{"id":1526,"date":"2019-12-07T14:07:19","date_gmt":"2019-12-07T14:07:19","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=1526"},"modified":"2019-12-07T15:28:37","modified_gmt":"2019-12-07T15:28:37","slug":"womens-life-writing","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/oktatas\/eloadasaim\/womens-life-writing\/","title":{"rendered":"Women&#8217;s Life Writing"},"content":{"rendered":"<p><strong><em>Women\u2019s Life Writing<\/em><\/strong><strong><em> (Histories of Women\u2019s Writing in English)<\/em><\/strong><\/p>\n<p>MAEN, lecture, lit, Gender Track, 2<sup>nd<\/sup> year (ANGMA-G5)<\/p>\n<p>Besides briefly tracing the literary\/cultural history of autobiography, the course primarily aims to explore the diversity of the genre broadly referred to as <em>life writing<\/em> \u2013 taking as various guises as confessional diaries, letters, oral histories, popular group biographies, survival testimonies, scripto-therapeutical memoirs, case studies, biomythographies, coming-out narratives, filmic and photographic reminiscences, blogs, vlogs, social networking sites, etc. \u2013 through a selection of theoretical texts with a specific focus on the female perspective. Crucial dilemmas of postmodern feminism will be addressed by tackling borderlines and interactions of identity\u2019s narrative construction and its enworlded, embodied performance, the responsible relationship to the past, trauma, individual and collective memory, imagined lives, fictionalization\/truth-telling\/historical documentation, and meta\/textuality. Topics include: 1. Autobiography=Truth-telling, referentiality, teleology, transparency? A Canon to be challenged, 2. Genres of life narratives, 3. Traditions of women\u2019s autobiography. Autogynography?, 4. Postmodern Autofictionalization and Autobiographical Authority, 5. Embodied autobiographical practices, 6. Confessional politics: women&#8217;s sexual self-representations, 7. Autobiographical Differences, 8. Autopathography (Neurosis, Abuse, Alzheimer\u2019s, AIDS), 9. Life Writing, Memory and Trauma. Survivor Testimonies, 10. Life Writing Beyond the Ending. Popular Posthumous Biographical Narratives, Recreational Grieving, and the Case of Lady Di, 11. Second Life in Cyberspace, 12. Autobio-photography, Graphic Life Narratives, 13. Auto\/biography and Doing Feminist Research<\/p>\n<p><strong>Syllabus<\/strong><\/p>\n<p><strong>1. Orientation.<\/strong><\/p>\n<p><strong>2. From Auto\/biography to Self-\/Life-Writing: A Canon to be Challenged<\/strong><\/p>\n<p>Auto\/biography=Truth-telling, referentiality, teleology, transparency? Saint Augustine, Rousseau, Freud, Foucault, society of confession, technologies of the self, \u201cwhat is an author?\u201d LeJeune\u2019s autobiographical pact, De Man\u2019s autobiography as defacement, Barthes\u2019 death of the author, St Theresa, Margery Kempe, Bildunsgroman, feminist autobiographical manifestos, \u201cWhat difference does it make who is speaking?\u201d What difference does it make of whom is being spoken? Writing the self vs writing the other vs writing the self as other. Collective authorship, #metoo<\/p>\n<p><strong>READ:<\/strong> *<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/52-genres-of-life-narratives.pdf\">&#8220;52 genres of life narratives<\/a>&#8221; in Smith &amp; Watson, 2001.<\/p>\n<p><strong>3. Genres of Life Narrative, Traditions of Women\u2019s Auto\/biography. Autogynography?<\/strong><\/p>\n<p><strong>READ: *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/20-ways-of-reading-life-narratives.pdf\">&#8220;20 ways of reading life narratives.&#8221;<\/a> in Smith &amp; Watson, 2001.<\/p>\n<p>*Sidonie Smith and Julia Watson: <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/SmithWatson1998AutobiogPractices.pdf\">&#8220;Introduction. Situating Subjectivity in Women&#8217;s Autobiographical Practices.&#8221; <\/a>&amp; <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/SmithWatson1998PartII.pdf\">Smith&amp;Watson1998PartII<\/a><\/p>\n<p><strong>4. Postmodern Autofictionalization and Auto\/biographical Authority<\/strong><\/p>\n<p><strong>READ * <\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Gilmore_The-Mark-of-Autobiography.pdf\">Leigh Gilmore. &#8220;The Mark of Autobiography: Postmodernism, Autobiography, and Genre&#8221;<\/a><\/p>\n<p><strong>5. Embodied Autobiographical Practices<\/strong><\/p>\n<p><strong>READ: *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/SSmith93SubjIdentityBody_Univeersal-Subject-female-Embodiment-Consolidation-fo-AB.pdf\">Sidonie Smith. &#8220;The Universal Subject, Female Embodiment, and the Consolidation of Autobiography&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Woolf_A-Sketch-of-the-Past_Quotations-for-Discussion.doc\">Woolf_A Sketch of the Past_Quotations for Discussion<\/a><\/p>\n<p><strong>6. Confessional politics: women&#8217;s sexual self-representations<\/strong><\/p>\n<p><strong>READ: *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Bishop_Confessional-Realities_Body-Writing-and-the-Diaries-of-Anne-Frank.pdf\">Marion Bishop. &#8220;Confessional Realities. Body-Writing and the Diaries of Anne Frank&#8221;<\/a><\/p>\n<p><strong>\u00a07. <\/strong><strong>Autopatography: censorship and self-fictionalization<\/strong><\/p>\n<p><strong>READ: *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Sylvia-Plath_-I-and-You-and-Sylvia-by-Linda-Anderson.pdf\">Linda Anderson. &#8220;Sylvia Plath: I and You and Sylvia&#8221; <\/a><strong><br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Slyvia-Plath-extract.doc\">Slyvia Plath extract<\/a><\/p>\n<p><strong>\u00a08. <\/strong><strong>Auto\/biographical Differences<\/strong><\/p>\n<p><strong>READ: <\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Biddy-martin_Lesbian-Identity-autobiographical-difference.pdf\">Biddy Martin.&#8221;Lesbian Identity and Autobiographical Difference(s)&#8221;<\/a> in Smith&amp;Watson<\/p>\n<p>Extracts <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/winterson-extracts.doc\">from Jeanette Winterson<\/a><\/p>\n<p><strong>9. Therapeutical self-writing <\/strong><\/p>\n<p><strong>READ <\/strong>*<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/HAAKEN_womens-trauma-stories.pdf\">Janice Haaken.&#8221;The Recovery of Memory, Fantasy and Desire in Women&#8217;s Trauma Stories, Feminist Approaches to Sexual Abuse and Psychotherapy.&#8221;\u00a0<\/a> in Smith&amp;Watson<\/p>\n<p><strong>10. Life Writing, Memory and Trauma<\/strong>. <strong>Survivor Testimonies, Collective Authorship<\/strong><\/p>\n<p><strong>READ *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/WomensTrauma2005CEUJewStudies.pdf\">Louise O Vasv\u00e1ri. &#8220;Women&#8217;s Holocaust Memories. Trauma, Testimony, and Gendered Imagination&#8221; 2005 CEUJewish Studies<\/a><\/p>\n<p><strong>11. Life writing as situated resistance against racial marginalisation<\/strong><\/p>\n<p><strong>READ: *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Vron-Ware_Writing-on-and-against-whiteness.pdf\">Vron Ware. &#8220;A Thinning of Skin. Writing on and against Whiteness<\/a>&#8220;<strong><br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Bergland_Postmodernism-and-the-Autobiographical-Subject.pdf\">Betty Bergland. &#8220;Postmodernism and the Autobiographical Subjectt: Reconstructing the &#8216;Other'&#8221;\u00a0<\/a> in Ashley et al.<\/p>\n<p><strong>12. Second Lives in Cyberspace<\/strong><\/p>\n<p><strong>READ: <\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Deidre-Dawling-Price_Confessional-blogs_-Sexton-and-mums.pdf\">Deidre Dawling Price_<\/a><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Deidre-Dawling-Price_Confessional-blogs_-Sexton-and-mums.pdf\">\u201c\u2019My kitchen, your kitchen\u2019 Anne Sexton and Domestic Identity from Home to Homepages\u201d<\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Anne-Sexton-poems.doc\">Anne Sexton poems<\/a><\/p>\n<p><strong>13. Autobio-photography, (Photo)Graphic Life Narratives<\/strong><\/p>\n<p><strong>READ: *<\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Paul-Jay_Posing.-AB-and-the-subject-of-Photography.pdf\">Paul Jay. &#8220;Posing: Autobiography and the subject of Photography<\/a>\u201d in Ashley at al.<\/p>\n<p>Teresa Brus. <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Recent-zones-of-Portraiture_the-Selfie.pdf\">&#8220;Recent zones of Portraiture: the Selfie&#8221;<\/a><\/p>\n<p>Examples: Jo Spence, Cindy Sherman, Marina Abramovic, (Charles Martin Beauty and the \u201eI-\u201d of the Beholder\u201d (Modern Fiction Studies 1994), Gunnth\u00f3runn Gudmundsd\u00f3ttir: \u201cPhotographs in Autobiography\u201d)<\/p>\n<p><strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/List-of-Terms-for-LifeWriting-2019.doc\">List of Key Terms for LifeWriting\u00a0 Course 2019<\/a><\/strong><\/p>\n<p><strong>Recommended primary readings: <\/strong><\/p>\n<p>Kelly Sundberg. <a href=\"https:\/\/www.guernicamag.com\/it-will-look-like-a-sunset\/\">\u201eIt will look like a sunset.\u201d<\/a><\/p>\n<p>Sundberg &amp; M. Ferrone. <a href=\"https:\/\/www.guernicamag.com\/i-was-raped-i-was-battered\/\">\u201eI was raped, I was batterred\u201d<\/a><\/p>\n<p><u>Patricia Lockwood. <a href=\"https:\/\/www.theawl.com\/2013\/07\/patricia-lockwood-rape-joke\/\">\u201eRape Joke\u201d <\/a> <\/u><\/p>\n<p>Neil Hilborn. \u201eOCD.\u201d <a href=\"https:\/\/www.youtube.com\/watch?v=vnKZ4pdSU-s\">https:\/\/www.youtube.com\/watch?v=vnKZ4pdSU-s<\/a><\/p>\n<p>Rachel Wiley. \u201eFat Joke\u201d. <a href=\"https:\/\/www.youtube.com\/watch?v=mFQ7zqn6j18\">https:\/\/www.youtube.com\/watch?v=mFQ7zqn6j18<\/a><\/p>\n<p>Sylvia Plath. <em>The Bell Jar<\/em>. New York: Heinemann, 1963.<\/p>\n<p>Virginia Woolf. \u201eA Sketch of the Past,\u201d 1939. in <em>Moments of Being<\/em>, 1976.<\/p>\n<p>Janice Galloway. <em>The Trick is to Keep Breathing<\/em>. Polygon, 1989.<\/p>\n<p>Delmore Schwartz. \u201eThe Heavy Bear who Goes with Me\u201d<\/p>\n<p>Suzanna Kaysen. <em>Girl Interrupted<\/em>. Turtle Bay, 1993.<\/p>\n<p>Anne Sexton. <em>Transformations<\/em>, 1971.<\/p>\n<p>David Small<em>. Stiches, <\/em>2009<\/p>\n<p><u>Lucy Grealy, <em>Autobiography of a Face,<\/em>1994<\/u><\/p>\n<p>Anne Frank. <em>The Diary of a Young Girl. \/The Secret Annex.<\/em> 1949. 1956. Doubleday, 2003.<\/p>\n<p>Diane Ackerman. <em>The Zookeeper\u2019s Wife<\/em>, 2007.<\/p>\n<p><u>Art <\/u><u>Spiegelman. <em>Maus,<\/em> 1980<\/u><\/p>\n<p>Jeanette Winterson. <em>Oranges are not the Only Fruit<\/em>. Pandora, 1985.<\/p>\n<p>Jeanette Winterson. <em>Why be happy when you can be normal<\/em>?\u00a0 2011.<\/p>\n<p>Michel Foucault. <em>Herculine Barbin<\/em>: <em>Being the Recently Discovered Memoirs of a Nineteenth-century French Hermaphrodite.<\/em> 1978.<\/p>\n<p><u>Sarah McBride. <em>Tomorrow Will Be Different, 2018<\/em><\/u><\/p>\n<p>Audre Lorden. <em>Zami: A New Spelling of My Name<\/em>, 1982.<\/p>\n<p>Maxine Hong Kingston. <em>The Woman Warrior , Memoirs of Girlhood Among Ghosts<\/em>, 1976.<\/p>\n<p>Maya Angelou<em>. I Know Why the Caged Bird Sings, <\/em>1969<\/p>\n<p><u>Marjane Satrapi\u2019s <em>Persepolis<\/em>, 2000-3<\/u><\/p>\n<p>Craig Thompson, <em>Blankets<\/em>, 2003.<\/p>\n<p>Simone de Beauvoir. <em>Memoirs of a Dutiful Daughter<\/em>, 1958.<\/p>\n<p>Roland Barthes<em>. Camera Lucida<\/em>, 1980<\/p>\n<p>Cheryl Strayed<em>, Wild. 2013<\/em><\/p>\n<p>Kristen Roupenian. <a href=\"https:\/\/www.newyorker.com\/magazine\/2017\/12\/11\/cat-person\">\u201cCat Person\u201d\u00a0<\/a><\/p>\n<p><strong>RECOMMENDED READINGS<br \/>\n<\/strong><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Linda-Anderson_AB-book.pdf\">Linda Anderson_<em>Autobiography<\/em><\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Leigh-Gilmore_Policing-Truth-Confession.pdf\">Leigh Gilmore_Policing Truth, Confession, Confession, Gender, and Autobiographical Authority,\u201d<\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Smith_Identitys-Body.pdf\">Sidonie Smith_&#8221;Identity&#8217;s Body&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/12\/Goldstein_Raging-in-Tongues.-Confession-and-Performance-Art.pdf\">Linda Goldstein_&#8221;Raging in Tongues. Confession and Performance Art&#8221;<\/a><\/p>\n<p>Ashley, Gilmore, Peters, eds. <em>Autobiography and Postmodernism<\/em>. 1994.<\/p>\n<p>Couser, Thomas G. <em>Altered Egos. Authority in American Autobiography<\/em>.<\/p>\n<p>Dibbell, Julian. <em>My Tiny Life: Crime and Passion in a Virtual World<\/em>. 1999.<\/p>\n<p><em>Eakin, Paul John .The Ethics of Life Writing<\/em>. Ithaca, NY: Cornell UP, 2004.<\/p>\n<p><em>Fleischman, Suzanne. \u201eGender, the Personal and the Voice of Scholarship\u201d<\/em><\/p>\n<p><em>France, Peter and William ST Clair (eds) <\/em><em>Mapping Lives: The Uses of Biography.<\/em><em> OxfordUP, 2002<\/em><\/p>\n<p>Gammel, Irene. <em>Confessional politics: women&#8217;s sexual self-representations in life writing<\/em><\/p>\n<p>Gilmore, Leigh. <em>The Limits of Autobiography. Trauma and Testimony<\/em>.<\/p>\n<p>Gudmundsd\u00f3ttir, Gunnth\u00f3runn. <em>Borderlines. Autobiography and Fiction in Postmodern Lifewriting<\/em>. 2000.<\/p>\n<p>Marcus, Laura. <em>Auto\/biographical discourses. Criticism, Theory, Practice<\/em>. Manchester UP, 1994.<\/p>\n<p>Peterson, Linda H. <em><a href=\"http:\/\/gigapedia.com\/items\/261992\/traditions-of-victorian-women--039-s-autobiography--the-poetics-and-politics-of-life-writing\">Traditions of Victorian Women&#8217;s Autobiography: The Poetics and Politics of Life Writing<\/a><\/em>. 1999.<\/p>\n<p>Pile, Steve and Nigel Thrift, eds. <em>Mapping the Subject. Geographies of Cultural Transformation, 1995.<\/em><\/p>\n<p>Smith, Sidonie, Julia Watson, eds. <em>Women, Autobiography, Theory. A Reader<\/em>. U of Wisconsin Press, 1998.<\/p>\n<p>&#8212;. <em>Reading Autobiography. A Guide for Interpreting Life Narratives<\/em>. U of Minnesota Press, 2001.<\/p>\n<p>Smith, Sidonie. <em>Subjectivity, Identity and the Body. Women\u2019s Autobiographical Practices in the Twentieth Century<\/em>. 1993.<\/p>\n<p>&#8212;. <em>A Poetics of Women\u2019s Autobiography. Marginality and the Fictions of Self-Representation<\/em><\/p>\n<p>Stanley, Liz. <em>The Auto\/biographical I. Theory and Practice of Feminist Auto\/biography. <\/em>1992.<\/p>\n<p>Swindells, Julia. <em>The Uses of Autobiography<\/em>, 1995., *\u201c<em>Autobiography and the Politics of the Personal\u201d<\/em><\/p>\n<p><em>Walkerdine<\/em><em>, <\/em><em>Valerie. <\/em>\u201c<em>Subject to change without notice<\/em><em>: <\/em>Psychology, postmodernity and the popular\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<table width=\"98%\">\n<tbody>\n<tr>\n<td rowspan=\"3\" width=\"98%\"><\/td>\n<td><\/td>\n<td rowspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<\/tr>\n<tr>\n<td width=\"98%\"><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Bibliography<\/strong><\/p>\n<p>Ashley, Gilmore, Peters, eds. <em>Autobiography and Postmodernism<\/em>. 1994.<\/p>\n<p>Couser, Thomas G. <em>Altered Egos. Authority in American Autobiography<\/em>.<\/p>\n<p>Dibbell, Julian. <em>My Tiny Life: Crime and Passion in a Virtual World<\/em>. 1999.<\/p>\n<p><em>Eakin, Paul John .The Ethics of Life Writing<\/em>. Ithaca, NY: Cornell UP, 2004.<\/p>\n<p><em>Fleischman, Suzanne. \u201eGender, the Personal and the Voice of Scholarship\u201d<\/em><\/p>\n<p><em>France, Peter and William ST Clair (eds) <\/em><em>Mapping Lives: The Uses of Biography.<\/em><em> OxfordUP, 2002<\/em><\/p>\n<p>Gammel, Irene. <em>Confessional politics: women&#8217;s sexual self-representations in life writing<\/em><\/p>\n<p>Gilmore, Leigh. <em>The Limits of Autobiography. Trauma and Testimony<\/em>.<\/p>\n<p>Gudmundsd\u00f3ttir, Gunnth\u00f3runn. <em>Borderlines. Autobiography and Fiction in Postmodern Lifewriting<\/em>. 2000.<\/p>\n<p>Marcus, Laura. <em>Auto\/biographical discourses. Criticism, Theory, Practice<\/em>. Manchester UP, 1994.<\/p>\n<p>Peterson, Linda H. <em><a href=\"http:\/\/gigapedia.com\/items\/261992\/traditions-of-victorian-women--039-s-autobiography--the-poetics-and-politics-of-life-writing\">Traditions of Victorian Women&#8217;s Autobiography: The Poetics and Politics of Life Writing<\/a><\/em>. 1999.<\/p>\n<p>Pile, Steve and Nigel Thrift, eds. <em>Mapping the Subject. Geographies of Cultural Transformation, 1995.<\/em><\/p>\n<p>Smith, Sidonie, Julia Watson, eds. <em>Women, Autobiography, Theory. A Reader<\/em>. U of Wisconsin Press, 1998.<\/p>\n<p>&#8212;. <em>Reading Autobiography. A Guide for Interpreting Life Narratives<\/em>. U of Minnesota Press, 2001.<\/p>\n<p>Smith, Sidonie. <em>Subjectivity, Identity and the Body. Women\u2019s Autobiographical Practices in the Twentieth Century<\/em>. 1993.<\/p>\n<p>&#8212;. <em>A Poetics of Women\u2019s Autobiography. Marginality and the Fictions of Self-Representation<\/em><\/p>\n<p>Stanley, Liz. <em>The Auto\/biographical I. Theory and Practice of Feminist Auto\/biography. <\/em>1992.<\/p>\n<p>Swindells, Julia. <em>The Uses of Autobiography<\/em>, 1995., *\u201c<em>Autobiography and the Politics of the Personal\u201d<\/em><\/p>\n<p><em>Walkerdine<\/em><em>, <\/em><em>Valerie. <\/em>\u201c<em>Subject to change without notice<\/em><em>: <\/em>Psychology, postmodernity and the popular\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Kelly Sundberg and Melissa Ferrone. <a href=\"https:\/\/www.guernicamag.com\/i-was-raped-i-was-battered\/\">https:\/\/www.guernicamag.com\/i-was-raped-i-was-battered\/<\/a><\/p>\n<p>Patricia Lockwood. Rape Joke <a href=\"https:\/\/www.theawl.com\/2013\/07\/patricia-lockwood-rape-joke\/\">https:\/\/www.theawl.com\/2013\/07\/patricia-lockwood-rape-joke\/<\/a><\/p>\n<p>*<\/p>\n<p>Peterson, Linda H. <em><a href=\"http:\/\/gigapedia.com\/items\/261992\/traditions-of-victorian-women--039-s-autobiography--the-poetics-and-politics-of-life-writing\">Traditions of Victorian Women&#8217;s Autobiography: The Poetics and Politics of Life Writing<\/a><\/em>. 1999.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Women\u2019s Life Writing (Histories of Women\u2019s Writing in English) MAEN, lecture, lit, Gender Track, 2nd year (ANGMA-G5) Besides briefly tracing the literary\/cultural history of autobiography, the course primarily aims to explore the diversity of the genre broadly referred to as life writing \u2013 taking as various guises as confessional diaries, letters, oral histories, popular group [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":205,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1526","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/1526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=1526"}],"version-history":[{"count":12,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/1526\/revisions"}],"predecessor-version":[{"id":1563,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/1526\/revisions\/1563"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/205"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=1526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}