35.<\/em><\/p>\n

\u201cFrom the Showbiz to the Concentration Camp: The Fabulous, Freakish Life of Hungarian Jewish Dwarf Performers Zoli Hirsch and the Ovitz Family.\u201d Exploring the Cultural History of Continental European Freak Shows<\/em> and Enfreakment.<\/em> Eds. Anna K\u00e9rchy and Andrea Zittlau. Newcastle Upon Tyne: Cambridge Scholars Press. 2012. 211-233.<\/p>\n

\u201cIntroduction<\/a>\u201d (with Andrea Zittlau) Exploring the Cultural History of Continental European Freak Shows<\/em> and Enfreakment.<\/em> Eds. Anna K\u00e9rchy and Andrea Zittlau. Newcastle Upon Tyne: Cambridge Scholars Press. 2012. 1-20.<\/p>\n

\u201cA fogyat\u00e9kkal \u00e9l\u0151k elfogad\u00e1s\u00e1t c\u00e9lz\u00f3 m\u00e9dia\/m\u0171v\u00e9szeti megnyilv\u00e1nul\u00e1sok lehet\u0151s\u00e9gei, korl\u00e1tai, \u00e9s recepci\u00f3ja\u00a0a mai Magyarorsz\u00e1gon.\u201d [On the visibility of disability in Hungary today] Mi\/M\u00e1s2: Gondolatok a m\u00e1ss\u00e1gr\u00f3l<\/em>. Eds. Judit K\u00e1d\u00e1r and Judit Szathm\u00e1ri. Eger: EKF L\u00edceum Kiad\u00f3, 2012.<\/p>\n

\u201cDisorder in the Museum. Recycling Waste and Cultural Trauma in the Chapman Brothers\u2019 Abject Art.\u201d EW4. The Iconology of Law and Order. <\/em>Eds. Anna K\u00e9rchy, Gy\u00f6rgy Sz\u00f6nyi, Attila Kiss. Szeged: JATEPress, 2012.<\/p>\n

\u201cRecycling Waste and Cultural Trauma in the Museum Space\u201d in: The Museal Turn<\/em>. Eds. Sabine Coelsch-Foisner and Douglas Brown. Heidelberg: Universit\u00e4tsverlag Winter, 2012. 235-249.<\/p>\n

\u201cStammering, Somniloquy and Somatized Semiosis. (Un)making Sense of Nonsense in Lewis Carroll\u2019s Alice Tales\u201d in: The Language of Sense, Common-Sense and Nonsense<\/em>. Eds. Ewa Borkowska, Tomasz Burzynski, and Maciej Nowak. Bielsko-Biala: Wydawnictwo WSEH, 2012. 43-54.<\/p>\n

\u201cFeminist Psychogeography and Jeanette Winterson\u2019s Passions\u201d in: She\u2019s Leaving Home. Women\u2019s Writing in English in a European Context (European Connections). <\/em>Eds. N\u00f3ra S\u00e9llei and June Waudby. Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, 2011. 131-149.<\/p>\n

\u201cAmbiguous Alice. Making Sense of Lewis Carroll\u2019s Nonsense Fantasies\u201d in: Does It Really Mean That? Interpreting the Literary Ambiguous<\/em> Eds. Janka Ka\u0161\u010d\u00e1kov\u00e1 and Kathleen Dubbs. Cambridge Scholars Publishing, 2011. 104-121.<\/p>\n

\u201cNonsensical Disenchantment and Imaginative Reluctance in Postmodern Rewritings of Lewis Carroll’s Alice Tales\u201d in Anti-Tales. The Uses of Disenchantment<\/em>. Eds. Catriona Fay MacAra – David Calvin. Cambridge: Cambridge Scholars Publishing, 2011. 62-75.<\/p>\n

\u201c<\/em>Postmodern Fantasies of Salvation. Interfacing Forensic Crime Fiction and Fairy Tale in Tim Burton\u2019s Corpse Bride<\/em>\u201d <\/em>(with Ingrida Povidisa) in Postmodern<\/em> Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings. <\/em>Ed. Anna K\u00e9rchy. Lewiston, Lampeter: The Edwin Mellen Press, 2011. 107-126.<\/p>\n

\u201cA Corpusemiotical Analysis of a Postmodern Alice-Tale. Embodied Nonsense in Terry Gilliam\u2019s Tideland<\/em>\u201d in Postmodern<\/em> Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings. <\/em>Ed. Anna K\u00e9rchy. Lewiston, Lampeter: The Edwin Mellen Press, 2011. 460-481.<\/p>\n

\u201c\u2019Not Waving but Drowning.\u2019 An Agnostic Commitment to Autonomy. The Freedom of Uncertainty in Stevie Smith\u2019s Poetry\u201d in: Autonomy and Commitment in Twentieth-Century British Literature<\/em>. Eds. Christine Reynier, Jean-Michel Ganteau. Montpellier: Presses Universitaires de la M\u00e9diterran\u00e9e. 2010. 145-161.<\/p>\n

\u201cA n\u0151 nyelvet \u00f6lt. A feminista narratol\u00f3gia dilemm\u00e1i \u00e9s a korpore\u00e1lis narratol\u00f3gia lehet\u0151s\u00e9gei\u201d [On the dilemmas of feminist narratology and the potentials of corporeal narratology] in: \u00daj elm\u00e9letek a narratol\u00f3gi\u00e1ban. <\/em>[Current Trends in Narratology<\/em>], Ed. Erzs\u00e9bet Szab\u00f3. Szeged: Grimm Kiad\u00f3, 2010. 43-97.<\/p>\n

\u201cFaraway, So Close. Towards a Definition of Magic(al) (Ir)Realism.\u201d What Constitutes the Fantastic?<\/em> Eds. Sabine Coelsch-Foisner et al. Szeged: JATEPress, 2010. 15-35.<\/p>\n

\u201cBodies That Do Not Fit: Sexual Metamorphoses, Re-embodied Identities and Cultural Crisis in Contemporary Transgender Memoirs\u201d in: The Human Body in Contemporary Literatures in English: Cultural and Political Implications. <\/em>Eds. Sabine Coelsch-Foisner and Marta Fernandez Morales. Frankfurt Am Main: Peter Lang, 2009. 129-150.<\/p>\n

\u201cA transznem\u0171 identit\u00e1s dilemm\u00e1i a kort\u00e1rs gender-elm\u00e9letek \u00e9s popul\u00e1ris kultur\u00e1lis reprezent\u00e1ci\u00f3k t\u00fckr\u00e9ben.\u201d [\u201cDilemmas of transgender identity in contemporary queer theory and popular representations\u201d] In: Mi\/M\u00e1s Konferencia 2008. Gondolatok a toleranci\u00e1r\u00f3l.<\/em> Eger: EKF L\u00edceum Kiad\u00f3, 2009. 169-183.<\/p>\n

\u201cA buziboszi, a meleg bar\u00e1t \u00e9s “az a bizonyos dolog”. Az\u00a0\u00e9rzelmi kapcsolat heteronormativiz\u00e1l\u00e1s\u00e1nak (kon)szekvenci\u00e1j\u00e1r\u00f3l.\u201d [\u201eMy gay best friend, tha fag hag, and \u2019that thing.\u2019 On the (con)sequence of affective relationships\u2019s heteronormativization.\u201d] In: Nyelv, Ideol\u00f3gia, M\u00e9dia 2. A n\u0151 \u00e9s n\u0151i(es)s\u00e9g sztereot\u00edpi\u00e1i. <\/em>Eds. Erzs\u00e9bet Bar\u00e1t, Kl\u00e1ra S\u00e1ndor. Szeged: SZTE K\u00f6nyvt\u00e1rtudom\u00e1nyi Tansz\u00e9k, 2009. 55-65.(with N\u00f3ra Koller)<\/p>\n

\u201cAutobiografikci\u00f3 \u00e9s \u00f6n\u00e9letrajz\u00e1s Angela Carter reg\u00e9ny-tril\u00f3gi\u00e1j\u00e1ban.\u201d [On autobiografiction in Angela Carter\u2019s trilogy] in: \u00cdrott \u00e9s olvasott identit\u00e1s. Az \u00f6n\u00e9letrajzi m\u0171fajok kontextusai<\/em>. [Written and Read Identity. The Referential Contexts of Autobiographical Genres<\/em>.] Eds. Zolt\u00e1n Z.Varga and J\u00e1nos Mekis D. Budapest: L\u2019Harmattan, 2008. 352-261.<\/p>\n

\u201cCarnal Re-presentations: Orlan\u2019s Body Art. Surgical Interventions Subverting the Iconography of Femininity and Beauty Myth\u201d in: Eastern and Western Traditions of European Iconography 3: The Iconography of Gender.<\/em> Eds. Sz\u0151nyi Gy\u00f6rgy Endre \u2013 Kiss Attila. Szeged: JATEPress, 2008. 147-157.<\/p>\n

\u201c<\/strong>Az \u00c9n mint (sok) M\u00e1sik. A szamur\u00e1j\/anya \u00f6nsz\u00f6vegez\u00e9se. Posztstrukturalista szubjektumelm\u00e9let Julia Kristeva Les Samoura\u00efs<\/em> c\u00edm\u0171 \u00f6n\u00e9letrajzi reg\u00e9ny\u00e9ben.\u201d [\u201cThe other I. The self-writing of the samourai\/mother. Poststructuralist theory of the subject in Julia Kristeva\u2019s Les Samoura\u00efs<\/em>] in: A n\u0151i szubjektum<\/em>. [The Female Subject<\/em>] Ed. N\u00f3ra S\u00e9llei. Debrecen: Debrecen UP, 2007. 253-271.<\/p>\n

\u201c\u2018Kisasszonyok, vadmacsk\u00e1k, k\u00e9kharisny\u00e1k\u2019 Az \u00edr\u00f3 n\u0151 pozicion\u00e1l\u00e1sa a mai magyar m\u00e9di\u00e1ban.\u201d <\/em>[\u201c\u2019Demoiselles, Wildcats, and Blue Stockings.\u2019 Positioning the Writing Woman in the Contemporary Hungarian Media.\u201d] in: Nyelv, Ideol\u00f3gia, M\u00e9dia. A n\u0151 helye a magyar nyelvhaszn\u00e1latban. [Language, Ideology, Media. Woman\u2019s Place in Hungarian Discourse. Conference Proceedings]<\/em> Eds. Erzs\u00e9bet Bar\u00e1t, Kl\u00e1ra S\u00e1ndor. Szeged: JATEPress, 2007. 53-67. (with N\u00f3ra Koller)<\/strong><\/p>\n

\u201cGrotesque Body Modification, Freaked Femininity and Narrative Self-Decomposition in Angela Carter\u2019s The Passion of New Eve\u201d <\/em>in: Fantastic Body Transformations in English Literature. <\/em>Ed. Sabine Coelsch-Foisner. Heidelberg: Universit\u00e4tsverlag WINTER, 2006. 89-107.<\/p>\n

\u201cNarrating the Beat of the Heart, Jazzing the Text of Desire. A Comparative Interface of James Baldwin\u2019s Another Country <\/em>and Toni Morrison\u2019s Jazz\u201d <\/em>in: James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays. <\/em>Eds. Lovalerie King, Lynn Orilla Scott. New York: Palgrave Macmillan, 2006. 50-86.<\/p>\n

\u201cN\u0151ies-e a kort\u00e1rs n\u0151i irodalom? \u00c1t\u00edr\u00e1s, \u00fajraolvas\u00e1s, re-v\u00edzi\u00f3\u201d [\u201cIs contemporary women\u2019s writing feminine? Re-writing, re-reading, re-vision.\u201d] in: Laikus olvas\u00f3k? A nem-professzion\u00e1lis olvas\u00e1s \u00e9rtelmez\u00e9si lehet\u00f5s\u00e9gei <\/em>. [Lay readership? Interpretive possibilities of non-professional reading.<\/em>] Eds. Zs\u00f3fia L\u00f3r\u00e1nd, Tam\u00e1s Scheibner, G\u00e1bor Vaderna. (Dayka Series 4th<\/sup> volume) Budapest: L\u2019Harmattan, 2005. 101-112.<\/p>\n

\u201cWings and Masks. Grotesque Body, Laughing Language and Carnivalesque Texture in Angela Carter\u2019s Nights at the Circus<\/em>\u201d in: Spaces in Transition. Papers in English and American Studies XII.<\/em> Ed. Erzs\u00e9bet Bar\u00e1t. Szeged: JATEPress, 2005. 46-60.<\/p>\n

\u201cAna\u00efs Nin\u2019s Experimental Autofiction. The Portrait of the Artist as a Postmodern Desiring Female Subject in A Spy in the House of Love<\/em>.\u201d in: Conference Proceedings of The 1950s HAAS Biennial Conference 2003<\/em> Budapest: ELTE, 2003. 141-148.<\/p>\n

Refereed Journal Articles
\n<\/strong><\/p>\n

\u201cThe Secret Life of Things Queering the Museal Gaze in Angela Carter\u2019s Fiction.\u201d Marvels & Tales<\/em>. 34.2 Fall 2020. 159-179.<\/p>\n

\u201cThe acoustics of nonsense in Lewis Carroll\u2019s Alice tales.\u201d International Research in Children\u2019s Literature<\/em>1 (2020): 175-190.<\/p>\n

\u201cChimeric Visions: Posthuman Somaesthetics and Interspecies Communication in Contemporary Humanimal Body Art Performances.\u201d HJEAS <\/em>Posthumanism Special Issue. Ed. Andrea T\u00edm\u00e1r, 2020. 193-223.<\/p>\n

\u201eTaktilis tekintet Margaret Atwood A szolg\u00e1l\u00f3l\u00e1ny mes\u00e9je c\u00edm\u0171 reg\u00e9ny\u00e9ben.\u201d Tiszat\u00e1j. 2021. janu\u00e1r. 70-78.<\/p>\n

\u201cTrad\u00edci\u00f3 \u00e9s transzmedi\u00e1ci\u00f3: A t\u00fcnd\u00e9rmese ut\u00f3\u00e9lete a 21. sz\u00e1zadi gyerek \u00e9s ifj\u00fas\u00e1gi irodalomban. \u201d<\/a> Studia Litteraria. <\/em>Gyerekvil\u00e1gok. 2019\/1-2. 115-127.<\/p>\n

\u201cA fajok k\u00f6zti szolidarit\u00e1s poszthum\u00e1n etikai lehet\u0151s\u00e9gei? K\u00e9tes k\u00f6rnyezetv\u00e9delem a kort\u00e1rs feminista performanszban \u00e9s a mai magyar popul\u00e1ris kult\u00far\u00e1ban.\u201d<\/a> TNT ef. 2019. Ny\u00e1r. 9.1. 14-29.<\/p>\n

\u201cAlice\u2019s Non-Anthropocentric Ethics. Lewis Carroll as a Defender of Animal Rights.\u201d<\/a> Cahiers Victoriens et \u00c9douardiens<\/em>. 88th special issue on Comforting Creatures: Literature and its New Animal Phenomenologies<\/em>. 2018 Automne. Eds. Sara Thornton & Laurence Rousillon-Constanty. Presses Universitaires de la M\u00e9diterran\u00e9e. Open Edition Journals.<\/p>\n

\u201c\u2019Beckoning\u2019: Thoughts on Zs\u00f3fia Jakab\u2019s Art\u201d. Catalogue for art exhibition organized by Leeds University of Arts, UK, 2018<\/p>\n

\u201cIntroduction to special journal issue\u201d<\/a> Interspecies Encounters in Postmillenial Filmic Fantasies<\/em>. Special Issue of Americana E-Journal<\/em>. Ed. Anna K\u00e9rchy. 2018.<\/p>\n

\u201cIntroduction to special issue on Translating and Transmediating Children\u2019s Literatures and Cultures<\/em>. Special Issue for Bookbird<\/em>: A Journal of International Children’s Literature<\/em>. Eds. Bj\u00f6rn Sundmark, Anna K\u00e9rchy. IBBY, Taylor & Francis, 2018.<\/p>\n

\u201cIntroduction to special issue on Feminist Interventions in Intermedial Studies.\u201d (with Catriona McAra) EJES. European Journal of English Studies<\/em>. Feminist Interventions in Intermedial Studies Issue. 2017.21.3. 1-14.<\/p>\n

\u201cInterview with Liliane Louvel on Feminist Interventions in Intermedial Studies.\u201d (with Catriona McAra) EJES. European Journal of English Studies<\/em>. Feminist Interventions in Intermedial Studies Issue. 2017.21.3. 222-226.<\/p>\n

\u201cInterview with Mieke Bal on Feminist Interventions in Intermedial Studies.\u201d (with Catriona McAra) EJES. European Journal of English Studies<\/em>. Feminist Interventions in Intermedial Studies Issue. 2017.21.3. 217-221.<\/p>\n

\u201cVend\u00e9gs\u00e9gben Alice asztal\u00e1n\u00e1l. It\u2019s Always Tea Time.\u201d <\/a>KULTer.hu<\/em> 2017. 11. 16.<\/p>\n

\u201cVegetal Visions. <\/em>Ecocritical Encounters with Plant Kin in Transmediated Fairy Tales.\u201d<\/a> Americana E-Journal<\/em>. Special issue on Posthumanist (com)promises of Human-Animal-Plant Encounters in Fantastic Imagination. 2017.<\/p>\n

\u201cA nonszensz po\u00e9tik\u00e1ja \u00e9s politik\u00e1ja\u201d<\/a> [The Poetics and Politics of Nonsense]\u00a0Studia Litteraria<\/em>. 2016. 3\/4. 76-90.<\/p>\n

\u201c\u00c1tl\u00e1tsz\u00f3 helyek. A l\u00e1ttatott l\u00e1thatatlan mint n\u0151i t\u00e9r\u00e9lm\u00e9ny Drozdik Orsolya konceptu\u00e1lis m\u0171v\u00e9szet\u00e9ben.\u201d [<\/a>\u201cTransparent Spaces. Female Topographies in Orsolya Drozdik\u2019s concept art\u201d ] Balkon<\/em>. 2016.11.12. 22-30.<\/p>\n

\u201cCsal\u00f3ka Csodaorsz\u00e1g. A k\u00e9pzelet korl\u00e1tai \u00e9s a gyermeki fant\u00e1zia metafant\u00e1zi\u00e1ja Terry Gilliam Dag\u00e1lyorsz\u00e1g<\/em> c\u00edm\u0171 fantasy filmj\u00e9ben<\/a>.\u201d [The metafantasy of infantile fantasy in Gilliam\u2019s Tideland<\/em>] Apert\u00fara. Film. Vizualit\u00e1s. Elm\u00e9let. E-foly\u00f3irat. Fantasztikum k\u00fcl\u00f6nsz\u00e1m.<\/em> Ed. Benczik Vera. 2015. tavasz-ny\u00e1r.<\/p>\n

\u201cHebrencs kisle\u00e1nyb\u00f3l k\u00f6teless\u00e9gtud\u00f3 honle\u00e1ny. N\u0151k\u00e9pv\u00e1ltoz\u00e1sok a Magyar L\u00e1nyok<\/em> hetilap els\u0151 vil\u00e1gh\u00e1bor\u00fa alatti lapsz\u00e1maiban.\u201d [Printed Press Representations of Hungarian Women during the First World War] M\u00e9diakutat\u00f3<\/em>. 2015 Summer. XVI.2: 81-95.<\/p>\n

\u201cLolita, a kish\u00fagunk!? A kisl\u00e1ny test \u00e1br\u00e1zolhatatlans\u00e1g\u00e1r\u00f3l n\u0151i szemmel<\/a>.\u201d [Lolita, our little sister?! Challenges of representing girls\u2019 bodies; dilemmas at the intersection of feminist ethics and aesthetics] TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2015. 5.1. 189-213.<\/p>\n

\u201cPicturebooks Challenging Sexual Politics. Pro-Porn Feminist Comics and the Case of Melinda Gebbie and Alan Moore\u2019s Lost Girls.\u201d HJEAS Journal. <\/em>20.2. (2014 Fall): 121-143.<\/p>\n

\u201cCreative Iconoclasm and Cultural Trauma<\/a>.\u201d Terror(ism) and Aesthetics. <\/em>Ed. Gy\u00f6rgy Fogarasi. Et al<\/em>. e-journal. 2014. 1.<\/p>\n

\u201cChallenges of Retranslating The Great Gatsby <\/em>into Hungarian: With a Focus on Metaphors of Emotion and Embodiment.\u201d The F. Scott Fitzgerald Review<\/em>. Vol. 11. 2013. Penn State University Press. 137-156.<\/p>\n

\u201cA \u2019f\u00e9rfias\u2019 fogyat\u00e9k fikci\u00f3ja. Alternat\u00edv maszkulinit\u00e1sok atipikus megtestes\u00fcl\u00e9sei a kort\u00e1rs popul\u00e1ris vizu\u00e1lis kult\u00far\u00e1ban<\/a>.\u201d [Fantasies of Manly Disability] in: TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2013\/1.<\/p>\n

\u201cChanging Media of Enchantment: Tracking the Transition from Verbal to Visual Nonsense in Tim Burton\u2019s Cinematic Adaptation of Alice in Wonderland.<\/em>“<\/a> Americana<\/a><\/em> E-Journal. 2012. Spring. VIII. 1.<\/p>\n

\u201c(Poszt)feminizmus, (poszt)identit\u00e1s \u00e9s (poszt)koncept art Drozdik Orsolya m\u0171v\u00e9szet\u00e9ben<\/a>.\u201d [(Post)feminism, (post)identity and (post)concept art in Orshi Drozdik\u2019s Oeuvre] in: TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2012\/2. 33-45.<\/p>\n

\u201cRejuvenation and Immortality in\/of the Female Gothic Genre. The Feminist Potentials of Contemporary Children\u2019s- and Teenage Gothic Fiction<\/a>.\u201d in: TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2012\/1. (with Rita Antoni)<\/p>\n

\u201cElmebaj, szerz\u0151s\u00e9g \u00e9s nem\/is\u00e9g (v)iszonyai k\u00e9t kort\u00e1rs magyar Cs\u00e1th-m\u00edtosz adapt\u00e1ci\u00f3ban.\u201d [Madness, authorship, and gender in contemporary takes on the Cs\u00e1th-myth] in: TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2011\/2.<\/p>\n

\u201cA f\u00e9lt(ett) test felder\u00edt\u00e9se. Susan Wendell. Az elutas\u00edtott test. Feminista filoz\u00f3fiai elm\u00e9lked\u00e9s a fogyat\u00e9koss\u00e1gr\u00f3l c\u00edm\u0171 k\u00f6nyv\u00e9r\u0151l<\/a>.\u201d [Review essay on Susan Wendell\u2019s The Rejected Body. Feminist Philosophical Reflections on Disability<\/em>] TNTeF. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2011. I.1.<\/p>\n

\u201cA feminista pszichogeogr\u00e1fia \u00e9s Jeanette Winterson szenved\u00e9lyei.\u201d [On Feminist Psychogeography and Jeanette Winterson] Filol\u00f3giai K\u00f6zl\u00f6ny<\/em>. Utaz\u00e1s, Otthon, N\u0151is\u00e9g sz\u00e1m. 56.4. (2010): 367-381.<\/p>\n

\u201cTapogat\u00f3z\u00e1sok. A test elm\u00e9leteinek alakzatai<\/a>.\u201d [\u201cCorporeal Configurations. Towards a Definition of Body Studies.\u201d] Apert\u00fara<\/em>. Film-Visuality-Theory<\/em>. 2009. IV.2.<\/p>\n

\u201c<\/strong>Seeing Is Believing(?) Blurred Boundaries and Loving Looks in Nancy Burson\u2019s Art.\u201d Focus<\/em>, P\u00e9cs UP. 2007. 199-217.<\/p>\n

\u201cNarrating the nervous, bulimic body-text in Angela Carter\u2019s The Passion of New Eve<\/em>\u201d Gender Studies Journal<\/em>. West University of Timisoara: Interdisciplinary Center of Gender Studies, 2006. 79-105.<\/p>\n

\u201cThe Female Grotesque in Contemporary American Culture\u201d Atenea<\/em>. A Bilingual Journal of Humanities and Social Sciences<\/em>. U of Puerto Rico at Mayaguez.<\/em> XXV. 2. (2005): 173-189.<\/p>\n

\u201cFantastic Freakings: Decomposing Narrative and Deformed Femininity in Angela Carter\u2019s The Passion of New Eve<\/em><\/a>.<\/em>\u201d Palimpszeszt. Mese \u00e9s fantasztikus irodalom tematikus sz\u00e1m<\/em>., 06.24. (2005):.<\/p>\n

\u201cKannib\u00e1l olvasatok. Zhu Yu Emberev\u0151<\/em> c\u00edm\u0171 performansz\u00e1r\u00f3l.\u201d [\u201cCannibal Interpretations. On Zhu Yu\u2019s performance entitled Man-eater<\/em>\u201d] Kalligram<\/em>. M\u0171v\u00e9szet \u00e9s Gondolat.<\/em> 05. 01-02. (2005): 121-128.<\/p>\n

\u201cCorporeal and Textual Performance as Ironic Confidence Trick in Angela Carter\u2019s Nights at the Circus.<\/em>\u201d The AnaChronisT<\/em>. 10. (2004): 97-125.<\/p>\n

\u201cK\u00f6ny\u00f6rtelen Test Rev\u00edzi\u00f3k. A n\u0151i sz\u00e9ps\u00e9g er\u0151szakos ideol\u00f3gi\u00e1j\u00e1nak dekonstrukci\u00f3ja a feminista performansz terrorista testeiben\u201d [On the deconstruction of feminine beauty\u2019s violent ideology in contemporary feminist performance]. Kalligram<\/em>. M\u0171v\u00e9szet \u00e9s Gondolat.<\/em> 04.01. (2004): 103-110.<\/p>\n

\u201cThe Woman 69 Times: Cindy Sherman\u2019s Untitled Film Stills<\/em>\u201d Hungarian Journal of English and American Studies<\/em>. Femininity and Subjectivity<\/em>. 9.1. (2003): 181-190.<\/p>\n

\u201cEz a fekete zongora\u2026 A n\u0151i tekintet lehet\u0151s\u00e9gei \u00e9s a v\u00e1gy k\u00e9pei Jane Campion Zongoralecke <\/em>c\u00edm\u0171 filmj\u00e9ben\u201d [On the possibilities of the \u2018female gaze\u2019 and the representation of desire in Jane Campion\u2019s The Piano<\/em>] Filmtett<\/em>. Feminizmus \u00e9s filmelm\u00e9let sz\u00e1m<\/em>. (2003): 11-15.<\/p>\n

\u201cN\u0151, porn\u00f3, performansz. Annie Sprinkle: The Post-Porn-Modernist Show\u201d [\u201cWoman, Porn, Performance. On Annie Sprinkle\u2019s Post-Porn-Modernist Show<\/em>.\u201d] Lk.K.T.<\/em> A kolozsv\u00e1ri L\u00e1thatatlan Koll\u00e9gium Irodalmi Foly\u00f3irata.<\/em> (2002): 56-63.<\/p>\n

\u201cWild Words. Jazzing the Text of Desire: Subversive Language in Toni Morrison\u2019s Jazz<\/em>\u201d The AnaChronisT<\/em> . (2002): 264-288.<\/p>\n

\u201cL\u2019oeil du p\u00e8re aveugle dans l\u2019oeuvre de Georges Bataille\u201d [On the significance of the blind father\u2019s eye in Georges Bataille\u2019s fiction] in: Acta Romanica<\/em> Tomus XXI \u00c9tudes Doctorales V.<\/em> Szeged: JATEPress, 2002. 131-143.<\/p>\n

\u201cWhy should we deconstruct Harry?\u201c [On Deconstruction and Woody Allen] Sz\u00f3t\u00e1r. Szegedivatlap.<\/em> I.\/ 2. (2001)<\/p>\n

\u201cTransgressive Bodies and Other Voices in Contemporary British Women Writers\u2019 Fiction\u201d in: Papers Published for the Humanities Section of the 3rd<\/sup> International Conference of PhD Students <\/em>Miskolc: University of Miskolc Press, 2001. 99-107.<\/p>\n

Reviews, Short Essays<\/strong><\/h4>\n

\u201eThe Fabulous Adventures of Alice with Fashion, Science, and Pinocchio.\u201d HJEAS<\/em> 27 (2021): 169-179.<\/p>\n

\u201eRe-orienting the Fairy Tale: Contemporary Adaptations Across Cultures.\u201d Contemporary Women\u2019s Writing<\/em><\/p>\n

\u201cChoreographing an Individual Mythology: Orshi Drozdik\u2019s Applied Feminist Semiotics.\u201d Feminist Avant-Garde of the 1960s.<\/em> ed. Gabriele Schor. Vienna: The Verbund Collection publication, 2020.<\/p>\n

\u201cReading in the Dark. Sleeping with the Lights On: Uses and Abuses of Horror in Children’s Literature.\u201d Hungarian Journal of English and American Studies<\/em>. 25. 2 (2019): 433-437<\/p>\n

“Kock\u00e1ztatni \u00e9s k\u00e9sznek lenni sebezhet\u0151v\u00e9 v\u00e1lni.\u201d Interj\u00fa Andrea Zittlau feminista performanszm\u0171v\u00e9sz kult\u00farantropol\u00f3gussal. TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 9.2. (2019): 137-145.<\/p>\n

“Choreographing an Individual Mythology: Orshi Drozdik\u2019s Applied Feminist Semiotics.” Feminist Avant-Garde of the 1960s.<\/em> ed. Gabriele Schor. Vienna: The Verbund Collection publication.<\/p>\n

\u201c\u2019Beckoning\u2019: Thoughts on Zs\u00f3fia Jakab\u2019s Art\u201d. Catalogue for art exhibition organized by Leeds University of Arts, UK, 2018.<\/p>\n

Az \u00e9rz\u00e9kis\u00e9g \u00e9s az anyag \u2013 megnyit\u00f3besz\u00e9d Drozdik Orshi ki\u00e1ll\u00edt\u00e1s\u00e1hoz a Budapest Gal\u00e9ri\u00e1ban<\/a>. Artmagazin Online<\/em>. 2018.<\/p>\n

Interj\u00fa az Erd\u0151dy-d\u00edjas Zsad\u00e1nyi Edittel. TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 8.2. (2018): 114-120.<\/p>\n

Review of A Theology of Nonsense<\/em>.\u201d Knight Letter – The Lewis Carroll Society of North America<\/em>, 2018 (forthcoming)<\/p>\n

\u201cAn Encore of the Greatest Show on Earth: Victorian Marvels and Monsters Revamped for the Postmillennial Times.\u201d HJEAS<\/em>. 2018. (forthcoming)<\/p>\n

\u201cThree times in Wonderland.\u201d Triple Review of Zoe Jaques\u2019s, Virginie Ich\u00e9\u2019s, and Celia Brown\u2019s Carroll Scholarship. Review for Bookbird<\/em>. 2017. 55.3. 42-45.<\/p>\n

\u201dBlending Beauty and the Beast. Metamorphic body regimes of a somatic society.\u201d <\/em>Review of Heike Steinhoff Transforming Bodies. Makeovers and Monstrosities in American Culture<\/em>. HJEAS<\/em> 2017\/2. 411-416.<\/p>\n

\u201eReview of Catriona McAra\u2019s A Surrealist Stratigraphy of Dorothea Tanning\u2019s Chasm<\/em>.\u201d Americana. E-Journal of American Studies in Hungary<\/em>. 2017 Spring.<\/p>\n

\u201eLilith ecsetje: Lilith \u00d6r\u00f6ks\u00e9ge M\u0171v\u00e9szeti Csoport, Tiszta Kezekben. Liget Gal\u00e9ria, 2016\u201d TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2016 Spring. 6.1. 191-199.<\/p>\n

\u201eDouble review on Liliane Louvel\u2019s Poetics of the Iconotext<\/em> (2010) and Le Tiers pictural. Pour une critique interm\u00e9diale <\/em>(2011)\u201d The European English Messenger. <\/em>24.2. 2015 Winter. 97-100.<\/p>\n

\u201eA n\u0151i g\u00e9niusz sz\u00ednev\u00e1ltoz\u00e1sai: Alkot\u00f3n\u0151k egyetemes enciklop\u00e9di\u00e1ja<\/em>. Review of B\u00e9atrice Didier, Antoinette Fouque, Mireille Calle-Gruber, eds.<\/em> Le Dictionnaire des Femmes Cr\u00e9atrices\u201d <\/em>TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2014 Spring. 4.1. 182-186.<\/p>\n

\u201cReview of Ildik\u00f3 Boldizs\u00e1r\u2019s Fairy-tale Therapy and Annam\u00e1ria K\u00e1d\u00e1r\u2019s Fairy-tale Psychology.\u201d Marvels & Tales. Journal of Fairy Tale Studies<\/em>. 28.1. Spring 2014. <\/em>Wayne State University Press. 199-203.<\/p>\n

\u201eHarcosn\u0151k, flaming\u00f3k, \u00c9v\u00e1k. Gender ecset III. V\u00e1logat\u00e1s a Magyar K\u00e9pz\u0151m\u0171v\u00e9szeti Egyetem Fest\u0151 Tansz\u00e9k\u00e9nek munk\u00e1ib\u00f3l.\u201d Revizor. Online Kritikai Port\u00e1l<\/em>. 2014.02.18.<\/p>\n

\u201cReview of Presences and Absences<\/em> \u2013 Transdisciplinary Essays. <\/em>eds. Katarina Labudova & N\u00f3ra S\u00e9llei\u201d Americana. <\/em>E-Journal of American Studies in Hungary<\/em>. 2013 Fall. IX.2.<\/p>\n

\u201eA XX. sz\u00e1zadi magyar n\u0151\u00edr\u00f3kr\u00f3l megjelent k\u00f6tetek megk\u00f6zel\u00edt\u00e9si m\u00f3djai. Besz\u00e9lget\u00e9s Borgos Ann\u00e1val, K\u00e1d\u00e1r Judittal \u00e9s Kapus Erik\u00e1val (Moder\u00e1tor: S\u00e9llei N\u00f3ra)\u201d TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2013 Fall. 3.2.<\/p>\n

\u201cReview of Egy<\/em> k\u00e9plet nyom\u00e1ban<\/em>. Karakterelemz\u00e9sek az amerikai \u00e9s a magyar irodalomb\u00f3l<\/em> by Enik\u0151 Bollob\u00e1s.\u201d TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 2013.3. 3.1.<\/p>\n

\u201cThe Otherness in Ourselves. A Review of John Lechte and Maria Margaroni\u2019s Julia Kristeva: Live Theory.\u201d <\/em>in: Americana. <\/em>E-Journal of American Studies in Hungary<\/em>. Fall 2012.<\/p>\n

\u201c\u2019K\u00f6nny, kacag\u00e1s, izgalom, az \u00e9gvil\u00e1gon minden\u2026\u2019 Angela Carter. Est\u00e9k a Cirkuszban<\/em>.\u201d N\u0151k\u00e9rt.hu<\/em> 2011. http:\/\/nokert.hu\/index.php\/irodalom\/irodalmi-ajanlo\/923-koenny-kacagas-izgalom-az-egvilagon-minden-angela-carter-estek-a-cirkuszban-budapest-magvet-2011-ford-benyei-tamas<\/p>\n

\u201cReview of Twice Upon A Time: Women Writers and the History of the Fairy Tale <\/em>by Elizabeth Wanning Harries\u201d European Journal of English Studies<\/em>. Routledge, 2010. 298-301.<\/p>\n

\u201cReview of The Unraveling Archive. Essays on Sylvia Plath<\/em> edited by Anita Helle\u201d Americana. E-Journal of American Studies in Hungary<\/em>. V. 1. Spring 2009.<\/strong><\/p>\n

\u201cHelmut Newton \u00e9s a t\u0171sarok.\u201d [\u201cHelmut Newton and High Heels.\u201d] A H\u00e9t<\/em>. 4. 3. (2006): 1. 23. 18.<\/p>\n

\u201cThose miraculous pleasures of the ordinary. Review of Christine Reynier\u2019s Jeanette Winterson: Le miracle ordinaire<\/em>\u201d In-Between<\/em>. Essays and Studies in Literary Criticism<\/em>. 2005\/2. Vol. 14. Ed. Gulshan Taneja. University of Delhi. R.L.A. College. English Department.<\/p>\n

Translations<\/strong><\/p>\n

Emer O\u2019 Sullivan. \u201e\u00d6sszehasonl\u00edt\u00f3 gyerekirodalomtudom\u00e1ny.\u201d<\/a> (Comparative children’s literature) IGYIC Mesecentrum Tanulm\u00e1nyok rovat. 2021.<\/p>\n

Back-translation of sample-chapters of the 1927 and 2009 Hungarian translations of Alice\u2019s Adventures in Wonderland<\/em> (By Margit Altay, 1927 and Zsuzsa and D\u00e1niel Varr\u00f3, 2009) In: Alice in a World of Wonderlands: Translations of Lewis Carroll\u2019s Masterpiece<\/em>. Vol.2. Eds. Jon Lindseth and Markus Lang. New Castle, DE: Oak Knoll Press, USA, 2015. 268-276.<\/p>\n

\u201cChecklist of all Hungarian translations of Alice.\u201d Alice in a World of Wonderlands: Translations of Lewis Carroll\u2019s Masterpiece<\/em>. Vol.3. 435-443.<\/p>\n

Hungarian Translation of Jean Ingelow\u2019s Mopsa, the Fairy<\/em> (1869) (in progress<\/em>)<\/p>\n

Coursebooks<\/strong><\/p>\n

13 chapters for Romanticism and Victorianism in English Literature BA Survey lecture<\/a>\u00a0(EFOP-3.4.3-16-2016-00014)<\/p>\n

Invited ((Sub)Plenary Conference) Lectures<\/h4>\n

“Alice Beyond Wonderland: Transmedia, Hybridity, and Intersemiotic Play in Contemporary Adaptations of a Children’s Classic.” Mix & Match: Hibridity and Transmediation Conference.<\/em>\u00a0Plenary.\u00a0Universidade de Aveiro. Portugal<\/strong>. 2019.12.13.<\/p>\n

\u201eWhy is a Raven Like a Writing Desk? Alice and its Adaptations in Transmedia Wonderland.\u201d Plenary Lecture. Encounters of the Popular Kind: Traditions and Mythologies in Dialogie<\/em>. EASPOP. Plenary.\u00a0ELTE, Budapest.<\/strong> MsTeams online. 27-28 October 2020.<\/p>\n

\u201eTranslating Body-Language and Cultural Transfer: Angela Carter\u2019s Birdwoman Travels to Hungary.\u201d \u201eThe world is made of words.\u201d Angela Carter translator \u2013 Angela Carter in translation<\/em>. Universit\u00e9 de Lausanne, Switzerland<\/strong>. Zoom. 8-10 October 2020.<\/p>\n

\u201cPosthuman Somaesthetics in Humanimal Body Art Performances<\/a>.\u201d Universit\u00e9 d\u2019Angers.<\/strong> CRILA Research Group\/ PhD Research Seminar. 2019 Nov 5.<\/p>\n

\u201cMire k\u00e9pes egy Viktori\u00e1nus k\u00e9pesk\u00f6nyv? K\u00e9ptelen interakt\u00edv k\u00e9psz\u00f6vegek az Alice Csodaorsz\u00e1gban \u00e9s T\u00fck\u00f6rorsz\u00e1gban els\u0151 kiad\u00e1saiban.\u201d Els\u0151 Budapesti Illusztr\u00e1ci\u00f3s Fesztiv\u00e1l. Konferencia. <\/em>Pet\u0151fi Irodalmi M\u00fazeum<\/strong><\/em>, 2019 Okt\u00f3ber 29.<\/em><\/p>\n

\u201cThe\u00a0 Secret Life of Things: Queering the Museal Gaze in Angela Carter\u2019s\u00a0 Postmodern Curiosity Cabinet\u201d Universit\u00e9 Bordeaux Montaigne, CLIMAS, PMM 2018-2019 lecture series<\/a>, Puissance du Mode\u00a0 Mineur Research Group,<\/strong> (Prof Nathalie Jaeck) , 2019 Apr 5.<\/p>\n

\u201cGyerekirodalom \u00e9s innov\u00e1ci\u00f3.\u201d HUBBY Szakmai Szimp\u00f3zium az \u00c9v Gyerekk\u00f6nyve D\u00edj k\u00eds\u00e9r\u0151 rendezv\u00e9nye. Orsz\u00e1gos Pedag\u00f3giai K\u00f6nyvt\u00e1r \u00e9s M\u00fazeum. 2019. febr 15.<\/p>\n

\u201cA t\u00fcnd\u00e9rmese ut\u00f3\u00e9lete a 21. sz\u00e1zadi gyerek \u00e9s ifj\u00fas\u00e1gi irodalomban: Trad\u00edci\u00f3 \u00e9s transzm\u00e9dia.\u201d A gyerekirodalom nagykor\u00fas\u00edt\u00e1sa<\/em>. HUBBY- De\u00e1k Gal\u00e9ria\/MOME. 2018 Okt 23-24.<\/p>\n

\u201cGondolatok a diverzit\u00e1s, sokf\u00e9les\u00e9g, \u00e9s a M\u00e1ss\u00e1g elt\u00e9r\u0151 form\u00e1ir\u00f3l a t\u00e1rsadalmi nem \u00e9s a fogyat\u00e9koss\u00e1g kultur\u00e1lis olvasatainak t\u00fckr\u00e9ben.\u201d Hatodik Fogyat\u00e9koss\u00e1gtudom\u00e1nyi Konferencia: Sokf\u00e9les\u00e9g mint t\u00e1rsadalmi \u00e9rt\u00e9k,<\/em> ELTE B\u00e1rczi Guszt\u00e1v Gy\u00f3gypedag\u00f3giai Kar, 2018. 11.13.<\/p>\n

\u201cBeware the Jabberwock, my son!\u201d Cultural transpositions of the sound and the sight of nonsense in Hungarian translations of Lewis Carroll\u2019s \u201cJabberwocky\u201d Children\u2019s Literature and Translation Conference<\/em>, Krakow, 2018 Apr 4-5.<\/p>\n

\u201cSemmi \u2013 gondolta \u2013 nem volt m\u00e9g ilyen \u00e9rdekes.\u201d Pszichonarr\u00e1ci\u00f3 \u00e9s a bizonytalans\u00e1g megtestes\u00fclt tudata Neil Gaiman g\u00f3tikus mesereg\u00e9ny\u00e9ben. [\u201ePsychonarration and the embodied experience of uncertainty in Nail Gaiman\u2019s children\u2019s gothic fiction\u201d] A test mint elbesz\u00e9l\u0151 m\u00e9dium, a test mint elbesz\u00e9l\u00e9sek m\u00e9diuma. Korpor\u00e1lis narratol\u00f3gia a befogad\u00e1s \u00e9s a kirekeszt\u00e9s vizsg\u00e1lat\u00e1ban<\/em>. PIM, MTA ITI Corpus Alienum, 2016.04.01. Symposium of the Corporeal Narratology Research Group of the Hungarian Academy of Sciences.<\/p>\n

\u201cFrom lost little girls to curious feminist psychogeographers. Empowerment by wanderlust, dysgeographica, and playable cities in Contemporary YA Fantasy Rewritings of Alice\u2019s Adventures in Wonderland.\u201d Plenary lecture. Gender, Translocality, and the City <\/em>in post-1945 Literary and Visual Culture<\/em>. University of Debrecen. 2016. Feb 26-27.<\/p>\n

\u201cThe Changing status of reading in the age of digital culture: current debates and future collaborations.\u201d Organized by Bodies in Transit EU Feder Project<\/em> of Departamenta de Filologia Inglesa, Faculdad de Humanidades. Universidad de Huelva, Spain. 2015. Okt. 21.<\/p>\n

\u201cT\u00fck\u00f6rk\u00e9pl\u00e9kenys\u00e9g. A test elm\u00e9leteinek alakzatai a kort\u00e1rs n\u0151m\u0171v\u00e9szetekben.\u201d [On body studies and contemporary women\u2019s art] Magyar K\u00e9pz\u0151m\u0171v\u00e9szeti Egyetem, Budapest. 2014. Febru\u00e1r 13.<\/p>\n

\u201cDilemm\u00e1k a t\u00e1rsadalmi nem tudom\u00e1ny \u00e9s a fogyat\u00e9koss\u00e1gtudom\u00e1ny metsz\u00e9spontjain.\u201d [Dilemmas at the intersection of gender- and disability studies] Els\u0151 magyar fogyat\u00e9koss\u00e1gtudom\u00e1nyi konferencia<\/em>. Az ELTE Gy\u00f3gypedag\u00f3giai Kar (Fogyat\u00e9koss\u00e1gtudom\u00e1nyi Doktori M\u0171hely), a Magyar Szociol\u00f3giai T\u00e1rsas\u00e1g \u00e9s az MTA Szociol\u00f3giai Kutat\u00f3int\u00e9zete rendez\u00e9s\u00e9ben. 2013. november 26.<\/p>\n

\u201cMetaphors of Emotion and Embodiment in Hungarian Translations of The Great Gatsby<\/em>.\u201d Le corps transfrontalier du texte\u00a0: quand l\u2019Europe retraduit The Great Gatbsy.<\/em> 26 octobre 2012. Universit\u00e9 Bordeaux 3.<\/p>\n

\u201cA test elm\u00e9leteinek alakzatai a kort\u00e1rs m\u0171v\u00e9szetek t\u00fckr\u00e9ben.\u201d [On body studies and contemporary art] Testeken \u00e1t I. Test\u00edr\u00e1s, tesm\u00f3dos\u00edt\u00e1s, tetov\u00e1l\u00e1s szimp\u00f3zium<\/em>. Grand Caf\u00e9. Szeged. 2013. March<\/p>\n

\u201cNonsensical Disenchantment and Imaginative Reluctance in Postmodern Rewritings of Lewis Carroll’s Alice Tales\u201d Plenary. Anti-Tales: The Uses of Disenchantment<\/em>, University of Glasgow, Scotland. Aug 2010<\/p>\n

\u201cOn Flesh Becoming Word Becoming Flesh. Reading Angela Carter\u2019s Fiction from a Feminist Corporeal Narratological Perspective\u201d Angela Carter. Estranging Feminism?, <\/em>Universit\u00e9 Jean Monnet Saint-\u00c9tienne, France, 10-11 June 2010<\/p>\n

\u201c\u2019Not Waving but Drowning.\u2019 An Agnostic Commitment to Autonomy. The Freedom of Uncertainty in Stevie Smith\u2019s Poetry\u201d Autonomy and Commitment in Modernist British Literature <\/em>A CERVEC Conference, Universit\u00e9 Paul Val\u00e9ry Montpellier III., France, 2007.<\/p>\n

\u201cPopular Representations of Monstrosities in Anglophone Culture.\u201d The Monstrous Side of Science. A Celebration of Science<\/em>. Catholic University of Ruzomberok, English department, Slovakia, 2008.<\/p>\n

Conference panel organization<\/h2>\n

Sounds Victorian: Acoustic Experience in 19th<\/sup> Century Britain, <\/em>ESSE Conference, Lyon 2020. Co-organized w B\u00e9atrice Laurent, Universit\u00e9 Bordeaux Montaigne<\/p>\n

The Secret Life of Things: Controversial Challenges of Anthropocentrism in Children’s Literature. <\/em>Controversial Dimensions in Children\u2019s Literature, Wroclaw, Poland. 2020.03.19-20. (cancelled because of COVID)<\/p>\n

Image\/Text\/Body Panel. <\/em>14th<\/sup> Biennial HUSSE Conference, 2019. Jan 31-Feb 2. Pannon University Eger, Hungary.<\/p>\n

Sounds Victorian: Voices and Noises in 19th<\/sup> Century Britain, <\/em>ESSE Conference, Brno, 2018. Co-organized w B\u00e9atrice Laurent, Universit\u00e9 Bordeaux Montaigne<\/p>\n

Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics Seminar.<\/em> 12th<\/sup> ESSE Conference, Pavol Jozef \u0160af\u00e1rik University, Kosice, Slovakia. 29 Aug \u2013 2 Sept, 2014 Co-organized w Catriona McAra, Leeds University of Arts<\/p>\n

Bordercrossings, meeting points, spaces of reflection and resistance. ‘Out of place’ feminist encounters with alterity<\/em>. A Tal\u00e1lkoz\u00e1sok Antropol\u00f3gi\u00e1ja.<\/em> A Magyar Kultur\u00e1lis Antropol\u00f3giai T\u00e1rsas\u00e1g 4. V\u00e1ndorkonferenci\u00e1ja. SZTE BTK: Nov 4-5, 2016.<\/p>\n

Fairy-Tale Cinema. Posthumanist Potentials of Animal\/Plant-Human Encounters. HUSSE 13.<\/em> Eger. 2017 jan. 26-28.<\/p>\n

Medial Interaction in the Literary Fantastic Workshop<\/em> Salzburg-Szeged Symposium co-organizer, Sabine Coelsh-Foisner, Salzburg University, Szeged University, 2008.<\/p>\n

Conference Papers:<\/strong><\/h4>\n

\u201cSnarls, Moans, and Cackles. The Sound of Mad Laughter in Victorian Literature and its Contemporary Cinematic Adaptations.\u201d (with Vera K\u00e9rchy) 15th ESSE Conference Universit\u00e9 de Lyon, France. 2021 Aug 30-Sept 3.<\/p>\n

\u201cA pinch of worm fat, urine of a horsefly, buttered fingers, three coins from a dead man\u2019s pocket, and two teaspoons of wishful thinking.\u201d Gastronomic translations of literary nonsense in Alice in Wonderland and its postmodern transmedia adaptations.” Food and\/in Children’s Culture Conference<\/em><\/a>. Ca Foscari University of Venice. 6-9 April 2021.<\/p>\n

“‘Semmi \u2013 gondolta \u2013 nem volt m\u00e9g ilyen \u00e9rdekes.’ Pszichonarr\u00e1ci\u00f3 \u00e9s a bizonytalans\u00e1g megtestes\u00fclt tudata Neil Gaiman g\u00f3tikus mesereg\u00e9ny\u00e9ben”\u00a0Negat\u00edv \u00e9rzelmek az irodalmi befogad\u00e1sban workshop.<\/em> SZTE Kognit\u00edv Po\u00e9tika Kutat\u00f3csoport<\/a>. 2021. M\u00e1rcius 26.<\/p>\n

“Picturing the unimaginable for a generation of postmemory in graphic novel biografictional adaptations of Anne Frank\u2019s Diary.”\u00a0<\/em>The 15th International Child and the Book Conference<\/a>, 24 March 2021,\u00a0Freie Universit\u00e4t Berlin<\/strong>, Transformation and Continuity: Political and Cultural Change in Children\u2019s Literature from the Past Century to the Present Day<\/em><\/p>\n

“A gyerektest mint m\u00e9dium. Humor, horror, hi\u00e1tus. A groteszk gyerektest mint sz\u00f6vegmotor K\u00f3cos Petit\u0151l Pacasr\u00e1cig.” Gyermekirodalom \u00e9s medialit\u00e1s.<\/a> K\u00e1roli G\u00e1sp\u00e1r Reform\u00e1tus Egyetem. Gyerek- \u00e9s Ifj\u00fas\u00e1gi Irodalmi Kutat\u00f3csoportj\u00e1nak konferenci\u00e1ja. 2020. febru\u00e1r 7.<\/span><\/p>\n

\u201cTaktilis tekintetek\u00a0 A<\/em> Szolg\u00e1l\u00f3l\u00e1ny Mes\u00e9j\u00e9ben<\/em>.\u201d Szimp\u00f3zium Margaret Atwood 80. sz\u00fclet\u00e9snapj\u00e1ra.<\/a><\/em> Szegedi Tudom\u00e1nyegyetem, BTK, Komparatisztika tansz\u00e9k. 2019. November 18.<\/p>\n

\u201cCaressing Canvases: Embodied subjects and objects in the corporeagraphic metafictional museum novel.\u201d Museums in Literature conference\/Le Mus\u00e9e dans la litt\u00e9rature<\/em>. MSh Paris Nord. Universit\u00e9 Paris 13 St Denis. 2019. Nov 7-8.<\/p>\n

\u201c<\/em><\/strong>A n\u0151 mint n\u00f6v\u00e9ny. Feminista szubjektumszemiotika az antropocentrizmuson t\u00fal?\u201d NYIM <\/em>2019 Konferencia, A feminista kritika \u00e9s a metszetelm\u00e9let. 2019-okt 4-5. Szegedi Tudom\u00e1nyegyetem, T\u00e1rsadalmi Nemek Tudom\u00e1nya kutat\u00f3csoport<\/p>\n

\u201cAcoustics of nonsense, picturing sounds, & interspecies communication: Counter-narrative strategies resisting the discursive silencing of children in Lewis Carroll\u2019s Alice tales.\u201d IRSCL congress, Silence and Silencing in Children\u2019s Literature<\/em><\/a>, Stockholm University, 2019 August 14-18<\/p>\n

\u201cArt and Space in the Contemporary Museum Novel.\u201d Arts and the City<\/em><\/a>. K\u00e1roli G\u00e1sp\u00e1r University and The Institute of Philosophy of the Research Centre of the Humanities of the Hungarian Academy of Sciences<\/span>. 2019 May 23-24.<\/p>\n

\u201c<\/strong>Transmediating the Wonder-Tale Canon in 21st<\/sup> Century Hungarian Children\u2019s Books\u201d The 14th The Child and the Book Conference<\/a>, <\/em>University of Zadar, 2019 May 8-10.
\n<\/em><\/strong><\/p>\n

\u201cTracing a Story in a Network of Cracks: Ekphrasis, Ellipsis, and Craquelure as Instruments of Feminist Politics and Poetics of in Chlo\u00e9 Aridjis\u2019 Asunder.\u201d HUSSE Biennial Conference, <\/em>Pannon University Veszpr\u00e9m, 2019 jan 31-feb 2.<\/p>\n

\u201cA fajok k\u00f6zti szolidarit\u00e1s poszthum\u00e1n etikai lehet\u0151s\u00e9gei a kort\u00e1rs feminista performanszban \u00e9s a mai magyar popul\u00e1ris kult\u00far\u00e1ban.\u201d (Posthuman ethical possibilities of interspecies solidarity in contemporary feminist performance arts and postmillenial popular culture) Nyelv, Ideol\u00f3gia, M\u00e9dia 14. Gender \u00e9s Szolidarit\u00e1s<\/em>. SZTE, TNT, 2018 Szept 21-22.<\/p>\n

\u201e\u2019Take care of the sounds<\/em>, and the sense <\/em>will take care of itself!?\u2019 The acoustics of nonsense in Lewis Carroll.\u201d ESSE Conference<\/em>. Sounds Victorian Panel. Brno. 2018 Aug 29-Sept 2.<\/p>\n

\u201cL\u2019Animal que je suis.\u201d Posthuman Somaesthetics in Contemporary BioArt Performances\u201d Somaesthetics: Between the Human Body and Beyond<\/em>, Szeged University, Philosophy Dept, May 14-16th, 2018.<\/p>\n

\u201cA dod\u00f3 mad\u00e1r dala. K\u00f6rnyezet- \u00e9s nyelvfiloz\u00f3fia a 19. sz\u00e1zadi angol fantasztikus irodalomban\u201d [\u201cThe song of the dodo bird. Environmental- and language philosophy in 19th<\/sup> c. fantastic fiction in English\u201d] \u00c1llati jelek, k\u00e9pek \u00e9s terek konferencia. <\/em>SZTE Jel-K\u00e9p-T\u00e9r Munkacsoport. 2017 Nov 17.<\/p>\n

\u201cBoundaries, Bridges, Becomings. Interspecies Politics in Women\u2019s Performance Arts in the Contemporary US\u201d Transgressing Borders from Above and Below Panel. organized by Gender Studies Research group. Transnational Americas: Home(s), Borders and Transgresssions<\/em>, SZTE, Centro InterAmerican, Nov 16-18, 2017.<\/p>\n

\u201cEvie in Fairyland, the Drunkard Brushmaker, and the Giggling Wooden Dog. Nonsense\u2019s Creative Domestications and the Changing Image of the Implied Child Reader in Hungarian Translations of Alice\u2019s Adventures in Wonderland\u201d Translation Studies and Children\u2019s Literature \u2013 Current Topics and Future Perspectives Conference<\/em>. 19-20 Oct 2017 Brussels-Antwerpen.<\/p>\n

\u201cA nyelv hatalma az Alice Csodaorsz\u00e1gban<\/em> magyar ford\u00edt\u00e1sainak t\u00fckr\u00e9ben\u201d [\u201cThe power of language in Hungarian translations of Alice\u2019s Adventures in Wonderland\u201d] NYIM13 A n\u0151 \u00e9s a hatalom<\/em> SZTE, BTK, IEAS. 2017 Szept 22-23.<\/p>\n

\u201cHumanimal Studies: r\u00f6vid \u00e1ttekint\u00e9s\u201d SZTE Animalia Research Group Introductory Conference<\/em>. SZAB, Szeged. 2017. 03.31.<\/p>\n

\u201cVegetal Visions. Ecocritical Encounters with Plant Children in Mainstream and Art Fairy-Tale Cinema\u201d HUSSE 13<\/em>, Eger, Hungary. 2017.01.26-28..<\/p>\n

\u201cThe chance encounter of a stuffed dodo, a fallen star, and a fruit woman automaton\u2026 The Secret Life of Things Queering the Museal Gaze in Angela Carter\u2019s Postmodern Curiosity Cabinets\u201d Fireworks: The Visual Imagination of Angela Carter<\/em>. University of Bristol. 2017.01.09.-10.<\/p>\n

\u201cFrom the Circus to the Concentration Camp. Re-enacting Otherness as a Strategy of Resistance in Hungarian Jewish Dwarf Performance Artists’ Memoirs\u201d A Tal\u00e1lkoz\u00e1sok Antropol\u00f3gi\u00e1ja.<\/em> 4th<\/sup> Conference of the Hungarian Association of Cultural Anthropology. SZTE BTK: Nov 4-5, 2016.<\/p>\n

\u201cAmicable Alices. Lewis Carroll and his Child Friends\u201d The Politics and Poetics of Friendship conference. <\/em>University of Krakow. <\/em>October 27-29, 2016.<\/p>\n

\u201cAlice in Transmedia Wonderland.\u201d Guest Lecture at SZTE BTK IEAS Doctoral Research Seminar, 2016 Okt\u00f3ber 6<\/p>\n

\u201c\u00c1tl\u00e1tsz\u00f3 helyek. A l\u00e1ttatott l\u00e1thatatlan mint n\u0151i t\u00e9r\u00e9lm\u00e9ny Drozdik Orsolya konceptu\u00e1lis m\u0171v\u00e9szet\u00e9ben.\u201d NYIM 12<\/em>. \u00daton: A t\u00e9r neme, a nemek terei<\/em>. Szegedi Tudom\u00e1nyegyetem, 2016. Sept 30-Oct 1.<\/p>\n

\u201cAlice\u2019s Animal Alterities and Ethics.\u201d Becoming Animal with the Victorians<\/em>. Conference organised by the French Society of Victorian Studies. Universit\u00e9 Diderot Paris 7. 2016. February 3-5.<\/p>\n

\u201eIconotextual Sites of Alice\u2019s Feminist Resistance in Picture Books Co-produced by Lewis Carroll and John Tenniel.\u201d Alice Through the Ages Conference<\/em>, University of Cambridge, 2015. Szeptember 15-18.<\/p>\n

\u201cNa, h\u00fazz\u00e1l haza, kisfiam!\u201d Mrs. Robinsont\u00f3l Stifler mam\u00e1j\u00e1ig, avagy a MILF diszkr\u00e9t b\u00e1ja. 11. Nyelv, Ideol\u00f3gia, M\u00e9dia Konferencia, <\/em>Szegedi Tudom\u00e1nyegyetem, T\u00e1rsadalmi Nemek Tudom\u00e1nya Kutat\u00f3csoport, 2015. Szeptember 25-26.<\/p>\n

\u201cLolita, a kish\u00fagunk!? A kisl\u00e1ny test \u00e1br\u00e1zolhatatlans\u00e1g\u00e1r\u00f3l n\u0151i szemmel.\u201d NYIM10. 10. Nyelv, Ideol\u00f3gia, M\u00e9dia konferencia<\/em>, Szegedi Tudom\u00e1nyegyetem, TNT Kutat\u00f3csoport. 2014. Sept. 19-20.<\/p>\n

\u201cIconotextual Sites of Alice\u2019s Feminist Resistance in Lewis Carroll and John Tenniel\u2019s Victorian Fairy-Tale Fantasy Picture Books.\u201d Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics Seminar.<\/em> 12th<\/sup> ESSE Conference, Pavol Jozef \u0160af\u00e1rik University, Kosice, Slovakia. 29 Aug \u2013 2 Sept, 2014<\/p>\n

\u201cPicturebooks challenging sexual politics. Melinda Gebbie\u2019s Pro-Porn Feminist Comics and the Case of Lost Girls\u201d <\/em>HAAS10 Conference: Crossing Boundaries: Migration, Amalgamation, and Transgression in American Literature, History, and Culture<\/em> PPCU<\/em>, Budapest. 30-31 May, 2014<\/p>\n

\u201cAlice\u2019s Adventures through Changing Media: Looking for Wonderland in 21st <\/sup>century 3D CGI, iPad app, and Pop-Up Book adaptations of Carroll\u2019s Classic\u201d<\/em> Adapting Alice Panel. IRSCL International Research Society for Children\u2019s Literature Congress,<\/em> Children\u2019s Literature and Media Cultures. <\/em>2013, August 10-14. Maastricht, The Netherlands.<\/p>\n

\u201c\u2019Mystic, awful was the process.\u2019 Changing Meanings of Victorian Child Photography in Lewis Carroll\u2019s Darkroom and Bright Text.\u201d European Iconology East & West: Cultural Imageries of Body and Soul \u2013 Intermedial Representations of the Corporeal, the Psychic, and the Spiritual<\/em>. Szeged University, May 29-31, 2013.<\/p>\n

\u201cA Portrait of the Artist as a Young GirlChild: Lewis Carroll on\/as Alice.\u201d HUSSE 11. 11th<\/sup> Conference of the Hungarian Society for the Study of English<\/em>. E\u00f6tv\u00f6s Lor\u00e1nd University, Budapest, 24\u201326 January, 2013.<\/p>\n

\u201cThe Street Urchin as an Iconic Agent of Childish Imagination in Dickens\u2019 Fiction and its Victorian and Postmodern Visual Adaptations.\u201dDickens200: Text and Beyond. <\/em>University of P\u00e9cs. 2012 November 9-10.<\/p>\n

\u201cA \u2019f\u00e9rfias\u2019 fogyat\u00e9k fikci\u00f3ja. Alternat\u00edv maszkulinit\u00e1sok atipikus megtestes\u00fcl\u00e9sei a kort\u00e1rs popul\u00e1ris vizu\u00e1lis kult\u00far\u00e1ban.\u201d Nyelv, Ideol\u00f3gia, M\u00e9dia konferencia 8<\/em>. A magyar \u201ef\u00e9rfiuralom\u201d terepei \u00e9s hat\u00e1rai.<\/em> Szeged University, TNT, 2012. September 21-22.<\/p>\n

\u201cMeta-Imagination in Lewis Carroll\u2019s Literary Fairy Tales about Alice\u2019s Adventures.\u201d The Fairy Tale Vanguard<\/em>. University of Ghent, Belgium, 20-22 August 2012.<\/p>\n

\u201e(Poszt)feminizmus, (poszt)identit\u00e1s, \u00e9s (poszt)koncept art Drozdik Orsolya m\u0171v\u00e9szet\u00e9ben\u201d Nyelv, Ideol\u00f3gia, M\u00e9dia 7. A t\u00e1rsadalmi nem viszonyok a rendszerv\u00e1lt\u00e1s elm\u00falt 20 \u00e9v\u00e9ben: poszt-szocializmus (?) \u00e9s feminizmus<\/em>. University of Szeged. 2011. Szept 30-Okt 1.<\/p>\n

\u201cCreative Iconoclasm and Cultural Trauma.\u201d Terror(ism) and Aesthetics International Conference<\/em>. University of Szeged, 2011. Sept 22-24.<\/p>\n

\u201cChanging Media of Enchantment. Tracking the Transition from Verbal to Visual Nonsense in Tim Burton\u2019s Cinematic Adaptation of Alice in Wonderland.<\/em>\u201d American Studies and Visuality on the Horizon of Information Society. <\/em>University of Szeged, American Studies Department, 2011. May 6-7.<\/p>\n

\u201cQueering the gaze and post-identity in Drozdik Orshi\u2019s feminist (post)concept art.\u201d Import-Export-Transport. Queer Theory, Queer Critique, and Activism in Motion<\/em>. University of Vienna, Austria. 2011. April. 28-30.<\/p>\n

\u201cA fogyat\u00e9kkal \u00e9l\u0151k elfogad\u00e1s\u00e1t c\u00e9lz\u00f3 m\u00e9dia\/m\u0171v\u00e9szeti megnyilv\u00e1nul\u00e1sok lehet\u0151s\u00e9gei, korl\u00e1tai, \u00e9s recepci\u00f3ja\u00a0a mai Magyarorsz\u00e1gon\u201d Mi\/M\u00e1s2 Konferencia<\/em>, Eszterh\u00e1zy F\u0151iskola Amerikanisztika Tansz\u00e9k, 2010.<\/p>\n

\u201cAz elme-baj, a szerz\u0151s\u00e9g \u00e9s a nemis\u00e9g (v)iszonyai k\u00e9t Cs\u00e1th-m\u00edtosz adapt\u00e1ci\u00f3ban\u201d A t\u00e1rsadalmi nemi viszonyok int\u00e9zm\u00e9nyes\u00fcl\u00e9se: A \u201emagyars\u00e1g\u201d \u00e9s \u201enemis\u00e9g\u201d metszetei<\/em>, 6. Nyelv, Ideol\u00f3gia, M\u00e9dia konferencia<\/em>, Szeged University, TNT, 2010.<\/strong><\/p>\n

\u201cRecycling Waste and Cultural Trauma in the Museum Space\u201d Museum Narratives<\/em>. University of Salzburg, Austria, 2009.<\/p>\n

\u201cStammering, Somniloquy and Somatized Semiosis. (Un)making Sense of Nonsense in Lewis Carroll’s Alice Tales.\u201d The Surplus of Culture. Sense, CommonSense, NonSense <\/em>University of Silesia, Ustron, Poland. 2009.<\/p>\n

\u201cNyilv\u00e1n(osan) intim. A bizalmas testis\u00e9g ki\/takar\u00e1sa a k\u00f6z\u00f6ss\u00e9gi terekben.\u201d 5. Nyelv, ideol\u00f3gia, m\u00e9dia konferencia. A szexualit\u00e1s terei. [Language, Ideology, Media. The Spaces of Sexuality] <\/em>University of Szeged, Engl Dpt. Gender Studies Research Group. Hungary 2009.<\/p>\n

\u201cAmbiguous Alice. Entangled referential and metaphorical readings of Lewis Carroll\u201d Ambiguity Conference<\/em>, Catholic University of Ruzomberok, Slovakia, 2009.<\/p>\n

\u201cFeminist Grotesque Body Politics and Freak Ethics in Angela Carter\u2019s Late Fiction.\u201d Angela Carter. A Critical Exploration<\/em>. The University of Northampton, UK, 2009.<\/p>\n

\u2018\u201cCuriouser and curiouser!\u201d Epistemological Crisis and Body-Trouble in Postmodern Alice Tales.\u201d The Fairy Tale After Angela Carter<\/em> Conference<\/em>, University of East Anglia, UK, 2009.<\/p>\n

\u201cUnraveling the Myth of Lewis Carroll\u2019s Alice.\u201d The Cultural\/ Textual Construction of the Gendered Body – Gender Studies Research Group. HUSSE9<\/em>, University of P\u00e9cs, Hungary, 2009.<\/p>\n

\u201cMonstrous Embodiment and Collective Identity in Tod Browning\u2019s Freaks<\/em> and Katherine Dunn\u2019s Geek Love<\/em>. On Breaking the Frames of the Bourgeois Family Romance and the Troubling Residue of Carnivalesque Counter-Spectacularity.\u201d HAAS Conference. <\/em>University of Szeged, Hungary 2008.<\/p>\n

\u201cA \u2018neh\u00e9z napok\u2019 gy\u00f6ny\u00f6rei. A patologiz\u00e1lt n\u0151i test eroticiz\u00e1l\u00e1sa a kort\u00e1rs magyar kult\u00far\u00e1ban.\u201d 4. Nyelv, Ideol\u00f3gia, M\u00e9dia Konferencia. A N\u0151 \u00e9s a Test\/is\u00e9g.<\/em> [Language, Ideology, Media. Femininity and Corporeality] <\/em>University of Szeged, Hungary 2008.<\/p>\n

\u201cLilliputians, Freaks, Little People. Popular Representations of Dwarfism in Anglophone Culture.\u201d The Body in Anglophone Culture. <\/em>Universit\u00e9 de Tours, France. 2008.<\/em><\/p>\n

\u201c<\/em>The Ordered System\u2019s Constitutive Outside. Disorder and Desire in Contemporary Abject Art.\u201d The Iconology of Law. Eastern and Western Traditions of European Iconography 4<\/em>. University of Szeged. 2008.<\/p>\n

\u201cFreaks Born and Made: Anatomical Alterity as a Technology of the Self. Katherine Dunn\u2019s Geek Love<\/em>\u201d Embodiment and Identity<\/em>. SWIPUK conference. Centre for Research into Embodied Subjectivity, Philosophy, Centre for Gender Studies, University of Hull, UK, 2008.<\/p>\n

\u201cImage, Music, Performance and Text in Georges du Maurier\u2019s Trilby\u201d Medial Interaction in the Literary Fantastic Workshop<\/em>. Salzburg-Szeged Dissertation Network Symposium, University of Szeged, 2008.<\/p>\n

\u201cA transznem\u0171 identit\u00e1s dilemm\u00e1i a kort\u00e1rs gender-elm\u00e9letek \u00e9s popul\u00e1ris kultur\u00e1lis reprezent\u00e1ci\u00f3k t\u00fckr\u00e9ben.\u201d [\u201cDilemmas of Trans-Gender Identity in Contemporary Theories of Gender and Popular Cultural Representations.\u201d]\u00a0 Mi\/M\u00e1s Conference on Alterity<\/em>, Eger University, 2008.<\/p>\n

\u201cProto-modern\/poszt-modern test-sz\u00f6vegek. A k\u00e9ptelen test k\u00e9p(i)es\u00edt\u00e9se\u201d [\u201cProto-modern\/post-modern body-texts. Images of Corpo-realities Resisting Re-presentation\u201d] Test-Corpus-Body. A Symposium organized by the Szeged Committee of the Hungarian Academy of Sciences<\/em>, Szeged. (with Kiss Attila), 2007.<\/p>\n

\u201cSzemtelen nemtelen? Transgender identit\u00e1s \u00e9s tapasztalat.\u201d [On Transgender Identity and Experience] Nyelv, Ideol\u00f3gia, M\u00e9dia. N\u0151i \u00e9s f\u00e9rfi identit\u00e1s \u00e9s tapasztalat . [Language, Ideology, Media. Fe\/male Identity and Experience] <\/em>University of Szeged, Hungary, 2007.<\/p>\n

\u201cThe limits and potentials of lesbian historiographic metafiction. The Case of Sarah Waters\u2019 Tipping the Velvet\u201d <\/em>Sexuality and Narrative Section. Lesbian Lives. Lesbian Existence and the Lesbian Continuum Conference. <\/em>Global Irish Institute. University College, Dublin, Ireland, 2007.<\/p>\n

\u201c\u2019From Automaton to Activist.\u2019 Representations of Spectacular Female Performers of Late-Victorian Countercultures in Georges du Maurier\u2019s, Angela Carter\u2019s and Sarah Waters\u2019 Fiction.\u201d HUSSE 8 Conference<\/em>, University of Szeged, Hungary, 2007.<\/p>\n

\u201cBifocal interpretive perspective: restless look, punctum and camp.\u201d Communicative Strategies in Literature. Joint PhD Network Symposium<\/em>. Universitat Salzburg, Austria, 2006.<\/p>\n

\u201cBlurred Boundaries and Loving Looks in Nacy Burson\u2019s Art.\u201d HAAS Biennial Conference. Frontiers, Borderlines, and Frames. <\/em>University of P\u00e9cs, Hungary, 2006.<\/p>\n

\u201c\u2019My gay best friend\u2019 A fag-hag sztereot\u00edpi\u00e1ja.\u201d [On the fag-hag\u2019s stereotype.] Nyelv, Ideol\u00f3gia, M\u00e9dia. A n\u0151 \u00e9s n\u0151i(es)s\u00e9g sztereot\u00edpi\u00e1i konferencia. [Language, Ideology, Media. Stereotypes of Womanliness and Femininity] University of Szeged, Hungary, 2006.<\/p>\n

\u201cAngela Carter\u2019s Vampires\u201d Vampire Symposium<\/em>, University of Szeged, Hungary, 2006.<\/p>\n

\u201cSeeing is believing (?) Magical Realism and the Fantastic\u201d What Constitutes the Fantastic?<\/em> University of Szeged \u2013 Universitat Salzburg Dissertationnetwork Mini-Conference. <\/em>University of Szeged, Hungary, 2006.<\/p>\n

\u201cA n\u0151i szubjektum mint szamur\u00e1j\/anya Julia Kristeva Les Samoura\u00efs<\/em> c\u00edm\u0171 \u00f6n\u00e9letrajzi reg\u00e9ny\u00e9ben\u201d [On female subjectivity and the samourai\/mother in Kristeva\u2019s autobiographical novel] A n\u0151 mint szubjektum, a n\u0151i szubjektum.<\/em> [Woman as Subject, the Feminine Subject] <\/em>Conference organized by the University of Debrecen, English Department and the University of Miskolc, Center for Gender Studies and Equal Opportunities, Debrecen, Hungary, 2006<\/p>\n

\u201cAutobiografikci\u00f3 \u00e9s \u00f6n\u00e9letrajz\u00e1s Angela Carter reg\u00e9ny-tril\u00f3gi\u00e1j\u00e1ban\u201d [On autobiografiction in Angela Carter\u2019s trilogy] \u00cdrott \u00e9s olvasott identit\u00e1s. Az \u00f6n\u00e9letrajzi m\u0171fajok referenci\u00e1lis kontextusai<\/em>. University of P\u00e9cs, Modern Literature and Literary Theory Department, Workshop organized by the \u201cWritten and Read Identitied\u201d\u00a0 Research Group, P\u00e9cs, Hungary, 2005.<\/p>\n

\u201cGrotesque Body Modification, Freaked Femininity and Narrative Self-Decomposition in Angela Carter\u2019s The Passion of New Eve\u201d Fantastic Body Transformations in English Literature, Film and Arts International Conference. <\/em>Universitat Salzburg, Austria, 2005.<\/p>\n

\u201c\u2018Kisasszonyok, vadmacsk\u00e1k, k\u00e9kharisny\u00e1k\u2019 Az \u00edr\u00f3 n\u0151 pozicion\u00e1l\u00e1sa a mai magyar m\u00e9di\u00e1ban.\u201d Nyelv, Ideol\u00f3gia, M\u00e9dia. A n\u0151 helye a magyar nyelvhaszn\u00e1latban konferencia. <\/em>University of Szeged, 2005.<\/p>\n

\u201cGrotesque Body, Fictionalized Identity and Somatized Narrative in Angela Carter.\u201d Fantastic Transformations of the Body in Modern English Literature Conference. University of Szeged \u2013 Universitat Salzburg Dissertationsnetwerk, 2005.<\/p>\n

\u201c\u2018I don\u2019t suffer, except when I see the images like you\u2019 Violence, presence, and representations in carnal performance and body art.\u201d Image\/ Text\/ Representation\/ Film in the Multimedial Age International Conference. University of Szeged, 2005.<\/p>\n

\u201c<\/em>Polyphonic Laughters in Angela Carter\u2019s Nights at the Circus<\/em>.\u201d HUSSE 7 Conference<\/em>. \u00a0University of Veszpr\u00e9m, 2005.<\/p>\n

\u201cThe Female Grotesque in Contemporary American Culture.\u201d HAAS Biennial Conference. \u201cAmerican Studies as Cultural Studies: Theory and Practice\u201d Budapest, E\u00f6tv\u00f6s Lor\u00e1nd University, 2004.<\/p>\n

European Intertexts. A Study of Women\u2019s Writing in English as a Part of a European Fabric. Travels: \u201cShe\u2019s Leaving Home\u201d Conference. University of Szeged–The British Academy. \u201c \u201cEyes closed I began a voyage down her spine\u201d Remapping the Body, Renaming the Landscape in Jeanette Winterson\u201d, 2004.<\/p>\n

\u201eN\u0151ies-e a kort\u00e1rs n\u0151i irodalom? \u00c1t\u00edr\u00e1s, \u00fajraolvas\u00e1s, re-v\u00edzi\u00f3 \u00e9s a kort\u00e1rs, angol nyelv\u0171 n\u0151irodalom\u201d, Laikus olvas\u00e1s \u00e9s popul\u00e1ris kult\u00fara<\/em>. Dayka G\u00e1bor T\u00e1rsas\u00e1g. National Sz\u00e9ch\u00e9nyi Library\u00a0 Budapest. 2004.<\/p>\n

\u201cK\u00f6ny\u00f6rtelen Test Rev\u00edzi\u00f3k. A n\u0151i sz\u00e9ps\u00e9g er\u0151szakos ideol\u00f3gi\u00e1j\u00e1nak dekonstrukci\u00f3ja a kort\u00e1rs feminista performansz terrorista testeiben\u201c, Er\u0151szak \u00e9s T\u00e1rsadalmiNem konferencia. Vizu\u00e1lis Er\u0151szak, Er\u0151szak V\u00edzi\u00f3k szekci\u00f3<\/em>. Corvinus University of Budapest. Gender and Cultural Studies Center. 2003.<\/p>\n

\u201cCarnal Re-presentations: Orlan\u2019s Body Art. Surgical Interventions Subverting the Iconography of Femininity and Beauty Myth\u201d, The Iconography of Gender<\/em>. Eastern and Western Traditions of European Iconography 3<\/em>. University of Szeged. 2003.<\/p>\n

\u201cAna\u00efs Nin\u2019s Experimental Autofiction. The Portrait of the Artist as a Postmodern Desiring Female Subject: A Spy in the House of Love\u201d, The 1950s HAAS Biennial Conference 2003<\/em> E\u00f6tv\u00f6s Lor\u00e1nd University, Budapest. 2003<\/em>.<\/p>\n

\u201cNarrating the nervous female body: Angela Carter\u2019s The Passion of New Eve\u201d<\/em>, HUSSE 6 conference<\/em>, University of Debrecen. 2003.<\/p>\n

\u201cDesidero ergo sum infinitum. Testbesz\u00e9d. Nyelvgy\u00f6ny\u00f6r. Sz\u00f3j\u00e1t\u00e9k. Az \u2019\u00faj\u2019 \u2019francia\u2019 \u2019feminizmusok\u2019 esete\u201d, N\u0151 \u00e9s f\u00e9rfi, f\u00e9rfi \u00e9s n\u0151. A t\u00e1rsadalmi nemek kutat\u00e1sa Magyarorsz\u00e1gon az ezredfordul\u00f3n konferencia<\/em>, Gender \u00e9s (n\u0151i) \u00edr\u00e1sm\u00f3dok szekci\u00f3, Corvinus University of Budapest. Gender and Cultural Studies Center, 2002.<\/p>\n

\u201cFictional Autobiography as Narrative Re\/Deconstruction of Identity; (Re)writing on\/from the Body in Sylvia Plath, Jeanette Winterson and Toni Morrison\u201c. Women`s Writing and Autobiography. <\/em>Universit\u00e9 de Bordeaux 3. 2002.<\/p>\n

\u201cTransgressive Bodies and Other Voices in Contemporary British Women Writers` Fiction\u201d, International Conference of PhD students<\/em>. University of Miskolc. 2001.<\/p>\n

\u201cWomen With Wings\u201d (on Fay Weldon, Angela Carter and Jeanette Winterson), British Council Symposium and Roundtable on Contemporary British Fiction<\/em>. Budapest. 2001.<\/p>\n

\u201cSubversive Desires Somewhere Inbetween. The Cards of Passion\u201d (on Jeanette Winterson), HUSSE 5 conference<\/em>, Eger, Hungary. 2001<\/p>\n

Conference panel organization<\/h4>\n

Sounds Victorian: Acoustic Experience in 19th<\/sup> Century Britain, <\/em>ESSE Conference, Lyon 2020. Co-organized w B\u00e9atrice Laurent, Universit\u00e9 Bordeaux Montaigne<\/p>\n

The Secret Life of Things: Controversial Challenges of Anthropocentrism in Children\u2019s Literature. <\/em>Controversial Dimensions in Children\u2019s Literature, Wroclaw, Poland. 2020.03.19-20.<\/p>\n

Image\/Text\/Body Panel. <\/em>14th<\/sup> Biennial HUSSE Conference, 2019. Jan 31-Feb 2. Pannon University Veszpr\u00e9m, Hungary.<\/p>\n

Sounds Victorian: Voices and Noises in 19th<\/sup> Century Britain, <\/em>ESSE Conference, Brno, 2018. Co-organized w B\u00e9atrice Laurent, Universit\u00e9 de Bordeaux<\/p>\n

Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics Seminar.<\/em> 12th<\/sup> ESSE Conference, Pavol Jozef \u0160af\u00e1rik University, Kosice, Slovakia. 29 Aug \u2013 2 Sept, 2014. Coorganized with Catriona McAra, Leeds University of Arts<\/p>\n

Bordercrossings, meeting points, spaces of reflection and resistance. ‘Out of place’ feminist encounters with alterity<\/em>. A Tal\u00e1lkoz\u00e1sok Antropol\u00f3gi\u00e1ja.<\/em> A Magyar Kultur\u00e1lis Antropol\u00f3giai T\u00e1rsas\u00e1g 4. V\u00e1ndorkonferenci\u00e1ja. SZTE BTK: Nov 4-5, 2016.<\/p>\n

Fairy Tale Cinema. Posthumanist Potentials of Animal\/Plant-Human Encounters. HUSSE 13.<\/em> Eger. 2017 jan. 26-28.<\/p>\n

Medial Interaction in the Literary Fantastic Workshop<\/em> Salzburg-Szeged Symposium co-organizer, Szeged University, 2008.<\/p>\n

Other Conference\/ Workshop Participation<\/h4>\n

High Culture and\/versus Popular Culture conference. <\/em>(with John Storey) <\/em>Universitat Salzburg. Interdisciplinary Research Center Metamorphic Changes in the Arts, 2007<\/p>\n

Jacques Derrida\u2019s lecture series on La peine de mort<\/em> at \u00c9cole Pratique des Hautes \u00c9tudes en Sciences Sociales de Paris, 1999\/2000.<\/p>\n

Julia Kristeva\u2019s lecture series on Le g\u00e9nie f\u00e9minin<\/em> at Universit\u00e9 Paris VII, 1999\/2000<\/p>\n

Trans-missions: Theory, Research and Teaching in British Literary and Cultural Studies in Europe<\/em>, British Council. <\/em>2002<\/p>\n

Body Studies.<\/em> Roundtable with Vincent B. Leitch, University of Debrecen, 2002<\/p>\n

Given World and Time: Temporalities in Context conference.<\/em>\u201c Workshop with Hayden White \u201cMetahistory: Thirty Years After.\u201d Central European University, Budapest, 2003.<\/p>\n

Interviews, Talks, Roundtables<\/strong><\/h4>\n

“Opening Talk at the opening of Drozdik Orshi’s Exhibition”Matter and Sensuality” Az \u00c9rz\u00e9kis\u00e9g \u00e9s az Anyag<\/a>. Budapest Gal\u00e9ria. 2018. Szept 27.<\/p>\n

\u201cOpening Talk at the Exhibition It\u2019s Always Tea Time. Artwork inspired by Alice in Wonderland<\/em>\u201d Estonian Institute, De\u00e1k 14 Gallery, Budapest, Nov 8, 2017.<\/p>\n

\u201cV\u00e9nuszok tal\u00e1lkoz\u00e1sa. Besz\u00e9lget\u00e9s az Anat\u00f3miai V\u00e9nuszokr\u00f3l. Drozdik Orsolya k\u00e9pz\u0151m\u0171v\u00e9sz, Varga Benedek, a SOM f\u0151igazgat\u00f3ja, K\u00e9rchy Anna, SZTE \u201d Semmelweis Orvost\u00f6rt\u00e9neti M\u00fazeum. [Conversation about Anatomical Venuses at the Semmelweis Medical Museum of Budapest] 2015. 10. 8.<\/p>\n

\u201cLewis Carroll Csodavil\u00e1ga szegedi szemmel. K\u00e9rchy Anna hi\u00e1nyp\u00f3tl\u00f3 k\u00f6teteket alkot a Bolyai \u00f6szt\u00f6nd\u00edj t\u00e1mogat\u00e1s\u00e1val<\/a>.\u201d SZTE Magazin<\/em>. 2014. 7. sz\u00e1m.<\/p>\n

2014.03.05. Social problems and fictional representations of domestic violence in Hungary today. A talk with writer Czap\u00e1ry Veronika and activist Rita Antoni, Szeged University Gender Studies Research Group roundtable<\/p>\n

2014.02.14. Sexual alterity in Socialist Hungary of the 1980s. A talk with M\u00e1ria Tak\u00e1cs about her documentary film Secret years<\/em> (Eltitkolt \u00e9vek)<\/em> Szeged, Grand Caf\u00e9<\/em>. (with E Bar\u00e1t)<\/p>\n

2007-09-10. 16.00. Kossuth R\u00e1di\u00f3. K\u00f6rzeti St\u00fadi\u00f3. N\u0151i vonal<\/em>. With Erzs\u00e9bet Bar\u00e1t. On the \u201cLanguage, Ideology, Media\u201d conference.<\/p>\n

2003-12-09. 13.05. Kossuth R\u00e1di\u00f3. Vend\u00e9g a h\u00e1zn\u00e1l. Gyerekekr\u0151l feln\u0151tteknek<\/em>. \u201cOn the Beauty Myth\u201d<\/p>\n

Individual Grants, Awards<\/strong><\/h4>\n

2020 MTA KGYNK<\/strong> (Kisgyermeket Nevel\u0151 Kutat\u00f3 N\u0151k Tudom\u00e1nyos El\u0151menetel\u00e9nek El\u0151seg\u00edt\u00e9se) Grant from Hungarian Academy of Sciences for Women Researchers raising small children<\/p>\n

2019. IRSCL Travel Grant<\/strong> to attend IRSCL Congress on Silence and Silencing in Children’s Literature. Stockholm Aug 14-18. Paper on \u201cAcoustics of nonsense, picturing sounds, & interspecies communication: Counter-narrative strategies resisting the discursive silencing of children in Lewis Carroll\u2019s Alice tales.\u201d<\/p>\n

2019 Fall Erasmus + Teacher Mobility Grant, Universit\u00e9 d\u2019Angers<\/p>\n

2019 Spring Erasmus + Teacher Mobility Grant, Universit\u00e9 Bordeaux Montaigne<\/p>\n

2014-2017. J\u00e1nos Bolyai Research Scholarship of the Hungarian Academy of Sciences<\/strong>. Title of project: Postmodern Configurations of Victorian Fantasy.<\/em> MTA Bolyai J\u00e1nos Kutat\u00e1si \u00d6szt\u00f6nd\u00edj. A Viktori\u00e1nus Fant\u00e1zia Posztmodern Konfigur\u00e1ci\u00f3i<\/em>.<\/p>\n

2018 Alice in Transmedia Wonderland<\/em> shortlisted for 2018 ESSE Book Award<\/p>\n

2017. Senior Book Award of HUSSE, The Hungarian Society for the Study of English for Alice in Transmedia Wonderland<\/em> c\u00edm\u0171 k\u00f6nyv\u00e9rt<\/p>\n

2015 nov. Apert\u00fara<\/em>. Film. Vizualit\u00e1s. Elm\u00e9let. E-foly\u00f3irat <\/em>10th<\/sup> anniversary of Apertura Film Journal. Most Popular Article Award. \u201cTapogat\u00f3z\u00e1sok\u201d (Essay on body studies)<\/p>\n

2015 dec. Exploring the Cultural History of Continental European Freak Shows and Enfreakment<\/em> \u00a0selected on Cambridge Scholars Publishing House\u2019s Bestseller List<\/p>\n

2014 Oct. ESSE Book Grant for 2014 to support the project Postmodern Configurations of Victorian Fantasy\/ Kaleidoscopic Nonsense in the Oeuvre of Lewis Carroll<\/em><\/p>\n

2013. August 10-15. Maastricht, The Netherlands. Balassi Institute. Campus Hungary Mobility Grant. Short Term Mobility Grant for Teachers. (B2\/2R\/1063) IRSCL International Research Society for Children\u2019s Literature Congress, Children\u2019s Literature and Media Cultures. <\/em>Adapting Alice Panel. \u201cAlice\u2019s Adventures through Changing Media\u201d<\/p>\n

2012 Sept. Wonder Woman<\/em> Audience Award for best paper of the 8th<\/sup> Language, Ideology, Media Conference, University of Szeged. \u201cFictionalizing manly disability. Atypical embodiments of alternative masculinities in contemporary popular visual culture.<\/p>\n

2009. SZTE Faculty of Arts Research Grant: The Fairy Tale After Angela Carter<\/em> Conference<\/em>, University of East Anglia, UK. Lecture: \u2018\u201cCuriouser and curiouser!\u201d Epistemological Crisis and Body-Trouble in Postmodern Alice Tales.\u201d<\/p>\n

2009. SZTE IEAS Travel Grant: Lesbian Lives. Lesbian Existence and the Lesbian Continuum Conference. \u201c<\/em>Sexuality and Narrative Section.\u201d Global Irish Institute. University College, Dublin, Ireland, Conference lecture: \u201cThe limits and potentials of lesbian historiographic metafiction. The Case of Sarah Waters\u2019 Tipping the Velvet\u201d<\/em><\/p>\n

2005 November \u201cThe Human Body in British Fantastic Literature.\u201d PhD Dissertationsnetwerk. Scholarship of Stiftung Aktion \u00d6sterreich-Ungarn. Universitat Salzburg (1 week)<\/p>\n

2002 Spring. Erasmus. Katholieke Universiteit Leuven, English Dept., Belgium (4 months)<\/p>\n

1999-2000 BGF scholarship of French Government. DEA predoctoral studies program. The Semiology of Text and Image Research Group, Contemporary French Literature and Literary Theory. Universit\u00e9 Paris 7 Denis Diderot, France. (9 months)<\/p>\n

1999 OTDK. National Academic Competition for University Students. English literature (on Angela Carter) 2nd <\/sup>place, French literature (on Georges Bataille) 5th<\/sup> place<\/p>\n

Collective grants<\/strong><\/h4>\n

2020-2022 EU Erasmus+ Strategic Partnership. SFBB: Short Forms Beyond Borders. Short Forms as a Tool of Cultural, Educational, Social Mediation in Europe (Angers, France; Athens, Greece; Szeged, Hungary; Santiago de Compostela, Spain; Giessen, Germany; Leuven, Belgium)<\/p>\n

2018-2019 Spanish Ministry of Economy and Competitiveness. Research Project \u201cBodies in Transit 2\u201d, ref. FFI2017-84555-C2-1-P<\/p>\n

2017-2020. EFOP-3.4.3-16-2016-00014.\u00a0 \u201eA Szegedi Tudom\u00e1nyegyetem oktat\u00e1si \u00e9s szolg\u00e1ltat\u00e1si teljes\u00edtm\u00e9ny\u00e9nek innovat\u00edv fejleszt\u00e9se a munkaer\u0151piaci \u00e9s a nemzetk\u00f6zi verseny kih\u00edv\u00e1saira val\u00f3 felk\u00e9sz\u00fcl\u00e9s jegy\u00e9ben\u201d c\u00edm\u0171 p\u00e1ly\u00e1zat AP6_BTK-2 alt\u00e9m\u00e1ja. Digit\u00e1lis tananyag fejleszt\u00e9s a Romanticism and Victorianism in English Literature<\/em> c\u00edm\u0171 BA Survey kurzushoz.<\/p>\n

2015. Oct. 21. Az olvas\u00e1s \u00e9rt\u00e9ke a digit\u00e1lis m\u00e9dia kor\u00e1ban <\/em>T\u00c1MOP project networking. The Changing status of Reading in a Digital Era<\/em>. Universidad de Huelva, Spanyolorsz\u00e1g. 2015 Dr Pilar Cuder Dominguez<\/p>\n

2014 Sept. Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics. <\/em>ESSE 2014 Conference Seminar (and related book-project). Co-organized with Dr Catriona McAra, University of Edinburgh. Registration supported by HUSSE Hungarian Society for English Studies.<\/p>\n

2014. July. 5-19. EU Erasmus Intensive Lifelong Learning Programme<\/em>. Instructor, Organizer. An Interdisciplinary Summer Course in Venice. Translating, Training, and Touring in Venice. <\/em>An International Collaboration between the University of Milan, the University of Warwick, Venice Ca\u2019Foscari University, and the University of Szeged.<\/p>\n

2014. July 6-20. EU Erasmus Intensive Lifelong Learning Programme<\/em>. Instructor, Organizer. An Interdisciplinary Summer Course in Venice. Walking, Watching, and A-Wakening in Venice. <\/em>An International Collaboration between the University of Milan, the University of Warwick, Venice Ca\u2019Foscari University, and the University of Szeged.<\/p>\n

2009 March, <\/em>University of Milan, Designing the EU Erasmus Intensive Programme entitled Walking, Watching, and A-Wakening in Cinque Terre. Artistic Representations of the Embodied Experience of Space from Romanticism to Postmodernism in British Culture<\/em>. An International Collaboration between the Universities of Milan, Glasgow, and Szeged. (3 days) \u2013 Support granted by EU Lifelong Learning Commission, Project Suspended<\/p>\n

Participation in academic research groups<\/strong><\/h4>\n

Hungarian projects<\/strong><\/p>\n

TNT Gender Studies Research Group, University of Szeged, Institute of English and American Studies<\/p>\n

HUHI: A History of English Literatures for Hungarian Readers<\/em> book project (short chapter on Lewis Carroll)<\/p>\n

2015, 16, 17 Member of Jury of Alfab\u00e9ta <\/em>Hungarian Comics and Graphic Novel Award<\/p>\n

International projects<\/strong><\/p>\n

European Network for Short Fiction Research: <\/em>organized by Edgehill University, Universit\u00e9 d\u2019Angers, Universiteit Leuven, Steering committee member<\/p>\n

Alice in Wonderland in 150 Languages<\/em> International Translation Project, (directed by Jon Lindseth, Lewis Carroll Society) Responsible for Hungarian retranslations , bibliographies<\/p>\n

Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics. <\/em>ESSE 2014 Conference Seminar and EJES special journal issue (2017) Co-organized with Dr Catriona McAra (University of Leeds)<\/p>\n

Sounds Victorian: Voices and Noises in 19th<\/sup> Century Britain, <\/em>ESSE Conference, Brno, 2018. Co-organized w B\u00e9atrice Laurent, Universit\u00e9 de Bordeaux<\/p>\n

2011-2012 Exploring the Cultural History of Continental European Freak Shows and Enfreakment<\/em> international cooperation, editorial work with Dr Andrea Zittlau (University of Rostock, Department of North American Cultural Studies)<\/p>\n

2016-20019 The Fairy Tale Vanguard<\/em> essay collection, co-edited with Dr Stijn Praet (University of Ghent\/ Stockholm)<\/p>\n

2017-2019 Translation and Transmedia<\/em> special journal issue of Bookbird, IBBY, International Journal of Children\u2019s Literature<\/em> (co-edited with Dr Bj\u00f6rn Sundmark, Malm\u00f6 University)<\/p>\n

2013, 2014 EU Erasmus Intensive Lifelong Learning Programme: Interdisciplinary Summer Course in Venice<\/em>. Universities of Warwick, Milano, Venice, Szeged (Hungarian coordinator)<\/p>\n

2005-2008 The Literary Fantastic PhD Dissertationsnetwerk<\/em>. Stiftung Aktion \u00d6sterreich-Ungarn. Network on Fantastic Literature Universiteit Salzburg and Szeged University<\/p>\n

Teaching Experience Abroad:<\/strong><\/h4>\n

2010 July, West Virginia University, US. English Department, Graduate Summer Course, The Feminist Grotesque. <\/em>Contact Person: Dr. Donald Hall
\n<\/em><\/p>\n

2013 Psychogeography and the Embodied Experience of Space <\/em>Module in EU Erasmus Intensive Lifelong Learning Programme Walking, Watching, and A-Wakening in Venice.<\/em> an Interdisciplinary, International Summer Course in Venice, Italy Contact: Dr Margaret Rose<\/p>\n

2014 Translation as a means of Cross-Cultural Encounters and Language Philosophical Investigations<\/em> Module in EU Erasmus Intensive Lifelong Learning Programme. Translating, Training, and Touring in Venice,<\/em> an Interdisciplinary, International Summer Course in Venice, Italy. Contact: Dr Margaret Rose, Dr Loredana Polezzi<\/p>\n

2015. October 20. University of Huelva, Spain. Guest lecture in \u201cLiterature and Society\u201d course in Cultural Management BA programme. \u201cAlice for the iPad. Postmillenial new media adaptations of fantasy literature.\u201d contact person. Dr Pilar Cuder Dominguez<\/p>\n

2016.04.18. University of Antwerpen, Belgium. Fairy Tale Rewritings in English course. Guest lecture. “Girls transformed into animals. Feral embodiments, humanimal subjectivities, posthumanist feminist identity politics” Invited by Dr Vanessa Joosen<\/p>\n

2019 04.01-04.06. Universit\u00e9 Bordeaux Montaigne, Erasmus + Guest Lecturer.\u00a0 BA seminar sessions on \u201cThe Acoustics of Nonsense Literature: the Case of Jabberwocky\u201d & MA lecture \u201cThe\u00a0 Victorian Myth of the Child and the Iconic Figure of Lewis Carroll and\u00a0 his Alice in Wonderland\u201d\u00a0\u00a0\u00a0 contact person: Dr B\u00e9atrice Laurent<\/p>\n

2019 Nov 4-8. Universit\u00e9 d\u2019Angers, France. Erasmus Teacher Mobility Grant. BA seminar session on \u201cAlice in Adaptation\u201d, MA lecture on \u201cThings Studies and Angela Carter\u2019s Short Fiction\u201d contact person. Dr Michelle Ryan-Sautour<\/p>\n

Teaching Experience, Szeged University (from 2001 to the present):<\/strong><\/h4>\n

2001-present. University of Szeged. Institute of English and American Studies. English Dept. Courses in English Studies BA program, Gender Studies and Cultural Iconology MA programs<\/p>\n

Literature\/Culture Lectures:<\/strong><\/p>\n

Romanticism and Victorianism in English Literature (BA Literature Survey Lecture)<\/em><\/p>\n

The Literary Fantastic (BA Literature Survey Lecture)<\/em><\/p>\n

The Multimediality of Culture\u00a0 (MA Culture Survey Lecture)<\/em><\/p>\n

Subjectivity and the Gendered Body (MA Gender Survey Lecture)<\/em><\/p>\n

Women\u2019s Life Writing: Histories of Women\u2019s Writing in English (MA Gender Survey Lecture)<\/em><\/p>\n

Madwomen in the Attic. Women, Writing and Madness (MA Gender Elective Lecture)<\/em><\/p>\n

Culture through Gender (team taught, BA Engl. Studies, elective Lecture)<\/em><\/p>\n

Literature\/Culture Seminars:<\/strong><\/p>\n

Examining Grotesque Embodiments. Risk, Excess, Alterity<\/em><\/p>\n

Heffalumps, Twinkling Bats, Mome Raths. Reading and Translating Nonsense Literature <\/em><\/p>\n

Magical Realism in Literature, Film and Art<\/em><\/p>\n

(Re)Inventing Wonderland. Children\u2019s Literature in English <\/em><\/p>\n

Forbidden Journeys. Victorian Fantasies and Fairy Tales<\/em><\/p>\n

Demons of the Mind. Reading Gothic Fiction<\/em><\/p>\n

Down the Rabbit Hole. Nonsense Fantasy Variations on Alice in Wonderland<\/em><\/p>\n

Who is Afraid of the Big Bad Wolf? Fairy Tales for Adults<\/em><\/p>\n

Erring and Desiring. Vulnerable Bodies, Risked Selves in Contemporary Literature and Film<\/em><\/p>\n

Before and After Pornography. Literary Erotica in English from the 17th<\/sup> to the 21st <\/sup>Century<\/em><\/p>\n

Angelic Ladies, Fallen Women and Freaks: (Representing) Anxieties in Victorian Literature<\/em><\/p>\n

The Art of Seduction <\/em><\/p>\n

Lost and Found. Adolescent Figures in Contemporary Literature, Film and Art<\/em><\/p>\n

Girl Meets Boy. (Trans)Sexuality in Contemporary Literature, Film and Arts <\/em><\/p>\n

Woman\u2019s Body Works\/ <\/strong>Writing on\/from the Body<\/em><\/p>\n

Women with Wings. Transgressive Bodies & Othered Voices in Contemporary Women\u2019s Writing<\/em><\/p>\n

Narrative Fiction<\/em><\/p>\n

Critical and Cultural Theories. Advanced Literary Analysis<\/em><\/p>\n

Introduction to Literature<\/em><\/p>\n

Introduction to Drama Studies<\/em><\/p>\n

Academic Supervision (MA\/ BA\/PhD levels) (2005 -2017 June):<\/strong><\/h4>\n

43 MA Thesises<\/p>\n

59 BA Thesises<\/p>\n

OTDK papers (National Academic Competition of University Students)<\/p>\n

4 + 9 PhD Dissertations<\/p>\n

Co-supervision of PhD dissertations (at Szeged University, Faculty of Arts, doctoral school of literary studies, literatures and cultures in English program)<\/strong><\/p>\n

Defended<\/u>:<\/p>\n

Cset\u00e9nyi Korinna. The Metafictional Narrativization of the Traumatized Body and Monstrous Femininity in Stephen King\u2019s Horror Fiction <\/em>(Defense: August 2015)<\/em><\/p>\n

Makai P\u00e9ter Krist\u00f3f. Bridging the Empathy Gap: Representing Neurological Difference in Contemporary Autism Novels<\/em> (Defense: April 2016)<\/p>\n

Andrea T\u00f3thova. Elmozdul\u00f3 jelent\u00e9sek. A feminizmus fogalmainak \u00fajragondol\u00e1sa az \u00c9jszakai \u00e1llatkert \u00e9s a Szomjas o\u00e1zis recepci\u00f3j\u00e1nak t\u00fckr\u00e9ben<\/em> (Defense: May 2017)<\/p>\n

D\u00e1niel Nyikos. Colonizing Cynicism in the Works of Rudyard Kipling<\/em>. (Defense: October 2019)<\/p>\n

T\u00f3th Zsuzsanna. Philip Pullman\u2019s His Dark Materials trilogy, Popular Fantasy & Re-enchantment in religious, cultural, and literary context <\/em>(Defense: June 2020)<\/p>\n

Sz\u0151ke D\u00e1vid S\u00e1ndor.\u00a0German Exile Literature and the Early Novels of Iris Murdoch<\/em>\u00a0(Defense: 2021 Spring)<\/p>\n

In progress<\/strong><\/p>\n

Bagi D\u00e1niel.\u00a0Reenchantment and Eco-criticism in Algernon Blackwood\u2019s Weird fiction<\/em><\/p>\n

Emma B\u00e1lint. New Media Adaptations of Fairy Tales: A Digital Red Riding Hood<\/em><\/p>\n

Szarvas R\u00e9ka. Reading contemporary women\u2019s crime novels as feminist corporeagraphic metafiction<\/em><\/p>\n

Andr\u00e1s Moln\u00e1r. Reading post-Lovecraftian Weird Fiction with a Focus on Interconnections of Literature and Law<\/em><\/p>\n

Fodor Andr\u00e1s. China Mi\u00e9ville’s New Weird Urban Fantasy and Theories of Space<\/em><\/p>\n

Osoliova Vikt\u00f3ria.\u00a0Haunting Gender: The Representation of Female Gothic Anxieties in Daphne du Maurier\u2019s<\/em> Rebecca<\/em><\/p>\n

T\u00f3th Zsolt.\u00a0Oozing Body-Text(ure)s: Posthuman Enfreakment in and through David Cronenberg\u2019s<\/em> The Fly<\/em><\/p>\n

Rusvai M\u00f3nika. Plant fantasies in Robert Holdstock<\/em><\/p>\n

Elahe Mousavian. The politics of children’s literature. Samad Beranghi’s Little Black Fish<\/em><\/p>\n

Attila M\u00f3cza. The Rhetorics of Power in Immediately Contemporary Gothic Short Fiction<\/em><\/p>\n

External examiner of PhD dissertations<\/strong><\/h4>\n

2011 Szab\u00f3 Andrea: Alice Munro\u2019s Neo-Gothic Writing (Alice Munro neo-g\u00f3tikus \u00edr\u00e1sm\u0171v\u00e9szete) <\/em>University of Debrecen. Doctoral School of Literary Studies<\/p>\n

2015 Kiss Bogl\u00e1rka: Integrity, Monstrosity and the Female Body in Sylvia Plath\u2019s and Anne Sexton\u2019s Poetry. <\/em>University of Debrecen. Doctoral School of Literary Studies<\/p>\n

2017 Ureczky Eszter: Culture of Pollution. Epidemic Disease and Biopolitics of Contagion in Conetmporary Anglophone Fiction<\/em>, University of Debrecen. Doctoral School of Literary Studies<\/p>\n

2017 P\u00e1l-Kov\u00e1cs Ram\u00f3na. Cartographie de la M\u00e9moire: Pour une Lecture G\u00e9ocritique de l\u2019Autobiographie de Michel Tremblay<\/em>, University of Szeged. Doctoral School of Literary Studies<\/p>\n

2017 Kendra Reynolds. Space, Time and Bodies: The Feminist Architecture of Postmodern Anti-Tales<\/em>. University of Ulster, Northern Ireland.<\/p>\n

2018. Lipt\u00e1k-Pik\u00f3 Judit Fantom \u00e9s fikci\u00f3 Marie Darrieussecq reg\u00e9nyeiben \u00e9s elm\u00e9leti \u00edr\u00e1saiban,<\/em> SZTE, Irodalomtudom\u00e1nyi Doktori Iskola, Francia tansz\u00e9k<\/p>\n

2018. Maja Pan. The Enchantment of Reality: The Philosophy of Gender and Queer Feminist Pedagogical Practices<\/em>. University of Ljubljana, Humanities and Social Sciences Study Programme, Slovenia<\/p>\n

Internal examiner of PhD dissertations<\/p>\n

2012 Nagy Gergely: \u2018Ye olde authour\u2019: Tolkien\u2019s Anatomy of Tradition in the Silmarillion<\/em>.. University of Szeged. Doctoral School of Literary Studies (internal defense) (munkahelyi v\u00e9d\u00e9s)<\/p>\n

Comprehensive PhD exam board member<\/p>\n

Albert No\u00e9mi (PTE) Intersections of memory and space in Contemporary British fiction<\/p>\n

Academic Administrative Work<\/strong><\/h4>\n

2020- Head of Literatures and Cultures in English Doctoral Program<\/p>\n

SZTE IEAS Responsible for Communication with International Students and Stipendium Hungaricum Affairs<\/p>\n

Hungarian Society for the Study of English Board Member 2011-2012<\/p>\n

SZTE IEAS Curriculum Committee Member since 2009 (Literature BA)<\/p>\n

Conference Co-Organization: Medial Interaction in the Literary Fantastic Workshop<\/em>. Salzburg-Szeged Dissertation Network Symposium, University of Szeged, 2008<\/p>\n

Languages: <\/strong><\/h4>\n

Hungarian (mother tongue), English (fluent), French (fluent), German (beginner), Latin (reading knowledge)<\/p>\n

PhD dissertation\u2019s key-words:<\/strong><\/h4>\n

Angela Carter, \u2019self-freakings,<\/em>\u2019 grotesque dis\/re-embodiment, semioticized body and somatized text, body-text, autobiografiction, corporeagraphic metafiction, bifocal interpretive perspective, corporeal\/textual performances, feminist ethics, laughter\/ neurosis\/ seduction in their relation to femininity, corporeality and authorship<\/p>\n

Habilitation dissertation\u2019s key-words:<\/strong><\/h4>\n

Lewis Carroll, Alice\u2019s Adventures in Wonderland, Through the Looking-Glass, <\/em>Victorian fairy-tale fantasy, (meta)imagination, (dis)enchantment, children\u2019s literature, adaptation, media transition, imagetext dynamics, transmedia storytelling, multimedia literacy, interdisciplinarity, popular culture<\/p>\n

Current research projects<\/strong>:<\/h4>\n

The Poetics and Politics of Intermedial Dynamics in Lewis Carroll’s Nonsense (monograph)<\/em><\/p>\n

Website in Hungarian devoted to Lewis Carroll\u2019s work: www.ieas-szeged.hu\/downtherabbithole<\/a><\/p>\n

Translating Jabberwocky. <\/em>Eds.\u00a0 Kit Kelen, Anna K\u00e9rchy, Bj\u00f6rn Sundmark<\/p>\n

Early Hungarian Women Scientists. Eds. Criti\u00e1n R\u00e9ka M\u00f3nika, K\u00e9rchy Anna<\/p>\n

Sounds Victorian special journal issue of CVE. Eds. B\u00e9atrice Laurent, Anna K\u00e9rchy<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Curriculum Vitae\u00a0\u00a0\u00a0 (Jan 2021) Anna K\u00e9rchy Associate Professor of English, University of Szeged, Hungary Work Address: University of Szeged, Faculty of Arts, Institute of English & American Studies, English Dept. Szeged 6722, Egyetem u 2, Room 3303, Hungary Phone: 36-62-544 526 Fax: 36-62-544\u00a0259 E-mail: akerchy@ieas-szeged.hu Education and Qualifications 2016 Doctoral habilitation in Literature and Culture, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":77,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-542","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=542"}],"version-history":[{"count":55,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/542\/revisions"}],"predecessor-version":[{"id":1747,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/542\/revisions\/1747"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/77"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}