{"id":235,"date":"2017-05-25T12:02:54","date_gmt":"2017-05-25T12:02:54","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=235"},"modified":"2021-09-05T19:59:02","modified_gmt":"2021-09-05T19:59:02","slug":"mat","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/oktatas\/temavezetes\/mat\/","title":{"rendered":"MAT"},"content":{"rendered":"
MA SZAKDOLGOZAT T\u00c9MAVEZET\u00c9S \/MA THESIS SUPERVISION
\n<\/strong><\/h5>\n

SZTE Angol-Amerikai Int\u00e9zet<\/p>\n

T\u00f3th Zsolt.\u00a0Oozing Body-Text(ure)s: Posthuman Enfreakment in and through David Cronenberg\u2019s The Fly<\/em><\/p>\n

Jankovics N\u00f3ra.\u00a0Disciplining the girl child\u2019s body in children\u2019s literature:<\/em> Corporeal taboos in Lewis Carroll\u2019s <\/em>Alice\u2019s Adventures in Wonderland and in its contemporary adaptations <\/em><\/p>\n

Osoliova Vikt\u00f3ria.\u00a0Haunting Gender: The Representation of Female Gothic Anxieties in Daphne du Maurier\u2019s<\/em> Rebecca<\/em><\/p>\n

Seb\u0151k Alexandra.<\/a>Queering Peter Pan: Transgender Identity in Austin Chant\u2019s <\/em>Peter Darling. <\/em>2020.<\/p>\n

Pat\u00f3 Di\u00e1na. Taboos in Children\u2019s Literature: <\/em>Dread, Diversity and Disability, <\/em>2019.
\n<\/em><\/p>\n

Sz\u0171cs Edit. Challenging the boundaries of the \u201cnormal\u201d in Steven Universe: Queering the Landscape in American Children\u2019s Cartoons,<\/em> 2018.<\/p>\n

Szarvas R\u00e9ka. Mad Housewives and Cool Girls. Reading Gillian Flynn\u2019s Novels as Feminist Metafictio<\/em>n, 2018.<\/p>\n

Mikola Anita. Romanticizing the Horror Genre: Fairy-Tale Motifs in Stephenie Meyer\u2019s Twilight Saga, <\/em>2018.
\n<\/em><\/p>\n

Csipe Szilvia. An intraracial conflict between the black male and the black female in Toni Morrison\u2019s Paradise<\/em>,<\/em> 2018.<\/p>\n

\u00c1d\u00e1m Andrea. The Beautiful, The Happy, and the Starving. Everyday Stories of Female Anorexia Nervosa and Margaret Atwood\u2019s The Edible Woman, <\/em>2016.<\/p>\n

Dr Borosn\u00e9 Moln\u00e1r Anik\u00f3. Bipolarity as a Creative Force in Virginia Woolf\u2019s Life and Literary Achievements<\/em>, 2015.<\/p>\n

Gorz\u00e1s Zs\u00f3fia M\u00e1ria. Tattooing as an Embodied Mode of Female Self-Expression, <\/em>2013.<\/p>\n

Czifra Zolt\u00e1n. Fictionalizing the Anxieties of Girls\u2019 Coming-of-Age in Lewis Carroll\u2019s Alice\u2019s Adventures in Wonderland, <\/em>2012.<\/p>\n

Barcal No\u00e9mi. Beauty, Don\u2019t Bet on the Beast! Women\u2019s Subordination in Three Versions of an Animal-Groom Fairy Tale Classic<\/em>, 2012<\/p>\n

Kokovay J\u00e1nos Dezs\u0151. Empowerment Through \u2019Feminist-Monstrous\u2019 Presence in Horror Cinema<\/em>, 2012<\/p>\n

Kunji Szuzanna. Uncanny<\/em> Female Empowerment in Coraline. Freud Meets Neil Gaiman<\/em>, 2012<\/p>\n

Gy\u00f6ngy\u00f6si Nikolett: Genre, Representation, and the Female Subject: Rewriting the Myths of Femininity in Emma Tennant\u2019s Sisters and Strangers<\/em>, 2012<\/p>\n

Nagy Bogl\u00e1rka. The Transformations of Dorian Gray<\/em>, 2011<\/p>\n

Medve Tamara. Prostitution and Cross-dressing as Performance in Sarah Waters\u2019 Tipping the Velvet,<\/em> 2011<\/p>\n

Mankovics Kitti. The Representations of the Fictionalized Figure of Sylvia Plath Through Life Writing,<\/em> 2011<\/p>\n

Harmath Csilla. The Problematic Role of Language in Lewis Carroll\u2019s Alice Tales, <\/em>2011<\/p>\n

H\u00e1gelmann Henriett: \u201cReader, I betrayed him.\u201d Revisioning (Retro)Victorian Sexual Matters in Charlotte Bronte\u2019s Jane Eyre and D.M. Thomas\u2019s Charlotte, <\/em>2010<\/p>\n

Kiss Szilvia. Dorian Gray, the Dandy as the Fictional Self-Portrait of Oscar Wilde. <\/em>2010<\/p>\n

Pap Marianna. Tim Burton, Fairy-Tale Auteur<\/em>. 2010.<\/p>\n

Valtner Vivien. A Comparative Analysis of Symbols of Passion in Emily Bronte\u2019s Wuthering Heights and Maryse Cond\u00e9\u2019s Winward Heights. <\/em><\/p>\n

V\u00e9gh Annam\u00e1ria. Physical and Spiritual Evolution in George MacDonald\u2019s The Princess and the Goblin. <\/em><\/p>\n

Csontos No\u00e9mi. (Im)possibilities of Feminine Revolt in Louisa May Alcott\u2019s Little Women. <\/em><\/p>\n

Balog Hermina, The Sublime of the Pathological in Joel-Peter Witkin\u2019s Photography. 2010.<\/em><\/p>\n

Cserh\u00e1ti \u00c1gnes: Fictional Revisitings of Western Attitudes to Death in J.K. Rowling\u2019s Harry Potter Series. 2010.<\/em><\/p>\n

Csontos Rita. Deviant Female Characters in the Victorian and the Postmodern Era. A Comparison of Charles Dickens\u2019s and Alfonso Cuar\u00f3n\u2019s<\/em> Great Expectations. 2010.<\/em><\/p>\n

T\u00f3thova Andrea. (Im)possibility of Transgression for the Becoming-Woman: Salman Rushdie\u2019s The Ground Beneath her Feet. <\/em><\/p>\n

Udvari T\u00fcnde. Fanfiction Writer. The Impertinent Admirer<\/em>. 2009.<\/p>\n

Kunst\u00e1r Kata Anna. Unity and hidden meanings in C.S. Lewis\u2019s Chronicles of Narnia. 2009.<\/em><\/p>\n

K\u00f3nya Be\u00e1ta. The Abjectification of the Subjectivity in Sylvia Plath\u2019s The Bell Jar<\/em>. 2009.<\/p>\n

M\u00e9sz\u00e1ros Linda. A Body of One\u2019s Own. A Comparative Analysis of Corseting and Anorexia Nervosa. 2009.<\/em><\/p>\n

Sz\u00e9kesi D\u00f3ra. Between Referentiality and Fiction. A Double Reading of Sylvia Plath\u2019s Autobiographical Novel The Bell Jar. <\/em><\/p>\n

Vir\u00e1gh Anna. A Female Quijote? Neopicaresque as an Authorial Narrative Strategy in Angela Carter\u2019s Nights at the Circus. <\/em><\/p>\n

Bal\u00e1zs Katalin. Subversion in Visuality and Language in Sarah Kane\u2019s Blasted and Cleansed. <\/em><\/p>\n

Kreidlmayer M\u00e1rta. From Grotesque Monstrosity to Extraordinary Success in Fay Weldon\u2019s<\/em> The Life and Loves of a She Devil<\/em>. 2007.<\/p>\n

Kiss Borb\u00e1la. Ethical Critique in an Ironic Voice. Bridget Jones\u2019s Diary as a Rewriting of Pride and Prejudice. <\/em><\/p>\n

Tari Erika. A Comparative Analysis of Jane Austen\u2019s Pride and Prejudice and Helen Fielding\u2019s Bridget Jones\u2019s Diary. <\/em><\/p>\n

T\u00f3th Andrea. The Representations of Femininity in Katherine Mansfield\u2019s Short Stories<\/em>. 2006.<\/p>\n

Vilman Am\u00e1lia. Women\u2019s Reproductive Rights in 20th<\/sup> Century Women\u2019s Literature in English<\/em>. 2006.<\/p>\n

M\u00e1t\u00e9 Annam\u00e1ria. Intertextuality in<\/em> Woolf\u2019s Mrs Dalloway and Cunningham\u2019s Hours<\/em>. 2005.<\/p>\n

B\u00e1r\u00e1cz \u00c1gnes. Gothic Themes in<\/em> Interview with the Vampire. 2005.
\n<\/em><\/p>\n

Heged\u0171s Zolt\u00e1n. Transgressions: Body, Love, Desire in Jeanette Winterson\u2019s The Passion. 2005.<\/em><\/p>\n

Gyaraky M\u00e1rta. Haunting Women in Toni Morrison\u2019s Beloved<\/em> 2005.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

MA SZAKDOLGOZAT T\u00c9MAVEZET\u00c9S \/MA THESIS SUPERVISION SZTE Angol-Amerikai Int\u00e9zet T\u00f3th Zsolt.\u00a0Oozing Body-Text(ure)s: Posthuman Enfreakment in and through David Cronenberg\u2019s The Fly Jankovics N\u00f3ra.\u00a0Disciplining the girl child\u2019s body in children\u2019s literature: Corporeal taboos in Lewis Carroll\u2019s Alice\u2019s Adventures in Wonderland and in its contemporary adaptations Osoliova Vikt\u00f3ria.\u00a0Haunting Gender: The Representation of Female Gothic Anxieties in Daphne […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":213,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":6,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":1744,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/235\/revisions\/1744"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/213"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}