{"id":130,"date":"2017-05-17T20:47:13","date_gmt":"2017-05-17T20:47:13","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=130"},"modified":"2021-05-23T15:59:43","modified_gmt":"2021-05-23T15:59:43","slug":"konferenciak","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/konferenciak\/","title":{"rendered":"Konferenci\u00e1k"},"content":{"rendered":"<h5>MEGH\u00cdVOTT TUDOM\u00c1NYOS\/ KONFERENCIA EL\u0150AD\u00c1SOK<\/h5>\n<p>\u201eWhy is a Raven Like a Writing Desk? Alice and its Adaptations in Transmedia Wonderland.\u201d Plenary Lecture. <em>Encounters of the Popular Kind: Traditions and Mythologies in Dialogie<\/em>. EASPOP.<strong> ELTE, Budapest.<\/strong> MsTeams online. 27-28 October 2020.<\/p>\n<p>\u201eTranslating Body-Language and Cultural Transfer: Angela Carter\u2019s Birdwoman Travels to Hungary.\u201d<em> \u201eThe world is made of words.\u201d Angela Carter translator \u2013 Angela Carter in translation<\/em>. <strong>Universit\u00e9 de Lausanne, Switzerland<\/strong>. Zoom. 8-10 October 2020.<\/p>\n<p>&#8220;Alice Beyond Wonderland: Transmedia, Hybridity, and Intersemiotic Play in Contemporary Adaptations of a Children&#8217;s Classic.&#8221; <em>Mix &amp; Match: Hibridity and Transmediation Conference.<\/em> <strong>Universidade de Aveiro. Portugal.<\/strong> 2019.12.13.<\/p>\n<p>&#8220;A gyerektest mint m\u00e9dium. Humor, horror, hi\u00e1tus. A groteszk gyerektest mint sz\u00f6vegmotor K\u00f3cos Petit\u0151l Pacasr\u00e1cig.&#8221; <a href=\"http:\/\/www.gyermekirodalom.hu\/?p=11926\">Gyermekirodalom \u00e9s medialit\u00e1s.<\/a> <strong>K\u00e1roli G\u00e1sp\u00e1r Reform\u00e1tus Egyetem.<\/strong> <span class=\"st\">Gyerek- \u00e9s Ifj\u00fas\u00e1gi Irodalmi Kutat\u00f3csoportj\u00e1nak konferenci\u00e1ja. 2020. febru\u00e1r 7.<\/span><\/p>\n<p>\u201cPosthuman Somaesthetics in Humanimal Body Art Performances.\u201d <strong>Universit\u00e9 d\u2019Angers.<\/strong> CRILA Research Group\/ PhD Research Seminar. 2019 Nov 5.<\/p>\n<p>\u201cMire k\u00e9pes egy Viktori\u00e1nus k\u00e9pesk\u00f6nyv? K\u00e9ptelen interakt\u00edv k\u00e9psz\u00f6vegek az Alice Csodaorsz\u00e1gban \u00e9s T\u00fck\u00f6rorsz\u00e1gban els\u0151 kiad\u00e1saiban.\u201d <em>Els\u0151 Budapesti Illusztr\u00e1ci\u00f3s Fesztiv\u00e1l. Konferencia. <\/em><em><strong>Pet\u0151fi Irodalmi M\u00fazeum<\/strong><\/em><em>, 2019 Okt\u00f3ber 29.<\/em><\/p>\n<p>&#8220;The\u00a0 Secret Life of Things: Queering the Museal Gaze in Angela Carter\u2019s\u00a0 Postmodern Curiosity Cabinet&#8221; <strong>Universit\u00e9 Bordeaux Montaigne, <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/05\/Affiche-PMM-2018-2019.pdf\">CLIMAS, PMM 2018-2019 lecture series<\/a>, Puissance du Mode\u00a0 Mineur Research Group,<\/strong> (Prof Nathalie Jaeck) , 2019 Apr 5.<\/p>\n<p>\u201cGyerekirodalom \u00e9s innov\u00e1ci\u00f3.\u201d <strong>HUBBY<\/strong> Szakmai Szimp\u00f3zium az \u00c9v Gyerekk\u00f6nyve D\u00edj k\u00eds\u00e9r\u0151 rendezv\u00e9nye. <strong>Orsz\u00e1gos Pedag\u00f3giai K\u00f6nyvt\u00e1r \u00e9s M\u00fazeum<\/strong>. 2019. febr 15.<\/p>\n<p>\u201cGondolatok a diverzit\u00e1s, sokf\u00e9les\u00e9g, \u00e9s a M\u00e1ss\u00e1g elt\u00e9r\u0151 form\u00e1ir\u00f3l a t\u00e1rsadalmi nem \u00e9s a fogyat\u00e9koss\u00e1g kultur\u00e1lis olvasatainak t\u00fckr\u00e9ben.\u201d <em>Hatodik Fogyat\u00e9koss\u00e1gtudom\u00e1nyi Konferencia: Sokf\u00e9les\u00e9g mint t\u00e1rsadalmi \u00e9rt\u00e9k,<\/em> <strong>ELTE B\u00e1rczi Guszt\u00e1v Gy\u00f3gypedag\u00f3giai Kar<\/strong>, 2018. 11.13.<\/p>\n<p>\u201cA t\u00fcnd\u00e9rmese ut\u00f3\u00e9lete a 21. sz\u00e1zadi gyerek \u00e9s ifj\u00fas\u00e1gi irodalomban: Trad\u00edci\u00f3 \u00e9s transzm\u00e9dia.\u201d <em>A gyerekirodalom nagykor\u00fas\u00edt\u00e1sa<\/em>. <strong>HUBBY- De\u00e1k Gal\u00e9ria\/MOME.<\/strong> 2018 Okt 23-24.<\/p>\n<p>\u201c&#8217;Beware the Jabberwock, my son!&#8217; Cultural transpositions of the sound and the sight of nonsense in Hungarian translations of Lewis Carroll\u2019s &#8216;Jabberwocky.&#8217;\u201d <a href=\"http:\/\/www.childrenmacabre.up.krakow.pl\/index.php\/invited-speakers\/\"><em>From Morals to the Macabre in Translation for Children Conference<\/em>,<\/a> P<strong>edagogical University of Krakow, Poland<\/strong>. 2018 Apr 4-5.<\/p>\n<p>\u201cSemmi \u2013 gondolta \u2013 nem volt m\u00e9g ilyen \u00e9rdekes.\u201d Pszichonarr\u00e1ci\u00f3 \u00e9s a bizonytalans\u00e1g megtestes\u00fclt tudata Neil Gaiman g\u00f3tikus mesereg\u00e9ny\u00e9ben. <em>A test mint elbesz\u00e9l\u0151 m\u00e9dium, a test mint elbesz\u00e9l\u00e9sek m\u00e9diuma. Korpor\u00e1lis narratol\u00f3gia a befogad\u00e1s \u00e9s a kirekeszt\u00e9s vizsg\u00e1lat\u00e1ban<\/em>. <strong>PIM, MTA ITI Corpus Alienum<\/strong> Kutat\u00f3csoport szimp\u00f3ziuma, 2016.04.01.<\/p>\n<p>\u201cFrom lost little girls to curious feminist psychogeographers. Empowerment by wanderlust, dysgeographica, and playable cities in Contemporary YA Fantasy Rewritings of Alice\u2019s Adventures in Wonderland.\u201d Plenary lecture. <em>Gender, Translocality, and the City <\/em><em>in post-1945 Literary and Visual Culture<\/em>. <strong>Debreceni Tudom\u00e1nyegyetem<\/strong>. 2016. Feb 26-27.<\/p>\n<p>\u201cThe Changing status of reading in the age of digital culture: current debates and future collaborations.\u201d Organized by <em>Bodies in Transit EU Feder Project<\/em> of Departamenta de Filologia Inglesa, Faculdad de Humanidades. <strong>Universidad de Huelva, Spain.<\/strong> 2015. Okt. 21.<\/p>\n<p>\u201cT\u00fck\u00f6rk\u00e9pl\u00e9kenys\u00e9g. A test elm\u00e9leteinek alakzatai a kort\u00e1rs n\u0151m\u0171v\u00e9szetekben.\u201d [On body studies and contemporary women\u2019s art] <strong>Magyar K\u00e9pz\u0151m\u0171v\u00e9szeti Egyetem, Budapest<\/strong>. 2014. Febru\u00e1r 13.<\/p>\n<p>\u201cDilemm\u00e1k a t\u00e1rsadalmi nem tudom\u00e1ny \u00e9s a fogyat\u00e9koss\u00e1gtudom\u00e1ny metsz\u00e9spontjain.\u201d [Dilemmas at the intersection of gender- and disability studies] <em>Els\u0151 magyar fogyat\u00e9koss\u00e1gtudom\u00e1nyi konferencia<\/em>. Az <strong>ELTE Gy\u00f3gypedag\u00f3giai Kar<\/strong> (Fogyat\u00e9koss\u00e1gtudom\u00e1nyi Doktori M\u0171hely), a Magyar Szociol\u00f3giai T\u00e1rsas\u00e1g \u00e9s az MTA Szociol\u00f3giai Kutat\u00f3int\u00e9zete rendez\u00e9s\u00e9ben. 2013. november 26.<\/p>\n<p>\u201cMetaphors of Emotion and Embodiment in Hungarian Translations of <em>The Great Gatsby<\/em>.\u201d <em>Le corps transfrontalier du texte\u00a0: quand l\u2019Europe retraduit The Great Gatbsy.<\/em> 26 octobre 2012. <strong>Universit\u00e9 Bordeaux 3.<\/strong><\/p>\n<p>\u201cA test elm\u00e9leteinek alakzatai a kort\u00e1rs m\u0171v\u00e9szetek t\u00fckr\u00e9ben.\u201d [On body studies and contemporary art] <em>Testeken \u00e1t I. Test\u00edr\u00e1s, tesm\u00f3dos\u00edt\u00e1s, tetov\u00e1l\u00e1s szimp\u00f3zium<\/em>. Grand Caf\u00e9. <strong>Szeged<\/strong>. 2013. March<\/p>\n<p>\u201cNonsensical Disenchantment and Imaginative Reluctance in Postmodern Rewritings of Lewis Carroll&#8217;s Alice Tales\u201d Plenary. <em>Anti-Tales: The Uses of Disenchantment<\/em>, <strong>University of Glasgow<\/strong>, Aug 2010<\/p>\n<p>\u201cOn Flesh Becoming Word Becoming Flesh. Reading Angela Carter\u2019s Fiction from a Feminist Corporeal Narratological Perspective\u201d <em>Angela Carter. Estranging Feminism?, <\/em><strong>Universit\u00e9 Jean Monnet Saint-\u00c9tienne<\/strong>, France, 10-11 June 2010<\/p>\n<p>\u201c\u2019Not Waving but Drowning.\u2019 An Agnostic Commitment to Autonomy. The Freedom of Uncertainty in Stevie Smith\u2019s Poetry\u201d <em>Autonomy and Commitment in Modernist British Literature <\/em>A CERVEC Conference, <strong>Universit\u00e9 Paul Val\u00e9ry Montpellier<\/strong> III., France, 2007.<\/p>\n<p>\u201cPopular Representations of Monstrosities in Anglophone Culture.\u201d <em>The Monstrous Side of Science. A Celebration of Science<\/em>. <strong>Catholic University of Ruzomberok<\/strong>, English department, Slovakia, 2008.<\/p>\n<h5>KONFERENCIA PANEL SZERVEZ\u00c9S<\/h5>\n<p><em>Sounds Victorian: Acoustic Experience in 19<sup>th<\/sup> Century Britain, <\/em>ESSE Conference, Lyon 2020. Co-organized w B\u00e9atrice Laurent, Universit\u00e9 Bordeaux Montaigne<\/p>\n<p><em>The Secret Life of Things: Controversial Challenges of Anthropocentrism in Children&#8217;s Literature. <\/em>Controversial Dimensions in Children\u2019s Literature, Wroclaw, Poland. 2020.03.19-20. (Cancelled because of COVID)<\/p>\n<p><em>Image\/Text\/Body Panel. <\/em>14<sup>th<\/sup> Biennial HUSSE Conference, 2019. Jan 31-Feb 2. Pannon University Eger, Hungary.<\/p>\n<p><em>Sounds Victorian: Voices and Noises in 19<sup>th<\/sup> Century Britain, <\/em>ESSE Conference, Brno, 2018. T\u00e1rsszervez\u0151: Dr B\u00e9atrice Laurent (Universit\u00e9 Bordeaux Montaigne)<\/p>\n<p><em>Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics Seminar.<\/em> 12<sup>th<\/sup> ESSE Conference, Pavol Jozef \u0160af\u00e1rik University, Kosice, Slovakia. 29 Aug \u2013 2 Sept, 2014, T\u00e1rsszervez\u0151: Dr Catriona McAra (Leeds University of Arts)<\/p>\n<p><em>Bordercrossings, meeting points, spaces of reflection and resistance. \u2018Out of place\u2019 feminist encounters with alterity<\/em>. A <em>Tal\u00e1lkoz\u00e1sok Antropol\u00f3gi\u00e1ja.<\/em> A Magyar Kultur\u00e1lis Antropol\u00f3giai T\u00e1rsas\u00e1g 4. V\u00e1ndorkonferenci\u00e1ja. SZTE BTK: Nov 4-5, 2016.<\/p>\n<p><em>Fairy Tale Cinema. Posthumanist Potentials of Animal\/Plant-Human Encounters. HUSSE 13.<\/em> Eger. 2017 jan. 26-28.<\/p>\n<p><em>Medial Interaction in the Literary Fantastic Workshop<\/em> Salzburg-Szeged Symposium T\u00e1rsszervez\u0151: Dr Prof Sabine Coelsh-Foisner (Salzburg University) Szeged University, 2008.<\/p>\n<h5><strong>KONFERENCIA EL\u0150AD\u00c1SOK<\/strong><\/h5>\n<p>\u201cA pinch of worm fat, urine of a horsefly, buttered fingers, three coins from a dead man\u2019s pocket, and two teaspoons of wishful thinking.\u201d Gastronomic translations of literary nonsense in Alice in Wonderland and its postmodern transmedia adaptations.&#8221; <a href=\"https:\/\/www.unive.it\/pag\/41360\/\"><em>Food and\/in Children&#8217;s Culture Conference<\/em><\/a>. Ca Foscari University of Venice. 6-9 April 2021.<\/p>\n<p>&#8220;&#8216;Semmi \u2013 gondolta \u2013 nem volt m\u00e9g ilyen \u00e9rdekes.&#8217; Pszichonarr\u00e1ci\u00f3 \u00e9s a bizonytalans\u00e1g megtestes\u00fclt tudata Neil Gaiman g\u00f3tikus mesereg\u00e9ny\u00e9ben&#8221;\u00a0<em>Negat\u00edv \u00e9rzelmek az irodalmi befogad\u00e1sban workshop.<\/em> <a href=\"http:\/\/kognitiv.szegedigermanisztika.hu\/\">SZTE Kognit\u00edv Po\u00e9tika Kutat\u00f3csoport<\/a>. 2021. M\u00e1rcius 26.<\/p>\n<p>&#8220;Picturing the unimaginable for a generation of postmemory in graphic novel biografictional adaptations of <em>Anne Frank\u2019s Diary.&#8221;\u00a0<\/em><em><a href=\"https:\/\/www.cbc2020.org\/\">The 15th International Child and the Book Conference<\/a>, 24 March 2021,\u00a0<strong>Freie Universit\u00e4t Berlin<\/strong>, Transformation and Continuity: Political and Cultural Change in Children\u2019s Literature from the Past Century to the Present Day<\/em><\/p>\n<p>&#8220;\u201eI\u2019m not a stick. I\u2019m Stick Man.\u201d Controversial Ecocritical Encounters with Plant Kin in Contemporary Picturebooks.&#8221; Controversial Dimensions in Children\u2019s Literature, Wroclaw, Poland. 2020.03.19-20. (elfogadott absztrakt, elt\u00f6r\u00f6lt konferencia)<\/p>\n<p>\u201cTaktilis tekintet <em>A<\/em> <em>Szolg\u00e1l\u00f3l\u00e1ny Mes\u00e9j\u00e9ben<\/em>.\u201d <em>Szimp\u00f3zium Margaret Atwood 80. sz\u00fclet\u00e9snapj\u00e1ra.<\/em> Szegedi Tudom\u00e1nyegyetem, BTK, Komparatisztika tansz\u00e9k. 2019. November 18.<\/p>\n<p>\u201cCaressing Canvases: Embodied subjects and objects in the corporeagraphic metafictional museum novel.\u201d <em>Museums in Literature<\/em><em> conference\/Le Mus\u00e9e dans la litt\u00e9rature<\/em>. MSh Paris Nord. Universit\u00e9 Paris 13 St Denis. 2019. Nov 7-8.<\/p>\n<p><strong><em>\u201c<\/em><\/strong><em>A n\u0151 mint n\u00f6v\u00e9ny. Feminista szubjektumszemiotika az antropocentrizmuson t\u00fal?\u201d NYIM <\/em>2019 Konferencia, A feminist kritika \u00e9s a metszetelm\u00e9let. 2019-okt 4-5. Szegedi Tudom\u00e1nyegyetem, T\u00e1rsadalmi Nemek Tudom\u00e1nya kutat\u00f3csoport<\/p>\n<p>\u201cAcoustics of nonsense, picturing sounds, &amp; interspecies communication: Counter-narrative strategies resisting the discursive silencing of children in Lewis Carroll\u2019s Alice tales.\u201d <a href=\"http:\/\/www.irsclcongress2019.com\/\">IRSCL congress, <em>Silence and Silencing in Children\u2019s Literature<\/em><\/a>, Stockholm University, 2019 August 14-18<\/p>\n<p>&#8220;Art and Space in the Contemporary Museum Novel.&#8221; <a href=\"https:\/\/artsandthecity2019.wordpress.com\/\"><em>Arts and the City<\/em><\/a>. K\u00e1roli G\u00e1sp\u00e1r University and <span class=\"st\">The Institute of Philosophy of the Research Centre of the Humanities of the Hungarian Academy of Sciences<\/span>. 2019 May 23-24.<\/p>\n<p><strong>&#8220;<\/strong>Transmediating the Wonder-Tale Canon in 21<sup>st<\/sup> Century Hungarian Children&#8217;s Books&#8221;<em><a href=\"http:\/\/cbc2019.hidk.hr\/\"> The 14th The Child and the Book Conference<\/a>, <\/em>University of Zadar, 2019 May 8-10. (elfogadott absztrakt)<strong><em><br \/>\n<\/em><\/strong><\/p>\n<p>\u201cTracing a Story in a Network of Cracks: Ekphrasis, Ellipsis, and Craquelure as Instruments of Feminist Politics and Poetics of in Chlo\u00e9 Aridjis\u2019<em> Asunder.\u201d <a href=\"https:\/\/husse2019.uni-pannon.hu\/\">14. HUSSE Konferencia<\/a>, <\/em>Pannon University Veszpr\u00e9m, 2019 jan 31-feb 2.<\/p>\n<p>\u201cA fajok k\u00f6zti szolidarit\u00e1s poszthum\u00e1n etikai lehet\u0151s\u00e9gei a kort\u00e1rs feminista performanszban \u00e9s a mai magyar popul\u00e1ris kult\u00far\u00e1ban.\u201d <a href=\"http:\/\/gender.ieas-szeged.hu\/conferences\/nyim14-gender-es-szolidaritas\/\"><em>Nyelv, Ideol\u00f3gia, M\u00e9dia 14. Gender \u00e9s Szolidarit\u00e1s<\/em><\/a>. SZTE, TNT, 2018 Szept 21-22.<\/p>\n<p>&#8220;&#8216;Take care of the <em>sounds<\/em>, and the <em>sense <\/em>will take care of itself!?\u2019 The acoustics of nonsense in Lewis Carroll.\u201d <a href=\"https:\/\/www.esse2018brno.org\/\"><em>14th ESSE Conference<\/em><\/a>. &#8216;Sounds Victorian: Voices and Noises in 19th Century Britain&#8217; Panel. Brno. 2018 Aug 29-Sept 2.<\/p>\n<p>\u201c&#8217;L\u2019Animal que je suis.&#8217; Posthuman Somaesthetics in Contemporary BioArt Performances\u201d <a href=\"http:\/\/www.arts.u-szeged.hu\/hirek\/szte-btk-2018-majus\/somaesthetics-between\"><em>Somaesthetics: Between the Human Body and Beyond<\/em><\/a>, Szeged University, Philosophy Department, May 14-16th, 2018.<\/p>\n<p>\u201cA dod\u00f3 mad\u00e1r dala. K\u00f6rnyezet- \u00e9s nyelvfiloz\u00f3fia a 19. sz\u00e1zadi angol fantasztikus irodalomban\u201d <a href=\"http:\/\/www.jgypk.hu\/jelkepter\/allati-jelek-kepek-es-terek-konferencia\/\"><em>\u00c1llati jelek, k\u00e9pek \u00e9s terek konferencia. <\/em>SZTE<\/a> Jel-K\u00e9p-T\u00e9r Munkacsoport. 2017 Nov 17.<\/p>\n<p>\u201cBoundaries, Bridges, Becomings. Interspecies Politics in Women\u2019s Performance Arts in the Contemporary US\u201d Transgressing Borders from Above and Below Panel. organized by Gender Studies Research group. <a href=\"http:\/\/centro.interamerican.hu\/en\/conferences\/2017-2\/cfp\/\"><em>Transnational Americas: Home(s), Borders and Transgresssions<\/em><\/a>, SZTE, Centro InterAmerican, Nov 16-18, 2017.<\/p>\n<p>\u201cEvie in Fairyland, the Drunkard Brushmaker, and the Giggling Wooden Dog. Nonsense\u2019s Creative Domestications and the Changing Image of the Implied Child Reader in Hungarian Translations of Alice\u2019s Adventures in Wonderland\u201d <a href=\"https:\/\/www.arts.kuleuven.be\/vertaalwetenschap\/childrensliterature\/index\"><em>Translation Studies and Children\u2019s Literature \u2013 Current Topics and Future Perspectives Conference<\/em><\/a>. 19-20 Oct 2017 Brussels-Antwerpen.<\/p>\n<p>\u201cA nyelv hatalma az <em>Alice Csodaorsz\u00e1gban<\/em> magyar ford\u00edt\u00e1sainak t\u00fckr\u00e9ben\u201d <a href=\"http:\/\/gender.ieas-szeged.hu\/conf\/nyim\/13.html\"><em>NYIM13 A n\u0151 \u00e9s a hatalom<\/em><\/a> SZTE, BTK, IEAS. 2017 Szept 22-23.<\/p>\n<p>\u201cHumanimal Studies: r\u00f6vid \u00e1ttekint\u00e9s\u201d <em><a href=\"http:\/\/www.arts.u-szeged.hu\/kutatas-tudomany\/tudomanyos-muhelyek-btk\/animalia-kutatokozpont\">SZTE Animalia Kutat\u00f3csoport<\/a> bemutatkoz\u00f3 konferencia<\/em>. SZAB, Szeged. 2017. 03.31.<\/p>\n<p>\u201cVegetal Visions. Ecocritical Encounters with Plant Children in Mainstream and Art Fairy-Tale Cinema\u201d <a href=\"http:\/\/husse2017.uni-eszterhazy.hu\/page\/call-for-papers\"><em>HUSSE 13<\/em>, Eger<\/a>. 2017.01.26-28..<\/p>\n<p>\u201cThe chance encounter of a stuffed dodo, a fallen star, and a fruit woman automaton\u2026 The Secret Life of Things Queering the Museal Gaze in Angela Carter\u2019s Postmodern Curiosity Cabinets\u201d <a href=\"http:\/\/getangelacarter.com\/fireworks-conference\"><em>Fireworks: The Visual Imagination of Angela Carter<\/em>.<\/a> University of Bristol. 2017.01.09.-10.<\/p>\n<p>\u201cFrom the Circus to the Concentration Camp. Re-enacting Otherness as a Strategy of Resistance in Hungarian Jewish Dwarf Performance Artists&#8217; Memoirs\u201d A <a href=\"https:\/\/sites.google.com\/site\/makatinfo\/makat-esemenyek\/vandorkonferenciak\/encounters2016\"><em>Tal\u00e1lkoz\u00e1sok Antropol\u00f3gi\u00e1ja.<\/em> A Magyar Kultur\u00e1lis Antropol\u00f3giai T\u00e1rsas\u00e1g 4.<\/a> V\u00e1ndorkonferenci\u00e1ja. SZTE BTK: Nov 4-5, 2016.<\/p>\n<p>\u201cAmicable Alices. Lewis Carroll and his Child Friends\u201d<em><a href=\"https:\/\/friendshipconference.wordpress.com\/informacje\/\"> The Politics and Poetics of Friendship conference<\/a>. <\/em>University of Krakow<em>. <\/em>October 27-29, 2016.<\/p>\n<p>\u201cAlice in Transmedia Wonderland.\u201d SZTE BTK IEAS Doktori Kutat\u00f3szemin\u00e1rium vend\u00e9gel\u0151ad\u00e1sa, 2016 Okt\u00f3ber 6<\/p>\n<p>\u201c\u00c1tl\u00e1tsz\u00f3 helyek. A l\u00e1ttatott l\u00e1thatatlan mint n\u0151i t\u00e9r\u00e9lm\u00e9ny Drozdik Orsolya konceptu\u00e1lis m\u0171v\u00e9szet\u00e9ben.\u201d <a href=\"http:\/\/gender.ieas-szeged.hu\/conf\/nyim\/12.html\"><em>NYIM 12<\/em>. <em>\u00daton: A t\u00e9r neme, a nemek terei<\/em>.<\/a> Szegedi Tudom\u00e1nyegyetem, 2016. Sept 30-Oct 1.<\/p>\n<p>\u201cAlice\u2019s Animal Alterities and Ethics.\u201d <a href=\"https:\/\/victorianpersistence.wordpress.com\/2016\/02\/02\/becoming-animal-with-the-victorians-universite-paris-diderot-4-5-february-2016\/\"><em>Becoming Animal with the Victorians<\/em>.<\/a> Conference organised by the French Society of Victorian Studies. Universit\u00e9 Diderot Paris 7. 2016. February 3-5.<\/p>\n<p>\u201eIconotextual Sites of Alice\u2019s Feminist Resistance in Picture Books Co-produced by Lewis Carroll and John Tenniel.\u201d <a href=\"https:\/\/www.educ.cam.ac.uk\/events\/conferences\/alice\/\"><em>Alice Through the Ages Conference<\/em>, University of Cambridge<\/a>, 2015. Szeptember 15-18.<\/p>\n<p>\u201cNa, h\u00fazz\u00e1l haza, kisfiam!\u201d Mrs. Robinsont\u00f3l Stifler mam\u00e1j\u00e1ig, avagy a MILF diszkr\u00e9t b\u00e1ja.<em><a href=\"http:\/\/gender.ieas-szeged.hu\/conf\/nyim11\/nyim11.html\"> 11. Nyelv, Ideol\u00f3gia, M\u00e9dia Konferencia, A n\u0151 \u00e9s a kor\/osod\u00e1s.<\/a> <\/em>Szegedi Tudom\u00e1nyegyetem, T\u00e1rsadalmi Nemek Tudom\u00e1nya Kutat\u00f3csoport, 2015. Szeptember 25-26.<\/p>\n<p>\u201cLolita, a kish\u00fagunk!? A kisl\u00e1ny test \u00e1br\u00e1zolhatatlans\u00e1g\u00e1r\u00f3l n\u0151i szemmel.\u201d <em>NYIM10. <a href=\"http:\/\/gender.ieas-szeged.hu\/conf\/nyim10\/nyim10.html\">10. Nyelv, Ideol\u00f3gia, M\u00e9dia konferencia: A feminista kutat\u00e1s \u00e9s oktat\u00e1s t\u00e1vlatai Magyarorsz\u00e1gon<\/a>.<\/em> Szegedi Tudom\u00e1nyegyetem, TNT Kutat\u00f3csoport. 2014. Sept. 19-20.<\/p>\n<p>\u201cIconotextual Sites of Alice\u2019s Feminist Resistance in Lewis Carroll and John Tenniel\u2019s Victorian Fairy-Tale Fantasy Picture Books.\u201d <em>Intermedial Body Politics: Towards a Feminist Analysis of Image\/Text Dynamics Seminar.<\/em> <a href=\"http:\/\/web.abo.fi\/fak\/hf\/enge\/finsse\/ESSE\/ESSE%2012%202014%20Programme.pdf\"><em>12<sup>th<\/sup> ESSE Conference<\/em><\/a>, Pavol Jozef \u0160af\u00e1rik University, Kosice, Slovakia. 29 Aug \u2013 2 Sept, 2014<\/p>\n<p>\u201cPicturebooks challenging sexual politics. Melinda Gebbie\u2019s Pro-Porn Feminist Comics and the Case of <em>Lost Girls\u201d <\/em><em>HAAS10 Conference: Crossing Boundaries: Migration, Amalgamation, and Transgression in American Literature, History, and Culture<\/em><em> PPCU<\/em>, Budapest. 30-31 M\u00e1jus, 2014<\/p>\n<p>\u201cAlice\u2019s Adventures through Changing Media: Looking for Wonderland in 21<sup>st <\/sup>century 3D CGI, iPad app, and Pop-Up Book adaptations of Carroll\u2019s Classic<em>\u201d<\/em> Adapting Alice Panel. <a href=\"http:\/\/www.irscl.com\/maastricht.html\"><em>IRSCL International Research Society for Children\u2019s Literature Congress,<\/em> <\/a><em>Children\u2019s Literature and Media Cultures. <\/em>2013, August 10-14. Maastricht, The Netherlands.<\/p>\n<p>\u201c\u2019Mystic, awful was the process.\u2019 Changing Meanings of Victorian Child Photography in Lewis Carroll\u2019s Darkroom and Bright Text.\u201d <em>European Iconology East &amp; West: Cultural Imageries of Body and Soul \u2013 Intermedial Representations of the Corporeal, the Psychic, and the Spiritual<\/em>. SZTE, M\u00e1jus 29-31, 2013.<\/p>\n<p>\u201cA Portrait of the Artist as a Young GirlChild: Lewis Carroll on\/as Alice.\u201d<em> HUSSE 11. 11<sup>th<\/sup> Conference of the Hungarian Society for the Study of English<\/em>. E\u00f6tv\u00f6s Lor\u00e1nd Tudom\u00e1nyegyetem, Budapest, 24\u201326 Januar, 2013.<\/p>\n<p>\u201cThe Street Urchin as an Iconic Agent of Childish Imagination in Dickens\u2019 Fiction and its Victorian and Postmodern Visual Adaptations.\u201d<em>Dickens200: Text and Beyond. <\/em>P\u00e9csi Tudom\u00e1nyegyetem. 2012 November 9-10.<\/p>\n<p>\u201cA \u2019f\u00e9rfias\u2019 fogyat\u00e9k fikci\u00f3ja. Alternat\u00edv maszkulinit\u00e1sok atipikus megtestes\u00fcl\u00e9sei a kort\u00e1rs popul\u00e1ris vizu\u00e1lis kult\u00far\u00e1ban.\u201d <em>Nyelv, Ideol\u00f3gia, M\u00e9dia konferencia 8<\/em>. <em>A magyar \u201ef\u00e9rfiuralom\u201d terepei \u00e9s hat\u00e1rai.<\/em> SZTE, TNT, 2012. Szeptember 21-22.<\/p>\n<p>\u201cMeta-Imagination in Lewis Carroll\u2019s Literary Fairy Tales about Alice\u2019s Adventures.\u201d <em>The Fairy Tale Vanguard<\/em>. University of Ghent, Belgium, 20-22 August 2012.<\/p>\n<p>\u201e(Poszt)feminizmus, (poszt)identit\u00e1s, \u00e9s (poszt)koncept art Drozdik Orsolya m\u0171v\u00e9szet\u00e9ben\u201d <em>Nyelv, Ideol\u00f3gia, M\u00e9dia 7. A t\u00e1rsadalmi nem viszonyok a rendszerv\u00e1lt\u00e1s elm\u00falt 20 \u00e9v\u00e9ben: poszt-szocializmus (?) \u00e9s feminizmus<\/em>. SZTE. 2011. Szept 30-Okt 1.<\/p>\n<p>\u201cCreative Iconoclasm and Cultural Trauma.\u201d <em>Terror(ism) and Aesthetics International Conference<\/em>. SZTE, 2011. Sept 22-24.<\/p>\n<p>\u201cChanging Media of Enchantment. Tracking the Transition from Verbal to Visual Nonsense in Tim Burton\u2019s Cinematic Adaptation of <em>Alice in Wonderland.<\/em>\u201d <em>American Studies and Visuality on the Horizon of Information Society. <\/em>SZTE Amerikanisztika tsz, 2011. M\u00e1jus 6-7.<\/p>\n<p>\u201cQueering the gaze and post-identity in Drozdik Orshi\u2019s feminist (post)concept art.\u201d <em>Import-Export-Transport. Queer Theory, Queer Critique, and Activism in Motion<\/em>. University of Vienna, Austria. 2011. April. 28-30.<\/p>\n<p>\u201cA fogyat\u00e9kkal \u00e9l\u0151k elfogad\u00e1s\u00e1t c\u00e9lz\u00f3 m\u00e9dia\/m\u0171v\u00e9szeti megnyilv\u00e1nul\u00e1sok lehet\u0151s\u00e9gei, korl\u00e1tai, \u00e9s recepci\u00f3ja\u00a0a mai Magyarorsz\u00e1gon\u201d<em> Mi\/M\u00e1s2 Konferencia<\/em>, Eszterh\u00e1zy F\u0151iskola Amerikanisztika Tansz\u00e9k, 2010.<\/p>\n<p><em> \u201cAz elme-baj, a szerz\u0151s\u00e9g \u00e9s a nemis\u00e9g (v)iszonyai k\u00e9t Cs\u00e1th-m\u00edtosz adapt\u00e1ci\u00f3ban\u201d A t\u00e1rsadalmi nemi viszonyok int\u00e9zm\u00e9nyes\u00fcl\u00e9se: A \u201emagyars\u00e1g\u201d \u00e9s \u201enemis\u00e9g\u201d metszetei<\/em>, <em>6. Nyelv, Ideol\u00f3gia, M\u00e9dia konferencia<\/em>, Szegedi Tudom\u00e1nyegyetem, TNT, <strong>2010.<\/strong><\/p>\n<p>\u201cRecycling Waste and Cultural Trauma in the Museum Space\u201d <em>Museum Narratives<\/em>. University of Salzburg, Austria, 2009.<\/p>\n<p>\u201cStammering, Somniloquy and Somatized Semiosis. (Un)making Sense of Nonsense in Lewis Carroll&#8217;s Alice Tales.\u201d <em>The Surplus of Culture. Sense, CommonSense, NonSense <\/em>University of Silesia, Ustron, Poland. 2009.<\/p>\n<p>\u201cNyilv\u00e1n(osan) intim. A bizalmas testis\u00e9g ki\/takar\u00e1sa a k\u00f6z\u00f6ss\u00e9gi terekben.\u201d 5. Nyelv, ideol\u00f3gia, m\u00e9dia konferencia. A szexualit\u00e1s terei. SZTE IEAS TNT Hungary 2009.<\/p>\n<p>\u201cAmbiguous Alice. Entangled referential and metaphorical readings of Lewis Carroll\u201d <em>Ambiguity Conference<\/em>, Catholic University of Ruzomberok, Slovakia, 2009.<\/p>\n<p>\u201cFeminist Grotesque Body Politics and Freak Ethics in Angela Carter\u2019s Late Fiction.\u201d <em>Angela Carter. A Critical Exploration<\/em>. The University of Northampton, UK, 2009.<\/p>\n<p>\u2018\u201cCuriouser and curiouser!\u201d Epistemological Crisis and Body-Trouble in Postmodern Alice Tales.\u201d <em>The Fairy Tale After Angela Carter<\/em> <em>Conference<\/em>, University of East Anglia, UK, 2009.<\/p>\n<p>\u201cUnraveling the Myth of Lewis Carroll\u2019s Alice.\u201d The Cultural\/ Textual Construction of the Gendered Body &#8211; Gender Studies Research Group. <em>HUSSE 9<\/em>, P\u00e9csi Tudom\u00e1nyegyetem, 2009.<\/p>\n<p>\u201cMonstrous Embodiment and Collective Identity in Tod Browning\u2019s <em>Freaks<\/em> and Katherine Dunn\u2019s <em>Geek Love<\/em>. On Breaking the Frames of the Bourgeois Family Romance and the Troubling Residue of Carnivalesque Counter-Spectacularity.\u201d<em> HAAS Conference. <\/em>SZTE, 2008.<\/p>\n<p>\u201cA \u2018neh\u00e9z napok\u2019 gy\u00f6ny\u00f6rei. A patologiz\u00e1lt n\u0151i test eroticiz\u00e1l\u00e1sa a kort\u00e1rs magyar kult\u00far\u00e1ban.\u201d <em>4. Nyelv, Ideol\u00f3gia, M\u00e9dia Konferencia. A N\u0151 \u00e9s a Test\/is\u00e9g.<\/em> <em>SZTE<\/em> 2008.<\/p>\n<p><em> \u201cLilliputians, Freaks, Little People. Popular Representations of Dwarfism in Anglophone Culture.\u201d The Body in Anglophone Culture. <\/em><em>Universit\u00e9 de Tours, France. 2008.<\/em><\/p>\n<p><em> \u201c<\/em>The Ordered System\u2019s Constitutive Outside. Disorder and Desire in Contemporary Abject Art.\u201d<em> The Iconology of Law. Eastern and Western Traditions of European Iconography 4<\/em>. SZTE. 2008.<\/p>\n<p>\u201cFreaks Born and Made: Anatomical Alterity as a Technology of the Self. Katherine Dunn\u2019s <em>Geek Love<\/em>\u201d <em>Embodiment and Identity<\/em>. SWIPUK conference. Centre for Research into Embodied Subjectivity, Philosophy, Centre for Gender Studies, University of Hull, UK, 2008.<\/p>\n<p>\u201cImage, Music, Performance and Text in Georges du Maurier\u2019s Trilby\u201d <em>Medial Interaction in the Literary Fantastic Workshop<\/em>. Salzburg-Szeged Dissertation Network Symposium, SZTE, 2008.<\/p>\n<p>\u201cA transznem\u0171 identit\u00e1s dilemm\u00e1i a kort\u00e1rs gender-elm\u00e9letek \u00e9s popul\u00e1ris kultur\u00e1lis reprezent\u00e1ci\u00f3k t\u00fckr\u00e9ben.\u201d <em>Mi\/M\u00e1s Konferencia.<\/em> Eger Eszterh\u00e1zy F\u0151iskola, 2008.<\/p>\n<p>\u201cProto-modern\/poszt-modern test-sz\u00f6vegek. A k\u00e9ptelen test k\u00e9p(i)es\u00edt\u00e9se\u201d <em>Test-Corpus-Body. Az MTA szegedi tagozat\u00e1nak szimp\u00f3ziuma<\/em>, Szeged. (Dr Kiss Attil\u00e1val), 2007.<\/p>\n<p>\u201cSzemtelen nemtelen? Transgender identit\u00e1s \u00e9s tapasztalat.\u201d <em>Nyelv, Ideol\u00f3gia, M\u00e9dia. N\u0151i \u00e9s f\u00e9rfi identit\u00e1s \u00e9s tapasztalat. <\/em>SZTE, 2007.<\/p>\n<p>\u201cThe limits and potentials of lesbian historiographic metafiction. The Case of Sarah Waters\u2019 <em>Tipping the Velvet\u201d <\/em>Sexuality and Narrative Section.<em> Lesbian Lives. Lesbian Existence and the Lesbian Continuum Conference. <\/em>Global Irish Institute. University College, Dublin, Ireland, 2007.<\/p>\n<p>\u201c\u2019From Automaton to Activist.\u2019 Representations of Spectacular Female Performers of Late-Victorian Countercultures in Georges du Maurier\u2019s, Angela Carter\u2019s and Sarah Waters\u2019 Fiction.\u201d <em>HUSSE 8 Conference<\/em>, SZTE, 2007.<\/p>\n<p>\u201cBifocal interpretive perspective: restless look, punctum and camp.\u201d <em>Communicative Strategies in Literature. Joint PhD Network Symposium<\/em>. Universitat Salzburg, Austria, 2006.<\/p>\n<p>\u201cBlurred Boundaries and Loving Looks in Nacy Burson\u2019s Art.\u201d <em>HAAS Biennial Conference. Frontiers, Borderlines, and Frames. <\/em>P\u00e9csi Tudom\u00e1nyegyetem, 2006<\/p>\n<p>\u201c\u2019My gay best friend\u2019 A fag-hag sztereot\u00edpi\u00e1ja.\u201d Nyelv, Ideol\u00f3gia, M\u00e9dia. A n\u0151 \u00e9s n\u0151i(es)s\u00e9g sztereot\u00edpi\u00e1i konferencia. SZTE, Hungary, 2006.<\/p>\n<p>\u201cAngela Carter\u2019s Vampires\u201d <em>Vampire Symposium<\/em>, SZTE, Hungary, 200620. \u201cSeeing is believing (?) Magical Realism and the Fantastic\u201d <em>What Constitutes the Fantastic?<\/em> <em>University of Szeged \u2013 Universitat Salzburg Dissertationnetwork Mini-Conference. <\/em>SZTE, Hungary, 2006.<\/p>\n<p>\u201cA n\u0151i szubjektum mint szamur\u00e1j\/anya Julia Kristeva <em>Les Samoura\u00efs<\/em> c\u00edm\u0171 \u00f6n\u00e9letrajzi reg\u00e9ny\u00e9ben\u201d <em>A n\u0151 mint szubjektum, a n\u0151i szubjektum.<\/em> Debreceni Tudom\u00e1nyegyetem \u00e9s Miskolci Tudom\u00e1nyegyetem, Center for Gender Studies and Equal Opportunities, Debrecen, 2006.<\/p>\n<p>\u201cAutobiografikci\u00f3 \u00e9s \u00f6n\u00e9letrajz\u00e1s Angela Carter reg\u00e9ny-tril\u00f3gi\u00e1j\u00e1ban\u201d <em>\u00cdrott \u00e9s olvasott identit\u00e1s. Az \u00f6n\u00e9letrajzi m\u0171fajok referenci\u00e1lis kontextusai<\/em>. P\u00e9csi Tudom\u00e1nyegyetem, Modern Irodalom \u00e9s Irodalomelm\u00e9let tsz. \u201c\u00cdrott \u00e9s olvasott identit\u00e1s\u201d kutat\u00f3csoport, P\u00e9cs, 2005.<\/p>\n<p>\u201cGrotesque Body Modification, Freaked Femininity and Narrative Self-Decomposition in Angela Carter\u2019s <em>The Passion of New Eve\u201d Fantastic Body Transformations in English Literature, Film and Arts International Conference. <\/em>Universitat Salzburg, Austria, 2005.<\/p>\n<p>\u201c\u2018Kisasszonyok, vadmacsk\u00e1k, k\u00e9kharisny\u00e1k\u2019 Az \u00edr\u00f3 n\u0151 pozicion\u00e1l\u00e1sa a mai magyar m\u00e9di\u00e1ban.\u201d<em> Nyelv, Ideol\u00f3gia, M\u00e9dia. A n\u0151 helye a magyar nyelvhaszn\u00e1latban konferencia. <\/em>SZTE, 2005.<\/p>\n<p>\u201cGrotesque Body, Fictionalized Identity and Somatized Narrative in Angela Carter.\u201d Fantastic Transformations of the Body in Modern English Literature Conference. SZTE \u2013 Universitat Salzburg Dissertationsnetwerk, 2005.<\/p>\n<p>\u201c\u2018I don\u2019t suffer, except when I see the images like you\u2019 Violence, presence, and representations in carnal performance and body art.\u201d Image\/ Text\/ Representation\/ Film in the Multimedial Age International Conference. University of Szeged, 2005.<\/p>\n<p><em>\u201c<\/em>Polyphonic Laughters in Angela Carter\u2019s <em>Nights at the Circus<\/em>.\u201d <em>HUSSE 7 Conference<\/em>. \u00a0Veszpr\u00e9mi Tudom\u00e1nyegyetem, 2005.<\/p>\n<p>\u201cThe Female Grotesque in Contemporary American Culture.\u201d HAAS Biennial Conference. \u201cAmerican Studies as Cultural Studies: Theory and Practice\u201d Budapest, E\u00f6tv\u00f6s Lor\u00e1nd Tudom\u00e1nyegyetem, 2004.<\/p>\n<p>European Intertexts. A Study of Women\u2019s Writing in English as a Part of a European Fabric. Travels: \u201cShe\u2019s Leaving Home\u201d Conference. SZTE&#8211;The British Academy. \u201c \u201cEyes closed I began a voyage down her spine\u201d Remapping the Body, Renaming the Landscape in Jeanette Winterson\u201d, 2004.<\/p>\n<p>\u201eN\u0151ies-e a kort\u00e1rs n\u0151i irodalom? \u00c1t\u00edr\u00e1s, \u00fajraolvas\u00e1s, re-v\u00edzi\u00f3 \u00e9s a kort\u00e1rs, angol nyelv\u0171 n\u0151irodalom\u201d, <em>Laikus olvas\u00e1s \u00e9s popul\u00e1ris kult\u00fara<\/em>. Dayka G\u00e1bor T\u00e1rsas\u00e1g. Orsz\u00e1gos Sz\u00e9ch\u00e9nyi K\u00f6nyvt\u00e1r\u00a0 Budapest. 2003.<\/p>\n<p>\u201cK\u00f6ny\u00f6rtelen Test Rev\u00edzi\u00f3k. A n\u0151i sz\u00e9ps\u00e9g er\u0151szakos ideol\u00f3gi\u00e1j\u00e1nak dekonstrukci\u00f3ja a kort\u00e1rs feminista performansz terrorista testeiben\u201c, <em>Er\u0151szak \u00e9s T\u00e1rsadalmiNem konferencia. Vizu\u00e1lis Er\u0151szak, Er\u0151szak V\u00edzi\u00f3k szekci\u00f3<\/em>. Corvinus Egyetem Budapest. Gender and Cultural Studies Center. 2003.<\/p>\n<p>\u201cCarnal Re-presentations: Orlan\u2019s Body Art. Surgical Interventions Subverting the Iconography of Femininity and Beauty Myth\u201d, <em>The Iconography of Gender<\/em>. <em>Eastern and Western Traditions of European Iconography 3<\/em>. Szegedi Tudom\u00e1nyegyetem. 2003.<\/p>\n<p>\u201cAna\u00efs Nin\u2019s Experimental Autofiction. The Portrait of the Artist as a Postmodern Desiring Female Subject: <em>A Spy in the House of Love\u201d, The 1950s HAAS Biennial Conference 2003<\/em> E\u00f6tv\u00f6s Lor\u00e1nd Tudom\u00e1nyegyetem, Budapest. <em>2003<\/em>.<\/p>\n<p>\u201cNarrating the nervous female body: Angela Carter\u2019s <em>The Passion of New Eve\u201d<\/em>, <em>HUSSE 6 conference<\/em>, Debreceni Tudom\u00e1nyegyetem. 2003.<\/p>\n<p>\u201cDesidero ergo sum infinitum. Testbesz\u00e9d. Nyelvgy\u00f6ny\u00f6r. Sz\u00f3j\u00e1t\u00e9k. Az \u2019\u00faj\u2019 \u2019francia\u2019 \u2019feminizmusok\u2019 esete\u201d, <em>N\u0151 \u00e9s f\u00e9rfi, f\u00e9rfi \u00e9s n\u0151. A t\u00e1rsadalmi nemek kutat\u00e1sa Magyarorsz\u00e1gon az ezredfordul\u00f3n konferencia<\/em>, Gender \u00e9s (n\u0151i) \u00edr\u00e1sm\u00f3dok szekci\u00f3, Corvinus Egyetem Budapest. Gender and Cultural Studies Center, 2002.<\/p>\n<p>\u201cFictional Autobiography as Narrative Re\/Deconstruction of Identity; (Re)writing on\/from the Body in Sylvia Plath, Jeanette Winterson and Toni Morrison\u201c. <em>Women`s Writing and Autobiography. <\/em>Universit\u00e9 de Bordeaux 3. 2002.<\/p>\n<p>\u201cTransgressive Bodies and Other Voices in Contemporary British Women Writers` Fiction\u201d, <em>International Conference of PhD students<\/em>. Miskolci Tudom\u00e1nyegyetem. 2001.<\/p>\n<p>\u201cWomen With Wings\u201d (on Fay Weldon, Angela Carter and Jeanette Winterson), <em>British Council Symposium and Roundtable on Contemporary British Fiction<\/em>. Budapest. 2001.<\/p>\n<p>\u201cSubversive Desires Somewhere Inbetween. The Cards of Passion\u201d (on Jeanette Winterson), <em>HUSSE 5 conference<\/em>, Eger, Hungary. 2001.<\/p>\n<h5>EGY\u00c9B KONFERENCI\u00c1K, WORKSHOP R\u00c9SZV\u00c9TELEK<\/h5>\n<p><em>High Culture and\/versus Popular Culture conference. <\/em><em>(John Storey) <\/em>Universitat Salzburg. Interdisciplinary Research Center Metamorphic Changes in the Arts, 2007<\/p>\n<p>Jacques Derrida el\u0151ad\u00e1ssorozata a hal\u00e1lb\u00fcntet\u00e9sr\u0151l. <em>La peine de mort<\/em> at \u00c9cole Pratique des Hautes \u00c9tudes en Sciences Sociales de Paris, 1999\/2000.<\/p>\n<p>Julia Kristeva el\u0151ad\u00e1ssorozata a n\u0151i g\u00e9niuszr\u00f3l: <em>Le g\u00e9nie f\u00e9minin<\/em> at Universit\u00e9 Paris VII, 1999\/2000<\/p>\n<p><em>Trans-missions: Theory, Research and Teaching in British Literary and Cultural Studies in Europe<\/em>, <em>British Council. <\/em>2002<\/p>\n<p><em>Body Studies.<\/em> Kerekasztal Vincent B. Leitch-csel, Debreceni Tudom\u00e1nyegyetem, 2002<\/p>\n<p><em>Given World and Time: Temporalities in Context conference.<\/em>\u201c Workshop Hayden White-tal. \u201cMetahistory: Thirty Years After.\u201d Central European University, Budapest, 2003.<\/p>\n<h5>MEGNYIT\u00d3K, TUDOM\u00c1NY-N\u00c9PSZER\u0170S\u00cdT\u0150 EL\u0150AD\u00c1SOK, KEREKASZTALOK, BESZ\u00c9LGET\u00c9SEK, INTERJ\u00daK<\/h5>\n<p>2020. 03.04. E\u00f6tv\u00f6s Lor\u00e1nd Koll\u00e9gium. Quadrivium M\u0171hely. <a href=\"https:\/\/www.facebook.com\/events\/859361271164957\/\">\u201eMi\u00e9rt olyan a holl\u00f3 mint az \u00edr\u00f3asztal? A Viktori\u00e1nus nonszensz posztmodern konfigur\u00e1ci\u00f3i.\u201d<\/a> SZTE.<\/p>\n<p>2019.03.21 SZTE Alma Mater. Alumni Uni: Tud\u00e1sm\u0171hely. \u201eA testk\u00e9pform\u00e1l\u00f3 k\u00f6z\u00f6ss\u00e9gi m\u00e9dia.\u201d Tari Annam\u00e1ri\u00e1val. Szeged, Jateklub.<\/p>\n<p>2019. \u201e<a href=\"A%20testk\u00e9pform\u00e1l\u00f3%20(k\u00f6z\u00f6ss\u00e9gi)%20m\u00e9dia.%20Interj\u00fa%20dr%20habil%20K\u00e9rchy%20Ann\u00e1val.\u201d%20SZTE%20Alma%20Mater%20Alumni%20Uni%20\u2013%20Tud\u00e1sm\u0171hely%20beharangoz\u00f3\">A testk\u00e9pform\u00e1l\u00f3 (k\u00f6z\u00f6ss\u00e9gi) m\u00e9dia. Interj\u00fa dr habil K\u00e9rchy Ann\u00e1val.\u201d SZTE Alma Mater Alumni Uni \u2013 Tud\u00e1sm\u0171hely beharangoz\u00f3<\/a>.<\/p>\n<p>2018 Sept 27. Ki\u00e1ll\u00edt\u00e1smegnyit\u00f3: \u201cDrozdik Orsolya: Az anyag \u00e9s az \u00e9rz\u00e9kis\u00e9g\u201d Budapest Gal\u00e9ria.<\/p>\n<p>2019 tavasz. Kossuth R\u00e1di\u00f3. <em>Vend\u00e9g a h\u00e1zn\u00e1l. Gyerekekr\u0151l feln\u0151tteknek<\/em>. \u201cA mai mes\u00e9kr\u0151l\u201d<\/p>\n<p>2017. Nov 8. Ki\u00e1ll\u00edt\u00e1smegnyit\u00f3: \u201cIt\u2019s Always Tea Time. Artwork inspired by <em>Alice in Wonderland<\/em>\u201d \u00c9szt Int\u00e9zet, De\u00e1k 14 Gal\u00e9ria, Budapest.<\/p>\n<p>\u201cV\u00e9nuszok tal\u00e1lkoz\u00e1sa. Besz\u00e9lget\u00e9s az Anat\u00f3miai V\u00e9nuszokr\u00f3l. Drozdik Orsolya k\u00e9pz\u0151m\u0171v\u00e9sszel \u00e9s Varga Benedekkel, a SOM f\u0151igazgat\u00f3j\u00e1val. \u201d Semmelweis Orvost\u00f6rt\u00e9neti M\u00fazeum. 2015. 10. 8.<\/p>\n<p><a href=\"http:\/\/www.u-szeged.hu\/sztemagazin\/kutatas\/lewis-carroll\">\u201cLewis Carroll Csodavil\u00e1ga szegedi szemmel. K\u00e9rchy Anna hi\u00e1nyp\u00f3tl\u00f3 k\u00f6teteket alkot a Bolyai \u00f6szt\u00f6nd\u00edj t\u00e1mogat\u00e1s\u00e1val.\u201d <\/a><em>SZTE Magazin<\/em>. 2014. 7. sz\u00e1m.<\/p>\n<p>03.05. A Csal\u00e1don Bel\u00fcli Er\u0151szak probl\u00e9m\u00e1ja a mai Magyarorsz\u00e1gon. Besz\u00e9lget\u00e9s Czap\u00e1ry Veronika \u00edr\u00f3val \u00e9s Antoni Rita n\u0151jogi aktivist\u00e1val, SZTE, BTK.<\/p>\n<p>02.14.\u00a0 Az <em>Eltitkolt \u00e9vek<\/em> c\u00edm\u0171 dokumentumfilmr\u0151l besz\u00e9lget\u00e9s Tak\u00e1cs M\u00e1ria rendez\u0151vel (Bar\u00e1t Erzs\u00e9bettel) Szeged, <em>Grand Caf\u00e9<\/em>.<\/p>\n<p>2007-09-10. 16.00. Kossuth R\u00e1di\u00f3. K\u00f6rzeti St\u00fadi\u00f3. <em>N\u0151i vonal<\/em>. Bar\u00e1t Erzs\u00e9bettel a Nyelv, ideol\u00f3gia, M\u00e9dia konferenci\u00e1r\u00f3l.<\/p>\n<p>2003-12-09. 13.05. Kossuth R\u00e1di\u00f3. <em>Vend\u00e9g a h\u00e1zn\u00e1l. Gyerekekr\u0151l feln\u0151tteknek<\/em>. \u201cA sz\u00e9ps\u00e9gm\u00edtoszr\u00f3l<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1660\" src=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/02\/Alma-Mater-magazin.png\" alt=\"\" width=\"806\" height=\"459\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1672\" src=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Quadrivium-Alice.jpg\" alt=\"\" width=\"960\" height=\"540\" srcset=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Quadrivium-Alice.jpg 960w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Quadrivium-Alice-300x169.jpg 300w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Quadrivium-Alice-768x432.jpg 768w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Quadrivium-Alice-900x506.jpg 900w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MEGH\u00cdVOTT TUDOM\u00c1NYOS\/ KONFERENCIA EL\u0150AD\u00c1SOK \u201eWhy is a Raven Like a Writing Desk? Alice and its Adaptations in Transmedia Wonderland.\u201d Plenary Lecture. Encounters of the Popular Kind: Traditions and Mythologies in Dialogie. EASPOP. ELTE, Budapest. MsTeams online. 27-28 October 2020. \u201eTranslating Body-Language and Cultural Transfer: Angela Carter\u2019s Birdwoman Travels to Hungary.\u201d \u201eThe world is made of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":77,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-130","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":25,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/130\/revisions"}],"predecessor-version":[{"id":1738,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/130\/revisions\/1738"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/77"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}