{"id":120,"date":"2017-05-15T21:42:51","date_gmt":"2017-05-15T21:42:51","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=120"},"modified":"2021-01-25T15:14:42","modified_gmt":"2021-01-25T15:14:42","slug":"publikaciok","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/publikaciok\/","title":{"rendered":"Publik\u00e1ci\u00f3k"},"content":{"rendered":"
PUBLIK\u00c1CI\u00d3K<\/strong><\/h5>\n

MTMT link<\/a><\/p>\n

LEKTOR\u00c1LT SZAKK\u00d6NYVEK<\/strong><\/p>\n

Saj\u00e1t szerz\u0151s\u00e9g\u0171 monogr\u00e1fi\u00e1k<\/strong><\/p>\n

Alice in Transmedia Wonderland. Curiouser and Curiouser New Forms of a Children\u2019s Classic<\/em>.<\/a> Jefferson: McFarland, 2016. (pp. 268, ISBN-10:1476666687 ISBN-13: 978-1476666686)<\/p>\n

Body-Texts in the Novels of Angela Carter. Writing from a Corporeagraphic Point of View<\/em>. <\/a>Lewiston, Lampeter: The Edwin Mellen Press, 2008. (pp. 372, ISBN10:\u00a0 0-7734-4892-6\u00a0\u00a0\u00a0ISBN13:\u00a0 978-0-7734-4892-6)<\/p>\n

A n\u0151 nyelvet \u00f6lt. Feminista narratol\u00f3giai, eszt\u00e9tikai, testelm\u00e9leti tanulm\u00e1nyok.\u00a0<\/a> <\/em>Ikonol\u00f3gia \u00e9s M\u0171\u00e9rtelmez\u00e9s sorozat 14. Szeged: JATE SZTE University Press, 2018. (pp. 324, ISBN: 978 963 315 383 3)
\n<\/em><\/p>\n

Szerkesztett tanulm\u00e1nyk\u00f6tetek<\/strong><\/p>\n

Translating and Transmediating Children’s Literature.<\/em><\/a> Szerk. Bj\u00f6rn Sundmark, Anna K\u00e9rchy. New York: Palgrave Macmillan, 2020.<\/p>\n

The Fairy-Tale Vanguard<\/em>. Literary Self Consciousness in Marvellous Genres<\/em>.<\/a> Szerk. Stijn Praet, Anna K\u00e9rchy. Newcastle-upon-Tyne: Cambridge Scholars, 2019.<\/p>\n

Posthumanism in Fantastic Fiction<\/em><\/a>. Americana E-book series. 2018.<\/p>\n

Exploring the Cultural History of Continental European Freak Shows<\/em> and Enfreakment.<\/em> <\/a>Szerk. Anna K\u00e9rchy \u00e9s Andrea Zittlau. Newcastle upon Tyne: Cambridge Scholars Press. 2012. (Isbn13: 978-1-4438-4134-4 Isbn: 1-4438-4134-X)<\/p>\n

Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings<\/em>. <\/a>Szerk. K\u00e9rchy Anna. Lewiston, Lampeter: The Edwin Mellen Press, 2011. (pp. 520, ISBN10:\u00a00-7734-1519-X\u00a0\u00a0\u00a0ISBN13:\u00a0978-0-7734-1519-5)<\/p>\n

The Iconology of Law and Order<\/em>. Legal and Cosmic<\/em>.<\/a> (Papers in English and American Studies 21) Szerk. Anna K\u00e9rchy, Attila Kiss, Gy\u00f6rgy E. Sz\u0151nyi. Szeged: JATEPress \u2013 Szegedi Egyetemi Kiad\u00f3, 2012. ISBN: 978-963-315-076-4<\/p>\n

What Constitutes the Fantastic?<\/em> <\/a>Szerk. Sabine Coelsch-Foisner, Gy\u00f6rgy E. Sz\u0151nyi, Sarolta Marinovich-Resch, Anna K\u00e9rchy. Szeged: JATEPress \u2013 Szegedi Egyetemi Kiad\u00f3, 2010.<\/p>\n

Szerkesztett foly\u00f3irat k\u00fcl\u00f6nsz\u00e1mok<\/strong><\/p>\n

Cahiers d\u2019\u00c9tudes Edouardiens et Victoriens. \u201eSounds Victorian\u201d special issue. Szerk. B\u00e9atrice Laurent, K\u00e9rchy Anna. Universit\u00e9 de Montpellier, France. (forthcoming)<\/p>\n

EJES. European Journal of English Studies<\/em>. Thematic Issue: Feminist Interventions in Intermedial Studies.<\/a> Tematikus k\u00fcl\u00f6nsz\u00e1m. Szerk. Anna K\u00e9rchy, Catriona McAra. (Taylor & Francis, 2017)<\/p>\n

Translating and Transmediating Children\u2019s Literatures and Cultures<\/em>.<\/a> Bookbird: The International Journal of Children’s Literature Special Issue. Szerk. Bj\u00f6rn Sundmark, Anna K\u00e9rchy. 2018. Febr.<\/p>\n

Interspecies Dialogues in Postmillenial Filmic Fantasies.<\/a> Americana E-journal special issue. 2018. <\/em><\/p>\n

Szerkeszt\u0151 b\u00edr\u00e1l\u00f3 bizotts\u00e1gi tags\u00e1g<\/strong><\/p>\n

Bookbird: A Journal of International Children’s Literature<\/a><\/p>\n

Journal of Short Story in English: Les Cahiers de la Nouvelle<\/a><\/p>\n

T\u00e1rsadalmi Nemek Tudom\u00e1nya E-foly\u00f3irat<\/a><\/p>\n

IGYIC Mesecentrum “Essz\u00e9k\/Tanulm\u00e1nyok” rovat szerkeszt\u0151<\/a>je<\/p>\n

Detinjstvo\/Childhood<\/em><\/a><\/p>\n

Tudom\u00e1nyos foly\u00f3iratok, nemzetk\u00f6zi kiad\u00f3k munk\u00e1j\u00e1ban k\u00fcls\u0151 b\u00edr\u00e1l\u00f3k\u00e9nt val\u00f3 k\u00f6zrem\u0171k\u00f6d\u00e9s: Wayne State University Press, Routledge, Marvels & Tales, Libri & Liberi, Victorian Poetry, IRCL, The Anachronist, N\u00e9prajzi Szemle<\/em><\/p>\n

LEKTOR\u00c1LT TUDOM\u00c1NYOS K\u00d6ZLEM\u00c9NYEK<\/strong><\/p>\n

K\u00d6NYVFEJEZETEK<\/strong><\/p>\n

nemzetk\u00f6zi kiadv\u00e1nyban<\/strong><\/p>\n

\u201cAlice Beyond Wonderland: Transmedia, Hybridity, and Intersemiotic Play in Contemporary Adaptations of a Children’s Classic.\u201d Szerk. Ana Margarida Ramos. Transmedia and Hibdrity<\/em>. Universidad de Aveiro. 2021. (Forthcoming)<\/p>\n

\u201c\u2018Whichever way you go, you are sure to get somewhere.\u2019 Dysgeographic mappings of playable loci and the \u2018compass\u2019 of girlish curiosity in Lewis Carroll\u2019s and China Mi\u00e9ville\u2019s spatial fantasies.\u201d Geographies of Affect in Contemporary Literature and Visual Culture. Central Europe and the West<\/em>. \u00c1gnes Gy\u00f6rke and Imola B\u00fclg\u00f6zdi. Leiden: Brill, 2020. 163-180.<\/em><\/p>\n

\u201cThe Curious Case of Evie in Fairyland. Nonsense\u2019s Creative Reinventions and Domesticating the Implied Child Reader in Hungarian Translations of Alice\u2019s Adventures in Wonderland.<\/em>\u201d Children\u2019s Literature in Translation<\/em>. Szerk. Jack McMartin \u00e9s Jan van Coillie. Leuven: Leuven UP, 2020. 159-178.<\/p>\n

\u201cThe (im)possibilities of translating literary nonsense: Attempts at taming iconotextual monstrosity in Hungarian domestications of Lewis Carroll\u2019s \u2018Jabberwocky.\u2019\u201d Translating and Transmediating Children\u2019s Literature<\/em>. London: Palgrave. Szerk. Bj\u00f6rn Sundmark and Anna K\u00e9rchy, 2020. 133-155.<\/p>\n

\u201cPerverted Postmodern Pinocchios: Cannibalistic Vegetal-children as Ecoterrorist Agents of Maternal Imagination.\u201d The Cultural Construction of Monstrous Children. Essays on Anomalous Children from 1595 to the Present Day. <\/em> Simon Bacon, Leo Ruickbie. London: Anthem, 2020. 151-165.<\/em><\/p>\n

\u201cPsychogeography in the Curiosity Cabinet. Angela Carter\u2019s Poetics of Space.\u201d The Arts of Angela Carter.<\/em><\/a> Marie Mulvey Roberts. Manchester: Manchester University Press, 2019. 39-57.<\/p>\n

\u201cMeta-imagination in Lewis Carroll\u2019s Literary Fairy Tales about Alice\u2019s Adventures.\u201d The Fairy-Tale Vanguard<\/em>. Literary Self Consciousness in Marvellous Genres<\/em>. Szerk. Stijn Praet \u00e9s Anna K\u00e9rchy. Newcastle Upon Tyne: Cambridge Scholars, 2019. 55-77.<\/p>\n

\u201eAnalytical Approaches to Fairy-tale Cultures and Media in Children\u2019s and Young Adult Literature.\u201d The Routledge<\/em> Companion to Media and Fairy-Tale Cultures<\/em><\/a>. Ed. Pauline Greenhill, Lauren Bosc, Jill Rudy. New York: Routledge, 2018. 235-245.<\/p>\n

\u201cTransmedia Commodification: Disneyfication, Magical Objects, and Beauty and the Beast<\/i>.\u201d The Routledge Companion to Transmedia Studies<\/a>, <\/em>Eds. Gambarato Rampazzo Renira, Matthew Freeman. New York: Routledge, 2018. 223-233.<\/p>\n

\u201cAmicable Alices. Lewis Carroll and his Child Friends.\u201d The Politics and Poetics of Friendship<\/em><\/a>. Eds. Ewa Kowal and Robert Kusek. Krakow: Jagellonian University Press, 2017.<\/p>\n

\u201cAlice\u2019s Eroticized Adventures on the Other Side of the Looking-Glass.\u201d Tantalizing Alice.<\/a> Aprroaches, Concepts, and Case Studies in Adaptations of a Classic.<\/em> Eds. Sissy Helff and Nadia Butt. Trier: Wissenschafter Verlag Trier. 2016. 59-81.<\/p>\n

\u201cPerverted Postmodern Pinocchios: Cannibalistic Vegetal-children as Ecoterrorist Agents of Maternal Imagination.\u201d Little Horrors<\/em>: Interdisciplinary Perspectives on Anomalous <\/em>Children<\/em> and the Construction of<\/em> Monstrosity. <\/em><\/a>Eds. Simon Bacon and Leo Ruickbie. Oxford: Inter-Disciplinary Press, 2016. 195-215.<\/em><\/p>\n

\u201cThe Street Urchin as an Iconic Agent of Childish Imagination in Dickens\u2019 Fiction and its Victorian and Postmodern Visual Adaptations.\u201d Charles Dickens 200: Text and Beyond. A Commemorative Volume<\/a>. <\/em>Eds. Andrew Rouse and Gabriella Hartvig. Martonfa: SPECHEL e-ditions, 2015.<\/p>\n

\u201cQueering the gaze in the museal space. Orshi Drozdik\u2019s feminist (post)concept art.\u201d Space, Gender, and the Gaze in Literature and Art.<\/em> Eds. \u00c1gnes Zs\u00f3fia Kov\u00e1cs, L\u00e1szl\u00f3 B S\u00e1ri. Newcastle Upon Thyne: Cambridge Scholars, 2017. 63-86.<\/p>\n

\u201cEssay on the Hungarian Translations of Alice\u2019s Adventures in Wonderland<\/em>.\u201d Alice in a World of Wonderlands: Translations of Alice’s Adventures in Wonderland in 150 Languages to Celebrate the 150th<\/sup> Anniversary of the Original Publication<\/em>. Eds. Jon Lindseth and Markus Lang. New Castle: Oak Knoll Press, USA, 2015.<\/p>\n

\u201cLes traductions hongroises de The Great<\/em> Gatsby.\u201d<\/em>In Quand l’Europe retraduit<\/em> The<\/em> Great Gatsby.<\/em> Le<\/em> corps transfrontalier du texte. (Collection Translations. Pens\u00e9es et Pratiques de la traduction) <\/em>Szerk. V\u00e9ronique B\u00e9ghain. Pessac: Presses Universitaires de Bordeaux, 2013. pp. 19-35.<\/em><\/p>\n

\u201cRecycling Waste and Cultural Trauma in the Museum Space\u201d In: The Museal Turn<\/em>. Szerk. Sabine Coelsch-Foisner \u00e9s Douglas Brown. Heidelberg: Universit\u00e4tsverlag Winter, 2012. pp. 235-249.<\/p>\n

\u201cFrom the Showbiz to the Concentration Camp: The Fabulous, Freakish Life of Hungarian Jewish Dwarf Performers Zoli Hirsch and the Ovitz Family.\u201d In Exploring the Cultural History of Continental European Freak Shows<\/em> and Enfreakment.<\/em> Szerk. Anna K\u00e9rchy \u00e9s Andrea Zittlau. Newcastle Upon Tyne: Cambridge Scholars Press. 2012. pp. 211-233.<\/p>\n

\u201cStammering, Somniloquy and Somatized Semiosis. (Un)making Sense of Nonsense in Lewis Carroll\u2019s Alice Tales\u201d In: The Language of Sense, Common-Sense and Nonsense<\/em>. Szerk. Ewa Borkowska, Tomasz Burzynski, Maciej Nowak. Bielsko-Biala: Wydawnictwo WSEH, 2012. pp. 43-54.<\/p>\n

\u201cFeminist Psychogeography and Jeanette Winterson\u2019s Passions.\u201d In: She\u2019s Leaving Home. Women\u2019s Writing in English in a European Context (European Connections). <\/em>Szerk. N\u00f3ra S\u00e9llei \u00e9s June Waudby. Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang, 2011. pp. 131-149.<\/p>\n

\u201cAmbiguous Alice. Making Sense of Lewis Carroll\u2019s Nonsense Fantasies\u201d<\/a> In: Does It Really Mean That? Interpreting the Literary Ambiguous<\/em> Szerk. Janka Ka\u0161\u010d\u00e1kov\u00e1 \u00e9s Kathleen Dubbs. Newcastle Upon Thyne: Cambridge Scholars Publishing, 2011. pp. 104-121.<\/p>\n

\u201cNonsensical Disenchantment and Imaginative Reluctance in Postmodern Rewritings of Lewis Carroll’s Alice Tales\u201d In: Anti-Tales. The Uses of Disenchantment<\/em>. Szerk. Catriona Fay MacAra \u00e9s David Calvin. Cambridge: Cambridge Scholars, 2011. pp. 62-75.<\/p>\n

\u201cA Corpusemiotical Analysis of a Postmodern Alice-Tale. Embodied Nonsense in Terry Gilliam\u2019s Tideland<\/em>\u201d In Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings. <\/em>Szerk. Anna K\u00e9rchy. Lewiston, Lampeter: The Edwin Mellen Press, 2011. pp. 460-481.<\/p>\n

\u201c\u2019Not Waving but Drowning.\u2019 An Agnostic Commitment to Autonomy. The Freedom of Uncertainty in Stevie Smith\u2019s Poetry\u201d<\/a> In: Autonomy and Commitment in Twentieth-Century British Literature<\/em>. Szerk. Christine Reynier, Jean-Michel Ganteau. Montpellier: Presses Universitaires de la M\u00e9diterran\u00e9e, 2010. pp. 145-161.<\/p>\n

\u201cBodies That Do Not Fit: Sexual Metamorphoses, Re-embodied Identities and Cultural Crisis in Contemporary Transgender Memoirs\u201d In: The Human Body in Contemporary Literatures in English: Cultural and Political Implications. <\/em>Szerk. Sabine Coelsch-Foisner \u00e9s Marta Fernandez Morales.Frankfurt Am Main: Peter Lang, 2009. pp. 129-150.<\/p>\n

\u201cGrotesque Body Modification, Freaked Femininity and Narrative Self-Decomposition in Angela Carter\u2019s The Passion of New Eve\u201d <\/em>In: Fantastic Body Transformations in English Literature. <\/em>Szerk. Sabine Coelsch-Foisner. Heidelberg: Universit\u00e4tsverlag WINTER, 2006. pp. 89-107.<\/p>\n

\u201cNarrating the Beat of the Heart, Jazzing the Text of Desire. A Comparative Interface of James Baldwin\u2019s Another Country <\/em>and Toni Morrison\u2019s Jazz\u201d <\/em>In: James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays. <\/em>Szerk. Lovalerie King, Lynn Orilla Scott. New York: Palgrave Macmillan, 2006. pp. 50-86.<\/p>\n

K\u00d6NYVFEJEZETEK magyar kiadv\u00e1nyban<\/strong><\/p>\n

\u201eHumor, horror, hi\u00e1tus. A groteszk gyerektest mint sz\u00f6vegmotor K\u00f3cos Petit\u0151l Pacasr\u00e1cig.\u201d Medialit\u00e1s \u00e9s gyerekirodalom<\/em>. Szerk Hermann Zolt\u00e1n et al. Budapest: L\u2019Harmattan, K\u00e1roli k\u00f6nyvek, 2020. 63-77.<\/p>\n

\u201eA mad\u00e1rn\u0151 m\u00e1gi\u00e1ja. A sz\u00f6rnyetegs\u00e9g mint mutatv\u00e1ny Angela Carter Est\u00e9k a cirkuszban<\/em> c\u00edm\u0171 reg\u00e9ny\u00e9ben.\u201d R\u00e9mesen n\u00e9pszer\u0171<\/em>. Szerk. Limp\u00e1r Ildik\u00f3. Budapest: Atheneum, 2021. 137-160.<\/p>\n

\u201eMire k\u00e9pes egy Viktori\u00e1nus k\u00e9pesk\u00f6nyv? K\u00e9ptelen interakt\u00edv k\u00e9psz\u00f6vegek az Alice Csodaorsz\u00e1gban \u00e9s T\u00fck\u00f6rorsz\u00e1gban els\u0151 kiad\u00e1saiban.\u201d BILLUFESZT Tanulm\u00e1nyk\u00f6tet. <\/em>Tempev\u00f6lgy. Szerk. Varga Emese. (megjelen\u00e9s alatt)<\/p>\n

\u201cThe song of the dodo bird. Environmental- and language philosophy in Lewis Carroll\u2019s Victorian Nonsense Fairy-tale Fantasies.\u201d \u00c1llati Jelek<\/em>. Ed. \u00dajv\u00e1ri Edit et al. Szeged: Juh\u00e1sz Gyula Fels\u0151oktat\u00e1si Kiad\u00f3, 2018. 163-179.<\/p>\n

\u201cIntroduction.\u201d Posthumanism in Fantastic Fiction. <\/em> Anna K\u00e9rchy. Americana<\/em> E-book, 2018.<\/p>\n

Re-enacting Otherness as a Strategy of Resistance in Hungarian Jewish Dwarf Performance Artists\u2019 Memoirs\u201d The Anthropology of Encounters. A tal\u00e1lkoz\u00e1sok antropol\u00f3gi\u00e1ja.<\/em> Szerk. Lajos Veronika, Poved\u00e1k Istv\u00e1n, R\u00e9gi Tam\u00e1s. MAKAT k\u00f6nyvek 1. Budapest: Magyar Kultur\u00e1lis Antropol\u00f3giai T\u00e1rsas\u00e1g, 2017. 236-250.<\/p>\n

\u201cDilemm\u00e1k a t\u00e1rsadalmi nemek tudom\u00e1nya \u00e9s a fogyat\u00e9koss\u00e1gtudom\u00e1ny metsz\u00e9spontjain.\u201d <\/sup>A felelet k\u00e9rd\u00e9sei k\u00f6z\u00f6tt. Fogyat\u00e9koss\u00e1gtudom\u00e1ny Magyarorsz\u00e1gon<\/em>. <\/a>Szerk. Hern\u00e1di Ilona \u00e9s K\u00f6nczei Gy\u00f6rgy. Budapest: ELTE B\u00e1rczi Guszt\u00e1v Gy\u00f3gypedag\u00f3giai Kar: Fotri Digit\u00e1lis K\u00f6nyvek 1. 2015. 10-32.<\/p>\n

\u201cA fogyat\u00e9kkal \u00e9l\u0151k elfogad\u00e1s\u00e1t c\u00e9lz\u00f3 m\u00e9dia\/m\u0171v\u00e9szeti megnyilv\u00e1nul\u00e1sok lehet\u0151s\u00e9gei, korl\u00e1tai, \u00e9s recepci\u00f3ja\u00a0a mai Magyarorsz\u00e1gon.\u201dIn Mi\/M\u00e1s2: Gondolatok a m\u00e1ss\u00e1gr\u00f3l<\/em>. Szerk. K\u00e1d\u00e1r Judit \u00e9s Szathm\u00e1ri Judit. Eger: EKF L\u00edceum Kiad\u00f3, 2012. pp. 75-87.<\/p>\n

\u201cDisorder in the Museum. Recycling Waste and Cultural Trauma in the Chapman Brothers\u2019 Abject Art.\u201dIn EW4. The Iconology of Law and Order. <\/em>Szerk. K\u00e9rchy Anna, Sz\u0151nyi Gy\u00f6rgy, Kiss Attila. Szeged: JATEPress \u2013 Szegedi Egyetemi Kiad\u00f3, 2012. pp. 230-244.<\/p>\n

\u201cA n\u0151 nyelvet \u00f6lt. A feminista narratol\u00f3gia dilemm\u00e1i \u00e9s a korpore\u00e1lis narratol\u00f3gia lehet\u0151s\u00e9gei\u201d In: \u00daj elm\u00e9letek a narratol\u00f3gi\u00e1ban. <\/em>Szerk. Szab\u00f3 Erzs\u00e9bet. Szeged: Grimm Kiad\u00f3, 2010. pp. 43-97.<\/p>\n

\u201cFaraway, So Close. Towards a Definition of Magic(al) (Ir)Realism.\u201d In What Constitutes the Fantastic?<\/em> Szerk. Sabine Coelsch-Foisner et al. Szeged: JATEPress \u2013 Szegedi Egyetemi Kiad\u00f3, 2010. pp. 15-35.<\/p>\n

\u201cAutobiografikci\u00f3 \u00e9s \u00f6n\u00e9letrajz\u00e1s Angela Carter reg\u00e9ny-tril\u00f3gi\u00e1j\u00e1ban.\u201d In: \u00cdrott \u00e9s olvasott identit\u00e1s. Az \u00f6n\u00e9letrajzi m\u0171fajok kontextusai<\/em>. Szerk. Z.Varga Zolt\u00e1n \u00e9s Mekis J\u00e1nos. Budapest: L\u2019Harmattan, 2008. pp. 352-261.<\/p>\n

\u201cCarnal Re-presentations: Orlan\u2019s Body Art. Surgical Interventions Subverting the Iconography of Femininity and Beauty Myth\u201d In: Eastern and Western Traditions of European Iconography 3: The Iconography of Gender.<\/em> Szerk. Sz\u0151nyi Gy\u00f6rgy Endre \u2013 Kiss Attila. Szeged: JATEPress \u2013 Szegedi Egyetemi Kiad\u00f3, 2008. pp. 147-157.<\/p>\n

\u201c<\/strong>Az \u00c9n mint (sok) M\u00e1sik. A szamur\u00e1j\/anya \u00f6nsz\u00f6vegez\u00e9se. Posztstrukturalista szubjektumelm\u00e9let Julia Kristeva Les Samoura\u00efs<\/em> c\u00edm\u0171 \u00f6n\u00e9letrajzi reg\u00e9ny\u00e9ben.\u201d In: A n\u0151i szubjektum<\/em>. Szerk. S\u00e9llei N\u00f3ra. Debrecen: Debrecen Egyetemi Kiad\u00f3, 2007. pp. 253-271.<\/p>\n

\u201cN\u0151ies-e a kort\u00e1rs n\u0151i irodalom? \u00c1t\u00edr\u00e1s, \u00fajraolvas\u00e1s, re-v\u00edzi\u00f3\u201d In: Laikus olvas\u00f3k? A nem-professzion\u00e1lis olvas\u00e1s \u00e9rtelmez\u00e9si lehet\u00f5s\u00e9gei <\/em>. Szerk. L\u00f3r\u00e1nd Zs\u00f3fia, Scheibner Tam\u00e1s, Vaderna G\u00e1bor. Budapest: L\u2019Harmattan, 2005. pp. 101-112.<\/p>\n

\u201cWings and Masks. Grotesque Body, Laughing Language and Carnivalesque Texture in Angela Carter\u2019s Nights at the Circus<\/em>\u201d In: Spaces in Transition. Papers in English and American Studies XII.<\/em> Szerk. Bar\u00e1t Erzs\u00e9bet. Szeged: JATEPress\u2013 Szegedi Egyetemi Kiad\u00f3, 2005. pp. 46-60.<\/p>\n

\u201cL\u2019oeil du p\u00e8re aveugle dans l\u2019oeuvre de Georges Bataille\u201d In: Acta Romanica<\/em> Tomus XXI \u00c9tudes Doctorales V.<\/em> Szerk. Penke Olga. Szeged: JATEPress \u2013 Szegedi Egyetemi Kiad\u00f3, 2002. pp. 131-143.<\/p>\n

nemzetk\u00f6zi t\u00e1rsszerz\u0151s K\u00d6NYVFEJEZETEK<\/strong><\/p>\n

K\u00e9rchy Anna, Bj\u00f6rn Sundmark. \u201eIntroduction.\u201d Translating and Transmediating Children\u2019s Literature<\/em>. London: Palgrave. Szerk. Bj\u00f6rn Sundmark and Anna K\u00e9rchy. 1-25.<\/p>\n

Anna K\u00e9rchy, Andrea Zittlau \u201cIntroduction\u201d Exploring the Cultural History of Continental European Freak Shows<\/em> and Enfreakment.<\/em> Szerk. Anna K\u00e9rchy \u00e9s Andrea Zittlau. Newcastle Upon Tyne: Cambridge Scholars Press. 2012. pp. 1-20.<\/p>\n

Anna K\u00e9rchy, Ingrida Povidisa. \u201c<\/em>Postmodern Fantasies of Salvation. Interfacing Forensic Crime Fiction and Fairy Tale in Tim Burton\u2019s Corpse Bride<\/em>\u201d <\/em>In Postmodern Reinterpretations of Fairy Tales: How Applying New Methods Generates New Meanings. <\/em>Szerk. Anna K\u00e9rchy. Lewiston, Lampeter: The Edwin Mellen Press, 2011. pp. 107-126.<\/p>\n

magyar t\u00e1rsszerz\u0151s K\u00d6NYVFEJEZETEK<\/strong><\/p>\n

K\u00e9rchy Anna, Koller N\u00f3ra. \u201cA buziboszi, a meleg bar\u00e1t \u00e9s “az a bizonyos dolog”. Az\u00a0\u00e9rzelmi kapcsolat heteronormativiz\u00e1l\u00e1s\u00e1nak (kon)szekvenci\u00e1j\u00e1r\u00f3l.\u201d In: Nyelv, Ideol\u00f3gia, M\u00e9dia 2. A n\u0151 \u00e9s n\u0151i(es)s\u00e9g sztereot\u00edpi\u00e1i. <\/em>Szerk. Bar\u00e1t Erzs\u00e9bet, S\u00e1ndor Kl\u00e1ra. Szeged: SZTE K\u00f6nyvt\u00e1rtudom\u00e1nyi Tansz\u00e9k, 2009. pp. 55-65.<\/p>\n

K\u00e9rchy Anna, Koller N\u00f3ra. \u201c\u2018Kisasszonyok, vadmacsk\u00e1k, k\u00e9kharisny\u00e1k\u2019 Az \u00edr\u00f3 n\u0151 pozicion\u00e1l\u00e1sa a mai magyar m\u00e9di\u00e1ban.\u201d Nyelv, Ideol\u00f3gia, M\u00e9dia. A n\u0151 helye a magyar nyelvhaszn\u00e1latban. <\/em>Szerk. Bar\u00e1t Erzs\u00e9bet, S\u00e1ndor Kl\u00e1ra. Szeged: JATEPress, 2007. pp. 53-67.<\/p>\n

TANULM\u00c1NYOK, SZAKCIKKEK<\/strong><\/p>\n

nemzetk\u00f6zi foly\u00f3irat kiadv\u00e1nyban<\/strong><\/p>\n

\u201cThe Secret Life of Things Queering the Museal Gaze in Angela Carter\u2019s Fiction.\u201d Marvels & Tales<\/em>. 34.2 Fall 2020. 159-179.<\/p>\n

\u201cThe acoustics of nonsense in Lewis Carroll\u2019s Alice tales.\u201d International Research in Children\u2019s Literature\u00a0<\/em>1 (2020): 175-190.<\/p>\n

\u201cAlice\u2019s Non-Anthropocentric Ethics. Lewis Carroll as a Defender of Animal Rights.\u201d<\/a> Cahiers Victoriens et \u00c9douardiens<\/em>. 88th special issue on Comforting Creatures: Literature and its New Animal Phenomenologies. 2018 Automne. Ed. Sara Thornton & Laurence Rousillon-Constanty. Presses Universitaires de la M\u00e9diterran\u00e9e. Open Edition Journals.<\/p>\n

“Introduction to special issue of Bookbird on Translating and Transmediating Children’s Literatures and Cultures” Bookbird<\/em>. IBBY. 2018.<\/p>\n

\u201cIntroduction to special issue on Feminist Interventions in Intermedial Studies.\u201d (with Catriona McAra) EJES. European Journal of English Studies<\/em>. Feminist Interventions in Intermedial Studies Issue. 2017.21.3. 1-14.<\/p>\n

\u201cInterview with Liliane Louvel on Feminist Interventions in Intermedial Studies.\u201d (with Catriona McAra) EJES. European Journal of English Studies<\/em>. Feminist Interventions in Intermedial Studies Issue. 2017.21.3. 222-226.<\/p>\n

\u201cInterview with Mieke Bal on Feminist Interventions in Intermedial Studies.\u201d (with Catriona McAra) EJES. European Journal of English Studies<\/em>. Feminist Interventions in Intermedial Studies Issue. 2017.21.3. 217-221.<\/p>\n

“Three times in Wonderland.”<\/a> Bookbird. International Journal of Children\u2019s Literature<\/em>. 2017 Fall. 55.3. 42-45.<\/p>\n

\u201cThe Translation and Reception of Angela Carter\u2019s Work in Hungary.\u201d Angela Carter traductrice-Angela Carter en traduction. <\/em>Cahiers du Centre de Traduction Litt\u00e9raire. Ed. Martine Hennard Dutheil De La Rochere. Universit\u00e9 de Lausanne, 2014. 159-175.<\/p>\n

\u201cChallenges of Retranslating The Great Gatsby <\/em>into Hungarian: With a Focus on Metaphors of Emotion and Embodiment.\u201d In: The F. Scott Fitzgerald Review<\/em>. Vol. 11. 2013. Penn State University Press. pp. 137-156.<\/p>\n

\u201cNarrating the nervous, bulimic body-text in Angela Carter\u2019s The Passion of New Eve<\/em>\u201d Gender Studies Journal<\/em>. West University of Timisoara: Interdisciplinary Center of Gender Studies, 2006. pp. 79-105.<\/p>\n

\u201cThe Female Grotesque in Contemporary American Culture\u201d Atenea<\/em>. A Bilingual Journal of Humanities and Social Sciences<\/em>. University of Puerto Rico at Mayaguez.<\/em> XXV. 2. (2005): pp. 173-189.<\/p>\n

magyar foly\u00f3irat kiadv\u00e1nyban<\/strong><\/p>\n

\u201eTaktilis tekintet Margaret Atwood A szolg\u00e1l\u00f3l\u00e1ny mes\u00e9je c\u00edm\u0171 reg\u00e9ny\u00e9ben.\u201d Tiszat\u00e1j. 2021. janu\u00e1r. 70-78.<\/p>\n

\u201cChimeric Visions: Posthuman Somaesthetics and Interspecies Communication in Contemporary Humanimal Body Art Performances.\u201d HJEAS <\/em>Posthumanism Special Issue. Ed. Andrea T\u00edm\u00e1r, 2020. 193-223.<\/p>\n

“Trad\u00edci\u00f3 \u00e9s transzmedi\u00e1ci\u00f3: A t\u00fcnd\u00e9rmese ut\u00f3\u00e9lete a 21. sz\u00e1zadi gyerek \u00e9s ifj\u00fas\u00e1gi irodalomban.”<\/a> Studia Litteraria. <\/em>2019. 58:1-2. 118-126.<\/p>\n

\u201cVegetal Visions. <\/em>Ecocritical Encounters with Plant Kin in Transmediated Fairy Tales.\u201d<\/a> Americana E-Journal<\/em>. Special issue on Posthumanist (com)promises of Human-Animal-Plant Encounters in Fantastic Imagination. 2017.<\/p>\n

\u201cIntroduction to special journal issue\u201d<\/a> Interspecies Encounters in Postmillenial Filmic Fantasies<\/em>. Special Issue of Americana E-Journal<\/em>. Ed. Anna K\u00e9rchy. 2018.<\/p>\n

\u201cA nonszensz po\u00e9tik\u00e1ja \u00e9s politik\u00e1ja\u201d<\/a> Studia Litteraria<\/em>. 2016. 3\/4. 76-90.<\/p>\n

\u201c\u00c1tl\u00e1tsz\u00f3 helyek. A l\u00e1ttatott l\u00e1thatatlan mint n\u0151i t\u00e9r\u00e9lm\u00e9ny Drozdik Orsolya konceptu\u00e1lis m\u0171v\u00e9szet\u00e9ben.\u201d<\/a> Balkon<\/em>. 2016.11.12. 22-30.<\/p>\n

\u201cPicturebooks Challenging Sexual Politics. Pro-Porn Feminist Comics and the Case of Melinda Gebbie and Alan Moore\u2019s Lost Girls.\u201d HJEAS Journal. <\/em>20.2. 2014 Fall: 121-143.<\/p>\n

\u201cHebrencs kisle\u00e1nyb\u00f3l k\u00f6teless\u00e9gtud\u00f3 honle\u00e1ny. N\u0151k\u00e9pv\u00e1ltoz\u00e1sok a Magyar L\u00e1nyok<\/em> hetilap els\u0151 vil\u00e1gh\u00e1bor\u00fa alatti lapsz\u00e1maiban.\u201d<\/a> M\u00e9diakutat\u00f3<\/em>. 2015 Ny\u00e1r. XVI.2: 81-95.<\/p>\n

\u201cA feminista pszichogeogr\u00e1fia \u00e9s Jeanette Winterson szenved\u00e9lyei.\u201d Filol\u00f3giai K\u00f6zl\u00f6ny<\/em>. Utaz\u00e1s, Otthon, N\u0151is\u00e9g sz\u00e1m. 56.4. (2010): pp. 367-381.<\/p>\n

\u201cSeeing Is Believing(?) Blurred Boundaries and Loving Looks in Nancy Burson\u2019s Art.\u201d Focus<\/em>. P\u00e9csi Egyetemi Kiad\u00f3. 2007. pp. 199-217.<\/p>\n

\u201cKannib\u00e1l olvasatok. Zhu Yu Emberev\u0151<\/em> c\u00edm\u0171 performansz\u00e1r\u00f3l.\u201d<\/a> Kalligram<\/em>. M\u0171v\u00e9szet \u00e9s Gondolat.<\/em> 05. 01-02. (2005): pp. 121-128.<\/p>\n

\u201cCorporeal and Textual Performance as Ironic Confidence Trick in Angela Carter\u2019s Nights at the Circus.<\/em>\u201d<\/a> The AnaChronisT<\/em>. 10. (2004): pp. 97-125.<\/p>\n

\u201cK\u00f6ny\u00f6rtelen Test Rev\u00edzi\u00f3k. A n\u0151i sz\u00e9ps\u00e9g er\u0151szakos ideol\u00f3gi\u00e1j\u00e1nak dekonstrukci\u00f3ja a feminista performansz terrorista testeiben\u201d<\/a> Kalligram<\/em>. M\u0171v\u00e9szet \u00e9s Gondolat.<\/em> 04.01. (2004): pp. 103-110.<\/p>\n

\u201cThe Woman 69 Times: Cindy Sherman\u2019s Untitled Film Stills<\/em>\u201d<\/a> Hungarian Journal of English and American Studies<\/em>. Femininity and Subjectivity<\/em>. 9.1. (2003): pp. 181-190.<\/p>\n

\u201cEz a fekete zongora\u2026 A n\u0151i tekintet lehet\u0151s\u00e9gei \u00e9s a v\u00e1gy k\u00e9pei Jane Campion Zongoralecke <\/em>c\u00edm\u0171 filmj\u00e9ben\u201d<\/a> Filmtett<\/em>. Feminizmus \u00e9s filmelm\u00e9let sz\u00e1m<\/em>. (2003): 11-15.<\/p>\n

\u201cN\u0151, porn\u00f3, performansz. Annie Sprinkle: The Post-Porn-Modernist Show\u201d Lk.K.T.<\/em> A kolozsv\u00e1ri L\u00e1thatatlan Koll\u00e9gium Irodalmi Foly\u00f3irata.<\/em> (2002): pp. 56-63.<\/p>\n

\u201cWild Words. Jazzing the Text of Desire: Subversive Language in Toni Morrison\u2019s Jazz<\/em>\u201d The AnaChronisT<\/em> . (2002): pp. 264-288.<\/p>\n

KONFERENCIA-K\u00d6TETBEN TANULM\u00c1NYOK<\/strong><\/p>\n

\u201cGondolatok a diverzit\u00e1s, sokf\u00e9les\u00e9g, \u00e9s a M\u00e1ss\u00e1g elt\u00e9r\u0151 form\u00e1ir\u00f3l a t\u00e1rsadalmi nem \u00e9s a fogyat\u00e9koss\u00e1g kultur\u00e1lis olvasatainak t\u00fckr\u00e9ben.\u201d Sokf\u00e9les\u00e9g mint t\u00e1rsadalmi \u00e9rt\u00e9k. Hatodik Fogyat\u00e9koss\u00e1gtudom\u00e1nyi Konferencia K\u00f6tete. <\/em>Szerk. S\u00e1ndor Anik\u00f3 et al. Budapest: ELTE B\u00e1rczi Guszt\u00e1v Gy\u00f3gypedag\u00f3giai Kar, 2018. 56-63.<\/p>\n

\u201cBoundaries, Bridges, Becomings. Interspecies Politics in Women\u2019s Performance Arts in the Contemporary US\u201d Transnational Americas: Home(s), Borders and Transgresssions<\/em> Conference Proceedings, SZTE, Centro InterAmerican (megjelen\u00e9s alatt)<\/p>\n

A transznem\u0171 identit\u00e1s dilemm\u00e1i a kort\u00e1rs gender-elm\u00e9letek \u00e9s popul\u00e1ris kultur\u00e1lis reprezent\u00e1ci\u00f3k t\u00fckr\u00e9ben.\u201d In: Mi\/M\u00e1s Konferencia 2008. Gondolatok a toleranci\u00e1r\u00f3l.<\/em> Eger: EKF L\u00edceum Kiad\u00f3, 2009. pp. 169-183.<\/p>\n

\u201cAna\u00efs Nin\u2019s Experimental Autofiction. The Portrait of the Artist as a Postmodern Desiring Female Subject in A Spy in the House of Love<\/em>.\u201d In: Conference Proceedings of The 1950s HAAS Biennial Conference 2003<\/em> Budapest: ELTE, 2003. pp. 141-148.<\/p>\n

\u201cTransgressive Bodies and Other Voices in Contemporary British Women Writers\u2019 Fiction\u201d in: Papers Published for the Humanities Section of the 3rd<\/sup> International Conference of PhD Students <\/em>Miskolc: University of Miskolc Press, 2001. pp. 99-107.<\/p>\n

ELEKTRONIKUS PUBLIK\u00c1CI\u00d3K<\/strong><\/p>\n

“A fajok k\u00f6zti szolidarit\u00e1s poszthum\u00e1n etikai lehet\u0151s\u00e9gei? K\u00e9tes k\u00f6rnyezetv\u00e9delem a kort\u00e1rs feminista performanszban \u00e9s a mai magyar popul\u00e1ris kult\u00far\u00e1ban.”<\/a> TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 9.1. (2019): 14-29.<\/p>\n

A testk\u00e9pform\u00e1l\u00f3 (k\u00f6z\u00f6ss\u00e9gi) m\u00e9dia: SZTE Alma Mater Alumni Uni – Tud\u00e1sm\u0171hely beharangoz\u00f3<\/span><\/a> (2019)<\/p>\n

\u201cCsal\u00f3ka Csodaorsz\u00e1g. A k\u00e9pzelet korl\u00e1tai \u00e9s a gyermeki fant\u00e1zia metafant\u00e1zi\u00e1ja Terry Gilliam Dag\u00e1lyorsz\u00e1g<\/em> c\u00edm\u0171 fantasy filmj\u00e9ben.\u201d<\/a> Apert\u00fara. Film. Vizualit\u00e1s. Elm\u00e9let. E-foly\u00f3irat. Fantasztikum k\u00fcl\u00f6nsz\u00e1m.<\/em> Szerk. Benczik Vera. 2015. tavasz-ny\u00e1r.<\/p>\n

\u201cLolita, a kish\u00fagunk!? A kisl\u00e1ny test \u00e1br\u00e1zolhatatlans\u00e1g\u00e1r\u00f3l n\u0151i szemmel.\u201d<\/a> TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2015. 5.1. 189-213.<\/p>\n

\u201cCreative Iconoclasm and Cultural Trauma.\u201d <\/a>Terror(ism) and Aesthetics. <\/em>Szerk.Fogarasi Gy\u00f6rgy. Et al<\/em>. e-journal. 2014. 1.<\/p>\n

\u201cA \u2019f\u00e9rfias\u2019 fogyat\u00e9k fikci\u00f3ja. Alternat\u00edv maszkulinit\u00e1sok atipikus megtestes\u00fcl\u00e9sei a kort\u00e1rs popul\u00e1ris vizu\u00e1lis kult\u00far\u00e1ban.\u201d <\/a>In: TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2013\/1.<\/p>\n

\u201cChanging Media of Enchantment: Tracking the Transition from Verbal to Visual Nonsense in Tim Burton\u2019s Cinematic Adaptation of Alice in Wonderland.<\/em>” <\/a>Americana<\/em> E-Journal<\/em>. 2012. Tavasz. VIII. 1.<\/p>\n

\u201c(Poszt)feminizmus, (poszt)identit\u00e1s \u00e9s (poszt)koncept art Drozdik Orsolya m\u0171v\u00e9szet\u00e9ben.\u201d<\/a> In: TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2012\/2.<\/p>\n

\u201cRejuvenation and Immortality in\/of the Female Gothic Genre. The Feminist Potentials of Contemporary Children\u2019s- and Teenage Gothic Fiction.\u201d<\/a>In: TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2012\/1. (Antoni Rita t\u00e1rsszerz\u0151vel)<\/p>\n

\u201cElmebaj, szerz\u0151s\u00e9g \u00e9s nem\/is\u00e9g (v)iszonyai k\u00e9t kort\u00e1rs magyar Cs\u00e1th-m\u00edtosz adapt\u00e1ci\u00f3ban.\u201d<\/a> In: TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2011\/2.<\/p>\n

\u201cA f\u00e9lt(ett) test felder\u00edt\u00e9se. Susan Wendell. Az elutas\u00edtott test. Feminista filoz\u00f3fiai elm\u00e9lked\u00e9s a fogyat\u00e9koss\u00e1gr\u00f3l<\/em> c\u00edm\u0171 k\u00f6nyv\u00e9r\u0151l.\u201d<\/a> TNTeF. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2011. I.1.<\/p>\n

\u201cTapogat\u00f3z\u00e1sok. A test elm\u00e9leteinek alakzatai.\u201d <\/a>Apert\u00fara<\/em>. Film-Vizualit\u00e1s-Elm\u00e9let<\/em>. 2009. IV.2.<\/p>\n

\u201cFantastic Freakings: Decomposing Narrative and Deformed Femininity in Angela Carter\u2019s The Passion of New Eve.<\/em>\u201d <\/a>Palimpszeszt. Mese \u00e9s fantasztikus irodalom tematikus sz\u00e1m<\/em>., 06.24. (2005).<\/p>\n

\u201cWhy should we deconstruct Harry? On deconstruction and Woody Allen.\u201d Sz\u00f3t\u00e1r. Szegedivatlap.<\/em> I.\/ 2. (2001)<\/p>\n

KATAL\u00d3GUS, KI\u00c1LL\u00cdT\u00c1SMEGNYIT\u00d3
\n<\/strong><\/p>\n

“Choreographing an Individual Mythology: Orshi Drozdik\u2019s Applied Feminist Semiotics.” Feminist Avant-Garde of the 1960s.<\/em> ed. Gabriele Schor. Vienna: The Verbund Collection publication.<\/p>\n

\u201c\u2019Beckoning\u2019: Thoughts on Zs\u00f3fia Jakab\u2019s Art\u201d. Catalogue for art exhibition organized by Leeds University of Arts, UK, 2018<\/p>\n

Az \u00e9rz\u00e9kis\u00e9g \u00e9s az anyag \u2013 megnyit\u00f3besz\u00e9d Drozdik Orshi ki\u00e1ll\u00edt\u00e1s\u00e1hoz a Budapest Gal\u00e9ri\u00e1ban<\/a>. Artmagazin Online<\/em>. 2018.<\/p>\n

\u201cVend\u00e9gs\u00e9gben Alice asztal\u00e1n\u00e1l. It\u2019s Always Tea Time.\u201d<\/a> De\u00e1k 14 Gal\u00e9ria,\u00a0 Budapest, Nov 8, 2017. KULTer.hu<\/em> 2017. 11. 16.<\/p>\n

INTERJ\u00daK<\/strong><\/p>\n

Ayhan G\u00f6khan.\u00a0\u201eK\u00f6rk\u00e9rd\u00e9s a gyerekirodalomr\u00f3l. A legfontosabb t\u00f6rt\u00e9n\u00e9sek 2020-ban. K\u00e9rchy Anna szerint\u201d<\/a> IGYIC Mesecentrum<\/p>\n

Both Gabi. \u201eTudom\u00e1nyos ir\u00e1nyt\u0171 a gyerekirodalom elm\u00e9leteihez. Interj\u00fa K\u00e9rchy Ann\u00e1val\u201d IGYIC PIM Mesecentrum<\/em>.. 2020. November. 10.<\/p>\n

Vass \u00c9va. \u201e\u00daj Tanulm\u00e1nyrovat az IGYICen. Interj\u00fa Dr K\u00e9rchy Ann\u00e1val.\u201d Haj\u00f3napl\u00f3<\/em>. 2020.10.21.<\/p>\n

\u201eA testk\u00e9pform\u00e1l\u00f3 (k\u00f6z\u00f6ss\u00e9gi) m\u00e9dia. Interj\u00fa dr habil K\u00e9rchy Ann\u00e1val.\u201d SZTE Alma Mater Alumni Uni \u2013 Tud\u00e1sm\u0171hely beharangoz\u00f3<\/a>. 2019.<\/p>\n

RECENZI\u00d3K<\/strong><\/p>\n

\u201cReading in the Dark. Sleeping with the Lights On: Uses and Abuses of Horror in Children’s Literature.\u201d Hungarian Journal of English and American Studies<\/em>. 25. 2 (2019): 433-437<\/p>\n

“Kock\u00e1ztatni \u00e9s k\u00e9sznek lenni sebezhet\u0151v\u00e9 v\u00e1lni.\u201d Interj\u00fa Andrea Zittlau feminista performanszm\u0171v\u00e9sz kult\u00farantropol\u00f3gussal. TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 9.2. (2019): 137-145.<\/p>\n

Interj\u00fa az Erd\u0151dy-d\u00edjas Zsad\u00e1nyi Edittel. TNT Ef. Interdisciplinary E-journal Of Gender Studies<\/em>. 8.2. (2018): 114-120.<\/p>\n

Review of A Theology of Nonsense<\/em>.\u201d Knight Letter \u2013 The Lewis Carroll Society of North America<\/em>, 2018 (forthcoming)<\/p>\n

\u201cAn Encore of the Greatest Show on Earth: Victorian Marvels and Monsters Revamped for the Postmillennial Times.\u201d HJEAS<\/em>. 2018. (forthcoming)<\/p>\n

\u201cThree times in Wonderland.\u201d Triple Review of Zoe Jaques\u2019s, Virginie Ich\u00e9\u2019s, and Celia Brown\u2019s Carroll Scholarship. Review for Bookbird<\/em>. 2017. 55.3. 42-45.<\/p>\n

“Stories Slipping Through the Cracks of Images\u2026 Review of Catriona McAra’s A Surrealist Stratigraphy of Dorothea Tanning\u2019s Chasm<\/em><\/i> “<\/a> Americana E-Journal.<\/em> 2017. XIII. 1.<\/p>\n

\u201dBlending Beauty and the Beast. Metamorphic body regimes of a somatic society.\u201d <\/em>Review of Heike Steinhoff Transforming Bodies. Makeovers and Monstrosities in American Culture<\/em>. HJEAS 2017\/2. 23.2. 411-416.<\/p>\n

\u201eLilith ecsetje: Lilith \u00d6r\u00f6ks\u00e9ge M\u0171v\u00e9szeti Csoport, Tiszta Kezekben. Liget Gal\u00e9ria, 2016\u201d<\/a> TNT Ef. <\/em>T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2016. 6.1. 191-199.<\/p>\n

\u201eDouble review on Liliane Louvel\u2019s Poetics of the Iconotext<\/em> and Le Tiers pictural. Pour une critique interm\u00e9diale<\/em>\u201d The European English Messenger. <\/em>24.2. 2015 Winter. 97-100.<\/p>\n

\u201eA n\u0151i g\u00e9niusz sz\u00ednev\u00e1ltoz\u00e1sai: Alkot\u00f3n\u0151k egyetemes enciklop\u00e9di\u00e1ja. Review of B\u00e9atrice Didier, Antoinette Fouque, Mireille Calle-Gruber. Le Dictionnaire des Femmes Cr\u00e9atrices\u201d<\/a> TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2014 4.1. 182-186.<\/p>\n

\u201cReview of Ildik\u00f3 Boldizs\u00e1r\u2019s Fairy-tale Therapy and Annam\u00e1ria K\u00e1d\u00e1r\u2019s Fairy-tale Psychology.\u201d Marvels & Tales. Journal of Fairy Tale Studies<\/em>. 28.1. 2014. <\/em>Wayne State UP. 199-203.<\/p>\n

\u201eHarcosn\u0151k, flaming\u00f3k \u00c9v\u00e1k. Gender ecset III. V\u00e1logat\u00e1s a Magyar K\u00e9pz\u0151m\u0171v\u00e9szeti Egyetem Fest\u0151 Tansz\u00e9k\u00e9nek munk\u00e1ib\u00f3l.\u201d<\/a> Revizor. Online Kritikai Port\u00e1l<\/em>. <\/strong>2014.02.18.<\/p>\n

\u201cReview of Presences and Absences<\/em> \u2013 Transdisciplinary Essays. <\/em>Szerk. Katarina Labudova and N\u00f3ra S\u00e9llei\u201d Americana. <\/em>E-Journal of American Studies in Hungary<\/em>. 2013 Fall. IX.2.<\/p>\n

\u201eA XX. sz\u00e1zadi magyar n\u0151\u00edr\u00f3kr\u00f3l megjelent k\u00f6tetek megk\u00f6zel\u00edt\u00e9si m\u00f3djai. Besz\u00e9lget\u00e9s Borgos Ann\u00e1val, K\u00e1d\u00e1r Judittal \u00e9s Kapus Erik\u00e1val (Moder\u00e1tor: S\u00e9llei N\u00f3ra)\u201d TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2013 \u0150sz. 3.2.<\/p>\n

\u201cBollob\u00e1s Enik\u0151. Egy<\/em> k\u00e9plet nyom\u00e1ban<\/em> \u2013 karakterelemz\u00e9sek az amerikai \u00e9s a magyar irodalomb\u00f3l<\/em>.\u201d<\/a> TNT Ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. 2013 Tavasz. 3.1.<\/p>\n

\u201cThe Otherness in Ourselves. A Review of John Lechte & Maria Margaroni\u2019s <\/a>Julia Kristeva: Live Theory.\u201d Americana. <\/em>E-Journal of American Studies in Hungary<\/em>. \u0150sz 2012.<\/p>\n

\u201c\u2019K\u00f6nny, kacag\u00e1s, izgalom, az \u00e9gvil\u00e1gon minden\u2026\u2019 Angela Carter. Est\u00e9k a Cirkuszban<\/em>.\u201d<\/a> N\u0151k\u00e9rt.hu<\/em> 2011.<\/p>\n

\u201cReview of Twice Upon A Time: Women Writers and the History of the Fairy Tale <\/em>by Elizabeth Wanning Harries\u201d European Journal of English Studies<\/em>. Routledge, 2010. 298-301.<\/p>\n

\u201cReview of The Unraveling Archive. Essays on Sylvia Plath<\/em> edited by Anita Helle\u201d Americana. E-Journal of American Studies in Hungary<\/em>. V. 1. Tavasz 2009.<\/strong><\/p>\n

\u201cHelmut Newton \u00e9s a t\u0171sarok.\u201d A H\u00e9t<\/em>. 4. 3. (2006): 1. 23. 18.<\/p>\n

\u201cThose miraculous pleasures of the ordinary. Review of Christine Reynier\u2019s Jeanette Winterson: Le miracle ordinaire<\/em>\u201d In-Between<\/em>. Essays and Studies in Literary Criticism<\/em>. 2005\/2. Vol. 14. Ed. Gulshan Taneja. University of Delhi. R.L.A. College. English Department.<\/p>\n

TOV\u00c1BBI, MEGJELEN\u00c9S ALATT \u00c1LL\u00d3, PUBLIK\u00c1L\u00c1SRA ELFOGADOTT TANULM\u00c1NYOK<\/strong><\/p>\n

\u201c\u2019Mystic, awful was the process.\u2019 Changing Meanings of Victorian Child Photography in Lewis Carroll\u2019s Darkroom and Bright Text.\u201d European Iconology East & West: Cultural Imageries of Body and Soul \u2013 Intermedial Representations of the Corporeal, the Psychic, and the Spiritual. <\/em>Eds. Sz\u0151nyi Gy\u00f6rgy Endre, et al. Szeged: JATEPress.<\/p>\n

OKTAT\u00c1SI SEG\u00c9DANYAG, TANANYAG<\/span><\/strong><\/p>\n

EFOP-3.4.3-16-2016-00014.\u00a0\u201eA Szegedi Tudom\u00e1nyegyetem oktat\u00e1si \u00e9s szolg\u00e1ltat\u00e1si teljes\u00edtm\u00e9ny\u00e9nek innovat\u00edv fejleszt\u00e9se a munkaer\u0151piaci \u00e9s a nemzetk\u00f6zi verseny kih\u00edv\u00e1saira val\u00f3 felk\u00e9sz\u00fcl\u00e9s jegy\u00e9ben\u201d AP6_BTK-2 alt\u00e9m\u00e1ja. <\/span><\/p>\n

Digit\u00e1lis tananyagfejleszt\u00e9s a Romanticism and Victorianism in English Literature<\/em> c\u00edm\u0171 BA Survey kurzushoz: 13 lecke: Introduction to Romanticism in English Culture and Literature; Gothic Fiction in the Romantic Period; William Blake’s Poetry; Lake Poets and Lyrical Ballads; The Second Generation of Romantic Poetry; Introduction to the Victorian Period; Victorian Poetry; The novel in transition; Charles Dickens’ fiction; The Bronte sisters; Thomas Hardy; Fantasy from Oscar Wilde to Bram Stoker; Victorian Children’s Literature\u00a0<\/span><\/p>\n

Repozit\u00f3rium link: https:\/\/eta.bibl.u-szeged.hu\/<\/a><\/span><\/p>\n

Digit\u00e1lis tananyagfejleszt\u00e9s a The Literary Fantastic<\/em> c\u00edm\u0171 BA Survey kurzushoz: 3 lecke<\/span><\/p>\n

FORD\u00cdT\u00c1S<\/strong><\/p>\n

Emer O\u2019 Sullivan. \u201e\u00d6sszehasonl\u00edt\u00f3 gyerekirodalomtudom\u00e1ny.\u201d IGYIC Mesecentrum Tanulm\u00e1nyok rovat. 2021.<\/p>\n

Lewis Carroll Alice Csodaorsz\u00e1gban<\/em> c\u00edm\u0171 k\u00f6nyv\u00e9nek k\u00e9t magyar ford\u00edt\u00e1s\u00e1b\u00f3l (Altay Margit, 1927 \u00e9s Varr\u00f3 D\u00e1niel, 2009) a \u201eBolondos tead\u00e9lut\u00e1n\u201d fejezet angolra val\u00f3 visszaford\u00edt\u00e1sa, annot\u00e1ci\u00f3kkal \u00e9s a ford\u00edt\u00f3i megold\u00e1sokra vonatkoz\u00f3 sz\u00f6vegmagyar\u00e1zatokkal ell\u00e1tva<\/p>\n

\u201eBack-translations of Hungarian translations of Alice\u2019s Adventures in Wonderland<\/em> by Margit Altay and Zsuzsa & D\u00e1niel Varr\u00f3) In: Alice in a World of Wonderlands<\/a>: Translations of Alice’s Adventures in Wonderland in 150 Languages to Celebrate the 150th<\/sup> Anniversary of the Original Publication<\/em>. Eds. Jon Lindseth and Markus Lang. New Castle: Oak Knoll Press USA.<\/p>\n

\u201cChecklist of all Hungarian translations of Alice.\u201d Alice in a World of Wonderlands: Translations of Lewis Carroll\u2019s Masterpiece<\/em>. Vol.3. 435-443.<\/p>\n

Jean Ingelow Mopsa, the Fairy<\/em> (1869) magyar ford\u00edt\u00e1sa (folyamatban<\/em>)<\/p>\n

ELEKTRONIKUS ADATB\u00c1ZIS<\/strong><\/p>\n

Down the Rabbit Hole\/\/ Lenn, a nyuszi barlangj\u00e1ban<\/em>: Digit\u00e1lis adatb\u00e1zis Lewis Carroll m\u0171veinek, adapt\u00e1ci\u00f3inak, kritik\u00e1inak egybegy\u0171jt\u00e9s\u00e9vel, a magyar recepci\u00f3ra f\u00f3kusz\u00e1lva: http:\/\/ieas-szeged.hu\/downtherabbithole\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

PUBLIK\u00c1CI\u00d3K MTMT link LEKTOR\u00c1LT SZAKK\u00d6NYVEK Saj\u00e1t szerz\u0151s\u00e9g\u0171 monogr\u00e1fi\u00e1k Alice in Transmedia Wonderland. Curiouser and Curiouser New Forms of a Children\u2019s Classic. Jefferson: McFarland, 2016. (pp. 268, ISBN-10:1476666687 ISBN-13: 978-1476666686) Body-Texts in the Novels of Angela Carter. Writing from a Corporeagraphic Point of View. Lewiston, Lampeter: The Edwin Mellen Press, 2008. (pp. 372, ISBN10:\u00a0 0-7734-4892-6\u00a0\u00a0\u00a0ISBN13:\u00a0 978-0-7734-4892-6) […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":77,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-120","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=120"}],"version-history":[{"count":38,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/120\/revisions"}],"predecessor-version":[{"id":1724,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/120\/revisions\/1724"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/77"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}