{"id":238,"date":"2017-05-25T12:10:52","date_gmt":"2017-05-25T12:10:52","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=238"},"modified":"2021-09-05T19:55:57","modified_gmt":"2021-09-05T19:55:57","slug":"bat","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/oktatas\/temavezetes\/bat\/","title":{"rendered":"BAT"},"content":{"rendered":"
BA szakdolgozat (kor\u00e1bban Major Paper) t\u00e9mavezet\u00e9s <\/strong><\/h5>\n
\/BA Thesis Supervision
\n<\/strong><\/h5>\n

SZTE Angol-Amerikai Int\u00e9zet<\/p>\n

\u00c1d\u00e1m N\u00f3ra. Androgyny in Woolf\u2019s Orlando. 2006.<\/em><\/p>\n

Bal\u00e1zs Katalin. Feminist thought in the performances of Carolee Schneemann and Orlan<\/em>. 2006<\/p>\n

Csaba Zs\u00f3fia. Intermediality in Artistic Dance Photography<\/em>. 2006.<\/p>\n

Csontos No\u00e9mi. The (Im)possibility of Feminine Revolt in Louisa May Alcott\u2019s Little Women<\/em>. 2007.<\/p>\n

Udvari T\u00fcnde. Monstrous Femininity in Poe\u2019s Ligeia and Morella<\/em>. 2007.<\/p>\n

Varga Di\u00e1na. Engendered Representations of Madness in Virginia Woolf\u2019s Mrs Dalloway and Michael Cunningham\u2019s The Hours. 2008.<\/em><\/p>\n

Valtner Vivien. Symbols of Passion in Wuthering Heights and Winwards Heights. 2008.<\/em><\/p>\n

Harmath Csilla. The Problematic Role of Language in Lewis Carroll\u2019s Through the Looking Glass and What Alice Found There. 2009.<\/em><\/p>\n

Nagy Bogl\u00e1rka. The Struggles for Independence and the Rejection of Conventions in Charlotte Bronte\u2019s Jane Eyre and Daphne du Maurier\u2019s Rebecca. 2009.<\/em><\/p>\n

Mikola Anita. The Development of the literary fairy tale and the refashioning of the genre in the Victorian era. 2009.<\/em><\/p>\n

Czifra Zolt\u00e1n. Re-reading Lewis Carroll\u2019s Alice\u2019s Adventures in Wonderland as a Coming-of-Age Guide for Victorian Young Adult Girls. 2010.
\n<\/em><\/p>\n

Benk\u0151 Ferenc. Harry Potter Through the Genres. Elements of Detective Fiction, Fantasy and Children\u2019s Literature in Rowling\u2019s Series. 2010.<\/em><\/p>\n

Kohut Adrienn, A Comparative Analysis of Jane Eyre by Charlotte Bronte and The Eyre Affair by Jasper Fforde<\/em>. 2010.<\/p>\n

Kunji Szuzanna, Monster or Criminal? Comparing the Victorian and the Postmodern Sweeney Todd. 2010.<\/em><\/p>\n

Suhajda Annam\u00e1ria, The Symbolical Significance of Food in Lewis Carroll\u2019s Alice Books. 2010.<\/em><\/p>\n

Csuka M\u00f3nika. Muse, Model, Artist and Revolutionary: Elizabeth Siddal\u2019s Role in Challenging the Victorian Myths of Femininity, 2010.
\n<\/em><\/p>\n

Bozsik Eszter. Changing Gender Roles in \u201cBeauty and the Beast\u201d\u2019s versions and Rewritings. From Cupid and Psyche to Angela Carter\u2019s Bloody Chambers , 2011<\/em><\/p>\n

Hajtmann Barbara. Fashion in Contemporary Women\u2019s Literature, 2011<\/em><\/p>\n

Hartai Adrienn. The Transformations of Little Red Riding Hood\u2019s Wolf Figure in Joan M. Schenkar\u2019s Postmodern Drama, The Universal Wolf, 2011<\/em><\/p>\n

Horv\u00e1th T\u00fcnde. Weaving the Text in Tracy Chevalier\u2019s The Lady and the Unicorn, 2011<\/em><\/p>\n

Kat\u00f3 Alexandra. Disability in Society: Frankenstein, Monstrosity and Perceptions of Otherness, 2011<\/em><\/p>\n

Kov\u00e1cs Ildik\u00f3 Etelka. Dual Readership in Lewis Carroll\u2019s Alice in Wonderland, 2011<\/em><\/p>\n

T\u00e1bi Em\u0151ke Szilvia. Through the Castle Door: Exploring Diana Wynne Jones\u2019s Postmodern Fantasy<\/em>, 2011<\/p>\n

S\u00e1ndor Andr\u00e1s. Cosmic Carnival: Dark Carnivalesque in Lovecraft\u2019s \u201cThe Festival\u201d,<\/em> 2012<\/p>\n

Hulm\u00e1n Al\u00edcia, Reconsidering the Dangers of Violence in Children\u2019s Classic Fairy Tales, 2012<\/em><\/p>\n

Moln\u00e1r Luca. Puer Aeternus: A Dream that has Turned into a Nightmare<\/em>, 2012<\/p>\n

Sloboda Izabela. The Uncanny in Neil Gaiman\u2019s Coraline, 2013<\/em><\/p>\n

Nagylaki D\u00f3ra. The Criteria of Efficient Children\u2019s Fantasy Writing in C.S.Lewis\u2019s View Through the Example of<\/em> The Chronicles of Narnia, 2013 <\/em><\/p>\n

Mikecz D\u00f3ra. The Aesthete as Manipulator. The Reinterpretation of Lord Henry Wotton\u2019s Role in Oscar Wilde\u2019s The Picture of Dorian Gray, 2013.<\/em><\/p>\n

Dup\u00e1k Karina. Twisted Mother-Daughter Relationship as Formative of the Artistic Self in Jeanette Winterson\u2019s Fictional Autobiographies, 2014<\/em><\/p>\n

Gerh\u00e1t Anita. The Ambiguous Social Construction of the Fashionable Gendered Body through the Example of American Apparel\u2019s Controversial Advertisements, 2014<\/em><\/p>\n

Farkas Barbara Angelina. Challenging the Victorian Ideal of Femininity: Florence Nightingale and her Cassandra, 2014<\/em><\/p>\n

Keller Katalin, Charlotte Bronte’s Jane Eyre: Victorian Self-Writing from a Feminist Perspective<\/em>, 2014.<\/p>\n

Varga M\u00e1ria Vikt\u00f3ria. Harry Potter\u2019s Im\/possible Universe: Making a Fantastic World Plausible with References to Real Life Problems<\/em>, 2015.<\/p>\n

Szab\u00f3 Ferenc. Harry Potter and the Battle of Media: Adapting Books to the Screen, 2015.<\/em><\/p>\n

Fogas D\u00e1niel, The American South After the Civil War in \u201eA Rose for Emily\u201d<\/em>, 2015.<\/p>\n

Muhel Tamara. Poe for the Pre-Readers. Examining the Positive Effects of Horror Fiction on Children through Micah Edwards\u2019 Gothic Picture Book Ricky\u2019s Spooky House<\/em>, 2015.<\/p>\n

T\u00f3th Anita. Challenging the Victorian Ideal of Femininity through an Analysis of Becky Sharp\u2019s Character<\/em>, 2015.<\/p>\n

Kis-Prumik N\u00f3ra. Failed and Refound \u201eEucatastrophe\u201d in Old and New Versions of Little Red Riding Hood<\/em>, 2015.<\/p>\n

Moln\u00e1r Keri Edit. Alternatives for Femininity? Insane Women in Charles Dickens\u2019 Great Expectations<\/em>, 2015.<\/p>\n

Ol\u00e1h Szabina. The Representation of Women in Contemporary Horror Film<\/em>, 2015.<\/p>\n

Boros-Gyevi Szabolcs. Subversions of the Fantasy Genre in Mark Lawrence\u2019s The Broken Empire Trilogy<\/em>, 2015.<\/p>\n

Kisp\u00e1l Zs\u00f3fia. The Evolution of Disney Princesses\u2019 Imaginative Agency, 2016.<\/em><\/p>\n

Tak\u00e1cs Ildik\u00f3 Katalin. Dystopic Visions of Reproduction in Feminist Science Fiction: Sexuality and Motherhood in The Handmaid\u2019s Tale<\/em>, 2017.<\/p>\n

R\u00fazsa Gitta. Revival of Gothic Fiction in Postmodern Minimalist Prose: Poe Meets Palahniuk<\/em>, 2017.<\/p>\n

Ferenczi D\u00e1niel. The Reevaluation of Heroism in Postmodern Historical Fantasy: J.R.R Tolkien vs G.R.R. Martin<\/em>, 2017.<\/p>\n

F\u00fcl\u00f6p Zal\u00e1n. A Comparative Psychoanalytic Analysis of Alice\u2019s and Coraline\u2019s Uncanny Adventures<\/em>, 2017.<\/p>\n

Pat\u00f3 Di\u00e1na. Making Sense of Nonsense? The Dual Readership of Dr Seuss<\/em>, 2017.<\/p>\n

Seb\u0151k Alexandra. Marginalised Gender Identity and Romantic Orientation in Middle-Grade Fiction: The Universe of Rick Riordan<\/em>, 2017.<\/p>\n

Jankovics N\u00f3ra. The Translator\u2019s (In)visibility: Translating Proper Names and Fantastic Neologisms in the Harry Potter Books to Hungarian, <\/em>2018.
\n<\/em><\/p>\n

M\u00e9sz\u00e1ros Zolt\u00e1n P\u00e9ter. Understanding Magic: The Effects of Storytelling Traditions on Intergenerational Bonding, <\/em>2018.<\/p>\n

Di\u00f3si Zs\u00f3fia. Questioning the hierarchy of female characters in Charlotte Bront\u00eb\u2019s Jane Eyre: Is Bertha only a Double?, <\/em>2018.<\/p>\n

Csinos Zs\u00f3fia. A Victim or a Femme Fatale? Playing with Ambiguity in Gillian Flynn\u2019s Gothic Novel Gone Girl, 2018.<\/em><\/p>\n

\u00c1goston Helga. The Feminist Revision of the Vampire Figure in Angela Carter\u2019s Short Fiction<\/em>, 2018.<\/p>\n

Vreck\u00f3 No\u00e9mi. Psychoanalytical Interpretation of the Effects of Horror Tales on Children<\/em>, 2018.<\/p>\n

Nagyap\u00e1ti Fl\u00f3ra. Liminality in Philip Pullman\u2019s His Dark Materials Trilogy. <\/em>2019.<\/p>\n

B\u00e1rsony Fruzsina. The Omnipresent Gaze: Totalitarian Societies and the Power of Constant Surveillance in the 20th<\/sup>-21st<\/sup> Century Dystopian Literature. <\/em>2019.
\n<\/em><\/p>\n

Osoliov\u00e1 Vikt\u00f3ria. \u201eSome are made to scheme, and some to love.\u201d Challenging Victorian Stereotypes of Femininity through the Portrayal of Rebecca Sharp and Amelia Sedley in WM Thackeray\u2019s Vanity Fair. <\/em>2019.
\n<\/em><\/p>\n

Gila Kata Klaudia. Recycling Fairy-Tale Motifs in Neil Gaiman\u2019s Stardust. <\/em>2019.<\/p>\n

Nagy G\u00e1bor Istv\u00e1n. Fairy<\/a><\/a>Tales and Horror: The Unofficial Siblings<\/em><\/a><\/a> in Literature through J.R.R. Tolkien and Neil Gaiman. <\/em>2020.<\/p>\n

Budai \u00c1gota. Once Upon an Archetype: Reading \u201cSnow White\u201d by the Brothers Grimm and \u201cSnow, Glass, Apples\u201d by Neil Gaiman from a Jungian perspective<\/em>. 2020.<\/p>\n

Szokolyai D\u00f3ra. Intertextual Affairs in a Postmodern Novel:\u00a0 Jeanette Winterson\u2019s The Powerbook. <\/em>2020.<\/p>\n

Horvay Lili Enik\u0151. The Fictionalization of Taboo Topics in Ian McEwan\u2019s First Love, Last Rites<\/em>. 2020.<\/p>\n

Fekecs Lili\u00e1na. Parallel Alices: Representations of Lewis Carroll\u2019s Alice\u2019s Adventures in Wonderland in Cinema.<\/em> 2020.<\/p>\n

V\u00e1cz Orsolya.\u00a0Generic hybridity as a means of postmodern fantastification in Yana Toboso\u2019s manga Black Butler<\/em>, 2021.<\/p>\n

Fekete Fanni.\u00a0The Portrayal of Nineteenth-Century Mother-Daughter Relationship in Louisa May Alcott\u2019s<\/em> Little Women, <\/em>2021.<\/p>\n

Dalmadi Barbara.\u00a0Fantastification of the young adult novel through the recycling of fairy traditions in Sarah J. Maas’ <\/em>A Court of Thorns and Roses, 2021.<\/p>\n","protected":false},"excerpt":{"rendered":"

BA szakdolgozat (kor\u00e1bban Major Paper) t\u00e9mavezet\u00e9s \/BA Thesis Supervision SZTE Angol-Amerikai Int\u00e9zet \u00c1d\u00e1m N\u00f3ra. Androgyny in Woolf\u2019s Orlando. 2006. Bal\u00e1zs Katalin. Feminist thought in the performances of Carolee Schneemann and Orlan. 2006 Csaba Zs\u00f3fia. Intermediality in Artistic Dance Photography. 2006. Csontos No\u00e9mi. The (Im)possibility of Feminine Revolt in Louisa May Alcott\u2019s Little Women. 2007. Udvari […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":213,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-238","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=238"}],"version-history":[{"count":9,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/238\/revisions"}],"predecessor-version":[{"id":1743,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/238\/revisions\/1743"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/213"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}