{"id":1127,"date":"2018-02-04T14:44:05","date_gmt":"2018-02-04T14:44:05","guid":{"rendered":"http:\/\/ieas-szeged.hu\/downtherabbithole\/?page_id=1127"},"modified":"2020-03-30T20:17:22","modified_gmt":"2020-03-30T20:17:22","slug":"subjectivity-and-the-gendered-body-ma-gender-survey-lecture","status":"publish","type":"page","link":"http:\/\/ieas-szeged.hu\/downtherabbithole\/rolam\/oktatas\/eloadasaim\/subjectivity-and-the-gendered-body-ma-gender-survey-lecture\/","title":{"rendered":"Subjectivity and the Gendered Body (MA)"},"content":{"rendered":"<p><strong>Subjectivity and the Gendered Body, <\/strong>lit, lect, MAEN G3 Gender Track, ANG MA G3<\/p>\n<p>The aim of this lecture course is to examine the paradoxical space of the body, particularly in its relation to engendered subjectivity. We shall simultaneously decipher the ideologically pre\/in-scribed <em>positive cultural embodiment<\/em>, ie. the disciplined subjectivity\u2019s <em>docile<\/em> text <em>written on the body <\/em>by technologies of power and gender, as well as the potentially subversive <em>tremulous private corporeality<\/em>, ie. counter-narratives <em>(re)written from\/by the body,<\/em> fuelled by a heterogeneous material energy to <em>produce <\/em>unpredictable<em> texts<\/em> via a <em>transgressive reinscription<\/em>. The course proposes to analyze, from multiple perspectives offered by <em>gender-, queer-<\/em> and <em>body studies<\/em>, the cultural constitution, the ideological manipulation, the (mock)pathological self-deformations. We shall study subversive re-stylisations of the engendered (raced, classed, (dis)abled, aged) social subject\u2019s body, as well as the hybrid figures of recent feminist, queer, and corpusemiotical theoretical trends, which propose to provoke subversions of social-, psychic- and representational systems, and meaning- and identity- patterns by starting out from their <em>counter-productive<\/em> corporealities, grotesque re-embodiments, and spectacular bodily performances. Nomadic subjects, gender-bending performers, trickster-cyborgs, bordercrossing mestizas, laughing medusas, revolting hysterics, self-decomposing anorectics, (re)embodied autobiographers, monstrous mothers, female freaks, queer subjects, and <em>corporeal feminists<\/em> among others will be in the focus of our attention. Students are required to read theoretical articles (by Anzaldua, Balsamo, Bordo, Braidotti, Bronfen, Butler, Cixous, Grosz, Halberstam, Haraway, Kristeva, Russo, Smith, Stone, etc) discussed throughout the semester.<\/p>\n<p><strong>Topics<\/strong> (with further recommended readings in brackets)<strong><br \/>\n<\/strong><\/p>\n<p><strong> Introduction<\/strong>. <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Bryan-S-Turner_Recent-Dvpmts-in-Theory-of-the-Body.doc\">Bryan S Turner. &#8220;Recent Developments in the Theory of the Body<\/a>\u201d<\/p>\n<p><strong>Cultural Embodiment. <\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Bordo.-Foucault-Feminism.pdf\">Susan Bordo. &#8220;Foucault, Feminism, and the Politics of the Body&#8221;<\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Butler_bodies-that-matter_introduction.pdf\">Judith Butler. &#8220;Bodies that matter. Introduction&#8221;<\/a>, <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/de-Lauretis-The-Technology-of-Gender.pdf\">Teresa de Lauretis &#8220;The Technologies of Gender&#8221;<\/a> )<\/p>\n<p><strong>The Tremulous Private Corporeality<\/strong>. <strong>Corporeal Feminism. <\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Elizabeth-Grosz.-Sexed-Bodies-in-Volatile-Bodies_-Toward-a-Corporeal-Feminism.-1.pdf\">Elizabeth Grosz. &#8220;Sexed Bodies&#8221; in <em>Volatile Bodies. Toward a Corporeal Feminism.<\/em><\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Mary-Douglas_Purity-and-Danger.doc\">Mary Douglas. Purity and Danger<\/a>, <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Kristeva_Abjection.pdf\">Julia Kristeva &#8220;An Essay on Abjection&#8221;,\u00a0<\/a> <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Bataille-Heterology.pdf\">Georges Bataille &#8220;Heterology&#8221;<\/a>)<\/p>\n<p><strong>The Body in the Text. From \u00c9criture F\u00e9minine toward Corporeal Narratology.<\/strong>\u00a0<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Ann-Rosalind-Jones.-Writing-the-Body.-Toward-an-Understanding-of-\u00c9criture-F\u00e9minine.doc\">Ann Rosalind Jones. &#8220;Writing the Body. Toward an Understanding of \u00c9criture F\u00e9minine&#8221;<\/a> (+read one of these: <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Cixous-The-Laugh-of-the-Medusa.pdf\">Helene Cixous &#8220;The Laugh of Medusa&#8221;<\/a>, <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Kristeva-Stabat-Mater.pdf\">Julia Kristeva &#8220;Stabat Mater&#8221;<\/a>, <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Irigaray-When-Our-Lips-Speak-Together.pdf\">Luce Irigaray &#8220;When Our Lips Speak Together<\/a>&#8220;)<\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/01\/Punday_A-Corporeal-Narratology.doc\">Daniel Punday_&#8221;A Corporeal Narratology&#8221;,\u00a0<\/a><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/01\/Peter-Brooks-Body-Works-1st-ch.doc\">Peter Brooks &#8220;Body Works 1st ch&#8221;)<\/a><\/p>\n<p><strong>Phenomenology, Affect.<\/strong> <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Iris-Marion-Young_throwing-like-a-girl-_chapter.pdf\">Iris Marion Young. &#8220;Throwing like a girl. A Phenomenology of Body Comportment, Motility and Spatiality\u201d\u00a0<\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/01\/sarah-ahmed-the_cultural_politics_of_emotions_intro.pdf\">Sarah Ahmed-<em>The_Cultural_Politics_of_Emotions<\/em>_intro)<\/a><\/p>\n<p><strong>Queer Bodies, Changing Body Image, Gender in Crisis<\/strong>. <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Creed.-The-Lesbian-Body.-Tribades-Tomboys-and-Tarts.pdf\">Barbara Creed. &#8220;The Lesbian Body. Tribades, Tomboys, and Tarts<\/a>,\u201d<\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Halberstam-F2M.pdf\">Judith Halberstam &#8220;The Making of Female Masculinity\u201d<\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Bordo_the-male-body.pdf\">Susan Bordo &#8220;Beauty Rediscovers the Male Body&#8221;<\/a>)<\/p>\n<p><strong>The Body and Race<\/strong>. <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Baker-Yusuf-The-economy-of-violence.pdf\">Bibi Bakare-Yusuf &#8220;\u201cThe Economy of Violence: Black Bodies and the Unspeakable Terror,\u201d <\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/gilman_-black-bodies-white-bodies.pdf\">Sander Gilman. &#8220;<\/a><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/gilman_-black-bodies-white-bodies.pdf\">Black bodies, white bodies: Toward an Iconography of female Sexuality in 19th Century Art, Medicine, and Literature&#8221; ,<\/a> <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Anzald\u00faa-Towards-a-new-consciousness.pdf\">Gloria Anzald\u00faa &#8220;La conciencia mestiza. Towards a new consciousness&#8221;<\/a>)<\/p>\n<p><strong>The Body and Class <\/strong><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Kaplan-Pandora-s-box.pdf\">Cora Kaplan. \u201cPandora\u2019s Box. Subjectivity, Class, and Sexuality in Socialist Feminist Criticism&#8221;<\/a><\/p>\n<p>(<a href=\"https:\/\/jacobinmag.com\/2018\/07\/socialist-feminism-barbara-ehrenreich\">Barbara Ehrenreich. &#8220;What is socialist feminism?&#8221;)<\/a><\/p>\n<p><strong>Pathological, Biological Bodies<\/strong>. <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Elisabeth-Bronfen-Medicines-Hysteria-Romance.pdf\">Elisabeth Bronfen-&#8220;Medicine&#8217;s Hysteria Romance: Is It History or Legend?&#8221;<\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Diedrich-Hysterical-Men.pdf\">Lisa L Diedrich. &#8220;<\/a><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Diedrich-Hysterical-Men.pdf\">Hysterical Men and Shell-shocked Masculinity&#8221;<\/a>)<\/p>\n<p><strong>Monstrous\/ Disabled Bodies, Neurodiversity<\/strong>. <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Garland-Thomson_Freak-Discourse.pdf\">Rosemary Garland Thomson: \u201cFrom Wonder to Error\u2014A Genealogy of Freak Discourse in Modernity\u201d<\/a>,<\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Wendell_Towards-a-Feminist-theory-of-Disability.pdf\">Susan Wendell. &#8220;Towards a Feminist Theory of Disability&#8221;<\/a><\/p>\n<p>(<a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Mary-Russo_The-Female-Grotesque.pdf\">Mary Russo_&#8221;Carnival and Theory: The Female Grotesque<\/a>&#8220;, <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Braidotti_Mothers-Monsters-Machines.pdf\">Rosi Braidotti_Mothers, Monsters, Machines<\/a>,\u00a0 <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Shildrick_price-Disabled-Body.doc\">Shildrick_and Price : &#8220;Uncertain Thoughts on the Disabled Body&#8221;,\u00a0\u00a0<\/a> <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/shakespeare.-sexual-politics-of-disability.-untold-desires..pdf\">Tom Shakespeare. &#8220;Sexual politics of disabled masculinity&#8221;<\/a>)<\/p>\n<p><strong>Technologically Enhanced Embodiments, Posthumanism<\/strong>, <strong>thing power<\/strong> <a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Donna-Haraway_Cyborg-Manifesto.doc\">Donna Haraway \u201cA Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century\u201d<\/a><\/p>\n<p>(<a href=\"http:\/\/film.ncu.edu.tw\/word\/Vibrant-Matter.pdf\">Jane Bennett, \u201cThing Power,\u201d\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/01\/Id-rather-be-a-cyborg-than-a-goddess.docx\">Jasbir Puar. &#8220;I&#8217;d rather be a cyborg than a goddess. Intersectionality, Assemblage. and Affective Poetics.&#8221;<\/a><\/p>\n<p><strong>Posthumanism<\/strong>, <strong>humanimal studies <\/strong><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Donna_J._Haraway_When_Species_Meet.pdf\">Donna Haraway_&#8221;Introduction to When_Species_Meet&#8221;<\/a><\/p>\n<p><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2018\/02\/Plant-studies-Marder.pdf\">(Michael Marder. &#8220;The Place of Plants&#8221;)<\/a><\/p>\n<p>(<a href=\"https:\/\/lareviewofbooks.org\/article\/making-kin-an-interview-with-donna-haraway\/\">Making Kin, An Interview with Donna Haraway<\/a>)<\/p>\n<p><strong>VIDEOS<\/strong><\/p>\n<p><a href=\"https:\/\/vimeo.com\/393253445\">\u00a0<span class=\"st\">&#8220;<em>Be a Lady They Said<\/em>&#8221; Words: Camille Rainville Narrator: Cynthia Nixon\u00a0 (on controversial expectations of femininity)<\/span><\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=WWTRwj9t-vU\">Em Ford. &#8220;My Pale Skin.&#8221; Beauty Blogger &#8220;You look disgusting&#8221; (on body shaming)<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=k5gPAPIiUHc\">Zewa ad. &#8220;The Unfair race.&#8221; (on the gender chores divided)<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=koPmuEyP3a0\">Gillette. The Best Men Can Be<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=fjo-hwAKcas\">White Ribbon. &#8220;Boys don&#8217;t cry&#8221; (Promoting a More Positive Masculinity)<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=crHHycz7T_c\">Lana Wachowski HRC Visibility Award Acceptance Speech<\/a><\/p>\n<p><a href=\"https:\/\/www.ted.com\/talks\/marilyn_waring_the_unpaid_work_that_gdp_ignores_and_why_it_really_counts\/transcript\">Marilyn Waring . The unpaid work that GDP ignores &#8211;and why it really counts<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=rvxUJFpZQ_M\">Renata Salecl. The Paradox of Choice<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=UgT1ctCuyyM\">Natasha Gordon-Chipembere: The story of Sarah Baartman the Hottentot Venus<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=jALsDVW63wo\">Rosemary Garland-Thomson: Staring and its Implications in Society<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=0aOowvSRT7c\">Rosemary Garland-Thomson. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=JQ0iMulicgg\">Aim\u00e9e Mullins. It&#8217;s not fair having 12 pairs of legs<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=vATDWOYuyWw\">PsychReviews: Studies in Hysteria: Freud and Breuer<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=pKgdLjDZ6ig\"><em>Hysteria<\/em>, dir Tanya Wexler, 2011<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=63iLtFB95lg\"><em>Opium, Diary of a Madwoman<\/em>, dir J\u00e1nos Sz\u00e1sz, 2007<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/playlist?list=PL3vTRlNA7pSlc86sEYlubS_9vXYvxIVGp\">Defining Human Animal Studies. Youtube channel of Animals&amp;Society Institute<\/a><\/p>\n<p><strong>KEY IMAGES<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1707\" src=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Transgender-umbrella.jpg\" alt=\"\" width=\"832\" height=\"645\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1708\" src=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/edouard-manet-olympia-1863.jpg\" alt=\"\" width=\"1133\" height=\"768\" srcset=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/edouard-manet-olympia-1863.jpg 1133w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/edouard-manet-olympia-1863-300x203.jpg 300w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/edouard-manet-olympia-1863-768x521.jpg 768w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/edouard-manet-olympia-1863-1024x694.jpg 1024w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/edouard-manet-olympia-1863-900x610.jpg 900w\" sizes=\"auto, (max-width: 1133px) 100vw, 1133px\" \/> \u00c9douard Manet&#8217;s Olympia, 1865<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1710\" src=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/satire-of-the-hottentot-venus.jpg\" alt=\"\" width=\"750\" height=\"552\" srcset=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/satire-of-the-hottentot-venus.jpg 750w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/satire-of-the-hottentot-venus-300x221.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/>Satire of the Hottentot Venus, 1815<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1709\" src=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Andr\u00e9-Brouillet.-Charcot-Demonstrating-Hypnosis-on-a-Hysterical-Patient.jpg\" alt=\"\" width=\"754\" height=\"476\" srcset=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Andr\u00e9-Brouillet.-Charcot-Demonstrating-Hypnosis-on-a-Hysterical-Patient.jpg 754w, http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2020\/03\/Andr\u00e9-Brouillet.-Charcot-Demonstrating-Hypnosis-on-a-Hysterical-Patient-300x189.jpg 300w\" sizes=\"auto, (max-width: 754px) 100vw, 754px\" \/>Andr\u00e9 Brouillet. Charcot demonstrating a hysterical patient<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LIST OF KEY TERMS<\/strong><\/p>\n<p>technologies of power (Foucault)<\/p>\n<p>biopower (Foucault)<\/p>\n<p>Constitutive Outside (Butler)<\/p>\n<p>Great Confinement<\/p>\n<p>containment<\/p>\n<p>body politics\/politics of the body<\/p>\n<p>body discipline<\/p>\n<p>the sacrificial logic of identity vs a relational model of self-identity<\/p>\n<p>scapegoating, othering<\/p>\n<p>the Eye of the Power (Foucault)<\/p>\n<p>Panopticism<\/p>\n<p>the male gaze<\/p>\n<p>the medical\/anatomical gaze, the pathologization of the other<\/p>\n<p>the museal gaze<\/p>\n<p>the Anatomical Venus<\/p>\n<p>skin ego (Anzieu)<\/p>\n<p>19<sup>th<\/sup> century, turn-of-the-century precursors of body studies (Darwin, Freud, Marx, Nietzsche)<\/p>\n<p>survival of the fittest\/survival of the degenerate<\/p>\n<p>moral Darwinism<\/p>\n<p>res cogitans\/res extensa (Descartes)<\/p>\n<p>the body is the prison of the soul \u2194 the soul is the prison of the body<\/p>\n<p>flesh\/body (\/corpse)<\/p>\n<p>intersectional feminism (Kimberle William Crenshaw)<\/p>\n<p>&nbsp;<\/p>\n<p>technologies of gender (Lauretis)<\/p>\n<p>\u201cOne is not born a woman, but becomes one.\u201d (Simone de Beauvoir)<\/p>\n<p>the culturally prescribed management of the engendered body (Bordo)<\/p>\n<p>normative ideals (Butler)<\/p>\n<p>lookism, agism, (sexism, racism, classism, ableism)<\/p>\n<p>BIDS (body image distortion syndrome, body dysmorphia)<\/p>\n<p>anorexia, bulimia, bigorexia (muscle dysmorphia)<\/p>\n<p>fat studies<\/p>\n<p>the iron maiden of Beauty Myth (Naomi Wolf)<\/p>\n<p>abjection (as the founding repudiation of the subject) (Kristeva)<\/p>\n<p>subject\/object\/abject<\/p>\n<p>presence vs re-presentation in body-art, performance art<\/p>\n<p>positive cultural embodiment vs the tremulous private corporeality (Francis Barker)<\/p>\n<p>corporeal feminism<\/p>\n<p>the Moebius coil model of the ideologically disciplined+materially subversive body (Grosz)<\/p>\n<p>the cultural devaluation of viscous female bodily fluids (eg. the engendered iconography of blood)<\/p>\n<p>the subject constitued by loss (Lacan)<\/p>\n<p>Body Positivity Movement (limits and potentials)<\/p>\n<p>the postmodern myth of the malleable body<\/p>\n<p>body modification as empowerment\/interiorized ideological control<\/p>\n<p>the right to bodily ownership, reproductive rights<\/p>\n<p>rape culture, victim blaming<\/p>\n<p>#metoo campaign, sisterhood, solidarity, collective online identity<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00e9criture f\u00e9minine <\/em><\/p>\n<p>New French Feminism (as a misnomer)<\/p>\n<p>the limits and potentials of the libidinal voice as an alternative form of feminine self-expression<\/p>\n<p>the Laugh of Medusa (Cixous)<\/p>\n<p>re\/demythologization<\/p>\n<p>\u201cCensor the body and you censor breath and speech at the same time. Write yourself. Your body must be heard.\u201d<\/p>\n<p>heretics of love (Kristeva)<\/p>\n<p>Omphalos vs Phallus (Bronfen)<\/p>\n<p>strategic essentialism (Spivak)<\/p>\n<p>revolution in poetic language (Kristeva: genotext\/phenotext)<\/p>\n<p>transgressive reinscription, counter-spectacularity<\/p>\n<p>feminine economy of gift<\/p>\n<p>normative libidinal territorialization of the body (Freud)<\/p>\n<p>semiotic chora (Kristeva)<\/p>\n<p>heretics of love (Kristeva)<\/p>\n<p>\u201eWhen our lips speak together,\u201d \u201eThis sex which is not one,\u201d \u201eThe newly born woman,\u201d the two lips of the vulva touching each other and speaking up (Irigaray)<\/p>\n<p>Father\u2019s language vs Mother\u2019s body (vs Mother tongue?)<\/p>\n<p>focus on tactility instead of visuality (touching as a non-hierarchical mode of communication)<\/p>\n<p>creativity vs procreativity<\/p>\n<p>canon revision<\/p>\n<p>corporeal narratology<\/p>\n<p>&nbsp;<\/p>\n<p>the phenomenology of engendered body comportment, motility and spatiality (I.M. Young)<\/p>\n<p>the phenomenological significance of \u201ethrowing like a girl\u201d<\/p>\n<p>breasted experience in a phallic society<\/p>\n<p>affinity\/identity<\/p>\n<p>moods\/passion, anxiety\/fear<\/p>\n<p>lived space\/objective space<\/p>\n<p>&nbsp;<\/p>\n<p>homosocial desire<\/p>\n<p>lesbian continuum<\/p>\n<p>masculine hegemony (hegemonic masculinity)<\/p>\n<p>critical masculinity studies<\/p>\n<p>metrosexual<\/p>\n<p>James Bond as an iconic embodiment of changing notions of masculinity<\/p>\n<p>significance of naming (hate speech)<\/p>\n<p>LGBTQ+<\/p>\n<p>gender bender, gender-queer<\/p>\n<p>drag<\/p>\n<p>gender trouble, parody as politics (Butler)<\/p>\n<p>F2M, M2F<\/p>\n<p>sexual reconstruction surgery, sex-change surgery<\/p>\n<p>the transgender body as a body-in-transition<\/p>\n<p>\u201cWe are all transsexuals\u2026\/ and there are no transsexuals.\u201d (Halberstam)<\/p>\n<p>passing vs visibility<\/p>\n<p>tribade\/tomboy\/tart<\/p>\n<p>one-sex model<\/p>\n<p>&nbsp;<\/p>\n<p>slave body as a body of pain, labour, knowledge<\/p>\n<p>desubjectification of enslaved body, the nonreferentiality of pain<\/p>\n<p>Middle Passage (Spielberg: <em>Amistad<\/em>)<\/p>\n<p>the black woman as \u201cthe mule of the world\u201d<\/p>\n<p>shadism<\/p>\n<p>blues music as a counter-discourse, an instrument of cultural memory, and a ground of collective identity<\/p>\n<p>the unspeakability of trauma + the responsibility of commemoration<\/p>\n<p>\u201cThis is a story to pass on. This is not a story to pass on.\u201d (Toni Morrison\u2019s <em>Beloved<\/em>)<\/p>\n<p>&nbsp;<\/p>\n<p>socialist feminism<\/p>\n<p>sufragettes<\/p>\n<p>The Vindication of Rights of Women<\/p>\n<p>Wollstonecraft\u2019s challenging Rousseau: the notion of feminine passionlessness<\/p>\n<p>unpaid housework, unpaid emotional labour<\/p>\n<p>glass ceiling<\/p>\n<p>public vs private sphere<\/p>\n<p>1st, 2nd, 3rd wave feminism, post-feminism?<\/p>\n<p><em>The feminine mystique<\/em> (Betty Friedan)<\/p>\n<p><em>A room of one\u2019s own<\/em> (Virginia Woolf)<\/p>\n<p>&nbsp;<\/p>\n<p>maternal imagination<\/p>\n<p>wandering womb<\/p>\n<p>hysteria as a female malady<\/p>\n<p>Freud\u2019s Dora case, \u201cFragments of an analysis of a case of hysteria\u201d<\/p>\n<p>talking cure<\/p>\n<p>the knotted subject<\/p>\n<p>the feminization of madness: Brainless Brothers \u2192 Violent Lucy, Crazy Jane, Ophelia<\/p>\n<p>the Omphalos<\/p>\n<p>the Queen of the Night<\/p>\n<p>Charcot: Salpetriere<\/p>\n<p>&nbsp;<\/p>\n<p>disability\/impairment<\/p>\n<p>significance of naming: extraordinary\/exceptional bodies (Garland Thomson)<\/p>\n<p>teratology: from wonder to error<\/p>\n<p>the social constructionist vs the medical model of disability<\/p>\n<p>freak-show<\/p>\n<p>supercrip<\/p>\n<p>ableism<\/p>\n<p>TABS (temporarily abled bodies)<\/p>\n<p>dismodernism (Lennard Davis)<\/p>\n<p>the female grotesque<\/p>\n<p>neurodiversity<\/p>\n<p>&nbsp;<\/p>\n<p>cyborg (Haraway)<\/p>\n<p>technologically enhanced embodiment<\/p>\n<p>Family-Market-Factory\/Women in the Integrated Circuit<\/p>\n<p>Public-Private\/ Cyborg Citizenship<\/p>\n<p>Labour\/Robotics<\/p>\n<p>Mind\/Artificial Intelligence<\/p>\n<p>Sex\/Genetic Engineering<\/p>\n<p>Representation\/Simulation<\/p>\n<p>Second World War\/Star Wars<\/p>\n<p>the \u201cfruitful couplings\u201d of the cyborg body providing the ground for a new identity-politics<\/p>\n<p>speciesism<\/p>\n<p>bioethics<\/p>\n<p>posthumanism<\/p>\n<p>humanimal studies<\/p>\n<p>end of the anthropocene<\/p>\n<p>thingpower<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>COMPULSORY READINGS<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>Bryan S. Turner: \u201cRecent Developments in the Theory of the Body\u201d<\/li>\n<li>Susan Bordo, \u201cFeminism, Foucault and the Politics of the Body\u201d<\/li>\n<li>Elizabeth Grosz. \u201cSexed Bodies\u201d<\/li>\n<li>Ann Rosalind Jones. \u201cWriting the Body. Towards an Understanding of<em> l\u2019\u00c9criture F\u00e9minine<\/em>\u201d (+read one of these: H\u00e9l\u00e8ne Cixous, \u201cThe Laugh of Medusa.\u201d, Julia Kristeva, \u201cStabat Mater\u201d, Luce Irigaray, \u201cWhen our lips speak together\u201d)<\/li>\n<li>Iris Marion Young. \u201cThrowing Like a Girl: A Phenomenology of Body Comportment, Motility and Spatiality\u201d<\/li>\n<li>Barbara Creed. \u201cLesbian Bodies: Tribades, Tomboys and Tarts,\u201d<\/li>\n<li>Judith Halberstam. \u201cF2M. The Making of Female Masculinity\u201d<\/li>\n<li>Bibi Bakare-Yusuf. \u201cThe Economy of Violence: Black Bodies &amp; the Unspeakable Terror,\u201d<\/li>\n<li>Cora Kaplan. \u201cPandora\u2019s Box. Subjectivity, Class, and Sexuality in Socialist Feminist Criticism\u201d<\/li>\n<li>Elizabeth Bronfen, \u201cMedicine\u2019s Hysteria Romance: Is It History or Legend?\u201d<\/li>\n<li>Rosemary Garland Thomson: \u201cFrom Wonder to Error: A Genealogy of Freak Discourse in Modernity\u201d<\/li>\n<li>Susan Wendell. \u201cToward a Feminist Theory of the Disabled Body.\u201d<\/li>\n<li>Donna Haraway, \u201cA Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century\u201d<\/li>\n<li>Donna Haraway \u201cIntroduction to When Species Meet,\u201d<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>Additional list of recommended readings:<\/strong><\/p>\n<p>Adams, Rachel: <em>Sideshow U.S.A. Freaks and the American Cultural Imagination<\/em>. Chicago, The U of Chicago P, 2001.<\/p>\n<p>Alcoff, Linda, ed<em>. Identities: Race, Class, Gender and Nationality<\/em>, 2003.<\/p>\n<p>Althusser, Louis: Ideology and Ideological State Apparatuses. In <em>Literary Theory. An Anthology. <\/em>Szerk. Julie Rivkin &#8211; Michael Ryan. Oxford, Blackwell, 1998. 294-304.<\/p>\n<p><em>Apert\u00fara <\/em>2009.t\u00e9l. (IV.2.) Test k\u00fcl\u00f6nsz\u00e1m. http:\/\/apertura.hu\/2009\/tel\/tartalom<\/p>\n<p>Bakhtin, Mikhail. \u201cThe grotesque body\u201d in <em>Rabelais and his World<\/em>.<\/p>\n<p>Balsamo, Anne. \u201cForms of Technological Embodiment: Reading the Body in Contemporary Culture\u201d \/\u201dThe Virtual Body in Cyberspace\u201d<\/p>\n<p>Bar\u00e1t, Erzs\u00e9bet. \u201cA test adatb\u00e1ziss\u00e1 szel\u00edd\u00edt\u00e9se a nyelvhaszn\u00e1lat-kutat\u00e1sban.\u201d <em>Apert\u00fara<\/em>. 2009. IV.2.<\/p>\n<p>Barker, Francis: <em>The Tremulous Private Body. Essays on Subjection<\/em>. London, Methuen, 1984.<\/p>\n<p>Baudrillard, Jean: <em>Simulacres et simulation<\/em>. Paris, Galil\u00e9e, 1981.<\/p>\n<p>Bennett, Jane. <em>Vibrant Matter. A Political Ecology of Things<\/em>. Duke UP, 2010.<\/p>\n<p>Braidotti, Rosi. <em>Nomadic<\/em> Subjects<em>: Embodiment and Sexual Difference in Contemporary Feminist Theory.<\/em> New York: Columbia UP, 1994<\/p>\n<p>Belting, Hans: <em>K\u00e9pantropol\u00f3gia<\/em>. Budapest, Kij\u00e1rat kiad\u00f3, 2004.<\/p>\n<p>Berlant, Lauren &#8211; Elizabeth Freeman: Queer Nationality. In <em>The Queen of America Goes to Washington City. Essays on Sex and Citizenship<\/em>. Durham, Duke UP, 1997. 145-175.<\/p>\n<p>Bogdan, Robert: <em>Freak Show. Presenting Human Oddities for Amusement and Profit<\/em>. Chicago, \u00a0\u00a0U of Chicago P, 1990.<\/p>\n<p>Bordo, Susan: <em>Unbearable Weight. Feminism, Western Culture, and the Body<\/em>. Los Angeles, California UP, 1993.<\/p>\n<p>&#8212;. <em>The Male Body: A New Look at Men in Public and in Private<\/em> , 1999.<\/p>\n<p>Bronfen, Elizabeth. <em>Over her Dead Body<\/em>. <em>Death, Femininity and the Aesthetic<\/em>, 1992.<\/p>\n<p>&#8212;. <em>The Knotted Subject: Hysteria and Its Discontents<\/em>. Princeton: Princeton UP, 1998.<\/p>\n<p>Bourdieu, Pierre. <em>Masculine Domination<\/em>, Polity, 2001.<\/p>\n<p>Brooks, Peter: <em>Body Work. Objects of Desire in Modern Narrative<\/em>. Cambridge, Harvard UP, 1993.<\/p>\n<p>Butler, Judith: <em>Gender Trouble. Feminism and the Subversion of Identity<\/em>. London, Routledge, 1990. <em>Probl\u00e9m\u00e1s nem<\/em>. Ford. Ber\u00e1n Eszter &#8211; V\u00e1ndor Judit. Budapest, Balassi, 2006.<\/p>\n<p>&#8212;: <em>Bodies that Matter. On the Discursive Limits of \u201cSex.\u201d<\/em> New York, Routledge, 1993. <em>Jelent\u0151s testek \u2013 A \u201eszexus\u201d diszkurz\u00edv korl\u00e1tair\u00f3l<\/em>. Ford. Bar\u00e1t Erzs\u00e9bet &#8211; S\u00e1ndor Bea. Budapest, \u00daj Mand\u00e1tum K\u00f6nyvkiad\u00f3, 2005.<\/p>\n<p>Cixous, H\u00e9l\u00e8ne: (1975) The Laugh of Medusa. In <em>Feminisms, An Anthology of Literary Theory and Criticism<\/em>. Szerk. Robyn R. Warhol &#8211; Diane Price Herndl. New Brunswick, Rutgers UP, 1981.\u00a0 334-350. A med\u00faza nevet\u00e9se. Ford. K\u00e1d\u00e1r Judit. In <em>Testes<\/em><em> k\u00f6nyv. II<\/em>. szerk. Kiss Attila Atilla \u2013 Kov\u00e1cs S\u00e1ndor s. k. \u2013 Odorics Ferenc. Szeged: Ictus. JATE Irodalomelm\u00e9let Csoport, 1997. 357\u2013380.<\/p>\n<p>Conboy, Katie &#8211; Nadia Medina &#8211; Sarah Stanbury. Szerk: <em>Writing on the Body. Female Embodiment and Feminist Theory.<\/em> New York, Columbia UP. 1997.<\/p>\n<p>Darabos Enik\u0151, <em>Nem J\u00e1t\u00e9k: Nyelv, nemi szerepek, pszichoanal\u00edzis<\/em>. Budapest: J\u00f3sz\u00f6veg M\u0171hely, 2008.<\/p>\n<p>Davis, Kathy: My Body is my Art. Cosmetic Surgery as Feminist Utopia? In <em>Feminist Theory and the Body. <\/em>Szerk. Janet Price &#8211; Margrit Shildrick. New York, Routledge, 1999. 454-466.<\/p>\n<p>Debord, Guy: <em>La soci\u00e9t\u00e9 du spectacle<\/em>. Paris, Gallimard, 1992.<\/p>\n<p>De Lauretis, Teresa: \u201cDesire in Narrative.\u201d \/ \u201cThe Violence of Rhetoric<strong>\u201d <\/strong>In <em>Alice Doesn\u2019t. Feminism, Semiotics, Cinema<\/em>. Bloomington, Indiana UP, 1984. 103-157.<\/p>\n<p>&#8212;: <em>Technologies of Gender<\/em>. Bloomington, Indiana UP, 1987.<\/p>\n<p><em>&#8212;: <\/em>Konok k\u00e9sztet\u00e9s. A k\u00e9tszeres f\u00e9lre\u00e9rt\u00e9s<em>. Metropolis. <\/em>1999\/ 02. http:\/\/emc.elte.hu\/~metropolis\/9902\/lau2.html (The Stubborn Drive. <em>Critical Inquiry<\/em>&#8211; 1998\/24 <em>(Summer 1998) no. 4. pp. 851\u2013877.) <\/em><\/p>\n<p>Deleuze, Gilles &#8211; F\u00e9lix Guattari: Rhizome. In <em>Milles plateaux<\/em>. Paris, Minuit, 1980. 9-38.<\/p>\n<p>Douglas, Mary: (1966) <em>Purity and Danger<\/em>. <em>An Analysis of Concepts of Pollution and Taboo. London, Ark, 1984.<\/em><\/p>\n<p>DuCille, Anne: Dyes and dolls. Multicultural Barbie and the merchandising of difference. In <em>A Cultural Studies Reader<\/em>. <em>History, Theory, Practice<\/em>. Szerk. Jessica Munns &#8211; Gita Rajan. New York, Oxford UP, 1995. 551-567.<\/p>\n<p>Foucault, Michel: <em>Power\/Knowledge<\/em>. <em>Selected Interviews and Other Writings.<\/em> <em>1972-1977<\/em>, Szerk. Colin Gordon. New York, Pantheon, 1980.<\/p>\n<p>Fausto-Sterling, Anne: Sexing the Body: How Biologists Construct Human Sexuality. In <em>Sexing the Body: Gender Politics and the Construction of Sexuality<\/em>. New York, Basic Books, 2000. <a href=\"http:\/\/www.symposion.com\/ijt\/gilbert\/sterling.htm\">http:\/\/www.symposion.com\/ijt\/gilbert\/sterling.htm<\/a><\/p>\n<p>Featherstone, Mike &#8211; Mike Hepworth &#8211; Bryan S. Turner. Szerk: <em>A test. T\u00e1rsadalmi fejl\u0151d\u00e9s \u00e9s kultur\u00e1lis te\u00f3ria<\/em>. Budapest, J\u00f3sz\u00f6veg M\u0171hely Kiad\u00f3, 1997.<\/p>\n<p>Foucault, Michel: <em>Power\/Knowledge<\/em>. <em>Selected Interviews and Other Writings.<\/em> <em>1972-1977<\/em>. (ford. szerk. Colin Gordon) New York, Pantheon, 1980.<\/p>\n<p><em>&#8212;: The Foucault Reader<\/em>. Ford. Josu\u00e9 V. Harari. Szerk. Paul Rabinow. Harmondsworth, Penguin, 1984.<\/p>\n<p>&#8212;: <em>The History of Sexuality. Vol.1: The Will to Knowledge<\/em>. London, Penguin, 1998.<\/p>\n<p>&#8212;. \u201eMy Body, This Paper.\u201d<\/p>\n<p>F\u00f6ldes Gy\u00f6rgyi. <em><a href=\"http:\/\/real.mtak.hu\/87748\/\">Test &#8211; sz\u00f6veg &#8211; test : Testreprezent\u00e1ci\u00f3k \u00e9s a M\u00e1sik sz\u00e9pirodalmi alkot\u00e1sokban<\/a>.<\/em> Budapest: Kalligram Kiad\u00f3, 2018.<\/p>\n<p>Gardiner, Judith. <em>Masculinity Studies and Feminist Theory<\/em><\/p>\n<p>Garland-Thomson, Rosemary. <em>Extraordinary bodies: figuring physical disability in American culture and literature<\/em>, New York: Columbia University Press, 1997.<\/p>\n<p>&#8212;, ed. <em>Freakery. Cultural Spectacles of the Extraordinary Bodies<\/em>, New York UP, 1996.<\/p>\n<p>Gatens, Moira. <em>Imaginary Bodies. Ethics, Power, and Corporeality<\/em>. Routledge, 1996.<\/p>\n<p>Gilbert, Paul and Kathleen Lennon. <em>The World, the Flesh and the Subject. Continental Themes in the Philosophy of the Mind and the Body.<\/em> Edinburgh UP, 2005.<\/p>\n<p>Gilligan, Carol: <em>In a Different Voice. Psychological Theory and Women\u2019s Development<\/em>. Cambridge, Harvard UP, 1982.<\/p>\n<p>Grosz, Elizabeth: <em>Volatile Bodies. Toward a Corporeal Feminism<\/em>. Bloomington, Indiana UP, 1994.<\/p>\n<p>&#8212;. <em>Space, Time and Perversion: Essays on the Politics of Bodies<\/em>, 1995.<\/p>\n<p>&#8212;. <em>Sexual Subversions. On three French Feminists<\/em>.<\/p>\n<p>Hadas Mikl\u00f3s.<em> F\u00e9rfikutat\u00e1sok. Sz\u00f6veggy\u0171jtem\u00e9ny. 2011. <a href=\"http:\/\/ieas.unideb.hu\/admin\/file_4609.pdf\">http:\/\/ieas.unideb.hu\/admin\/file_4609.pdf<\/a><\/em><\/p>\n<p><em>&#8212;. A maszkulinit\u00e1s t\u00e1rsadalmi konstrukci\u00f3i \u00e9s reprezent\u00e1ci\u00f3i \u2013 nagydoktori \u00e9rtekez\u00e9s<\/em>. 2009. http:\/\/real-d.mtak.hu\/342\/1\/Hadas.pdf<\/p>\n<p>Halberstam, Judith. <em>In a <\/em><em>Queer Time<\/em><em> and Place. Transgender Bodies, Subcultural Lives<\/em>, 2005.<\/p>\n<p>&#8212;. \u201cPostModern Feminism in the Age of the Intelligent Machine\u201d<\/p>\n<p>Haraway, Donna: A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. <em>Simians, Cyborgs and Women: The Reinvention of Nature<\/em>. New York, Routledge, 1991.149-181<\/p>\n<p>H\u00f3dosy, Annam\u00e1ria \u00e9s Kiss Attila. <em>Remix<\/em>. Szeged: Ictus, Dekonk\u00f6nyv, 1996.<\/p>\n<p>Irigaray, Luce. <em>This Sex Which is Not One<\/em>. Paris, 1977. <em>Feminisms. An Anthology of Literary Theory and Criticism.<\/em> Szerk. Robin R. Warhol &#8211; Diane P. Herndl. New Brunswick, Rutgers UP. 1991. 350-357.<\/p>\n<p>Johnson, Barbara. \u201cApostrophe, Animation, Abortion<strong>\u201d<\/strong><\/p>\n<p>K\u00e9rchy, Anna. \u201cTapogat\u00f3z\u00e1sok. A test elm\u00e9leteinek alakzatai.\u201d <em>Apert\u00fara.<\/em> 2009. <a href=\"http:\/\/apertura.hu\/2009\/tel\/kerchy\">http:\/\/apertura.hu\/2009\/tel\/kerchy<\/a><\/p>\n<p>K\u00e9rchy, Anna and Andrea Zittlau. <em>Exploring the Cultural History of Continental European Freak Shows and Enfreakment<\/em>. Cambridge Scholars Press, 2012.<\/p>\n<p>Kiss, Attila Atilla. <a href=\"http:\/\/www.jelenkor.net\/archivum\/cikk\/796\/verszemiotika-a-test-kora-modern-es-posztmodern-szinhaza\">V\u00e9rszemiotika: a test kora modern \u00e9s posztmodern sz\u00ednh\u00e1za<\/a>. <em>Jelenkor. <\/em>2005\/ 6.48.<\/p>\n<p>K\u00f6nczei, Gy\u00f6rgy \u2013 K\u00e1lm\u00e1n Zs\u00f3fia. <em>A taigetoszt\u00f3l az es\u00e9lyegyenl\u0151s\u00e9gig<\/em>. Budapest: Osiris Kiad\u00f3, 2002.<\/p>\n<p>Kristeva, Julia: <em>Desire in Language. A Semiotic Approach to Literature and Art.<\/em> Ford. Thomas Gora &#8211; Alice Jardine &#8211; Leon S. Roudiez. Oxford, Basil Blackwell, 1980.<\/p>\n<p>&#8212;: <em>Powers of Horror. An Essay on Abjection<\/em>. New York, Columbia UP, 1982.<\/p>\n<p>&#8212;: Stabat Mater. In <em>Tales of Love<\/em>. Ford. Leon S. Roudiez. New York, Columbia UP, 1987. 234-265. A szeretet eretnetik\u00e1ja. Ford. Gyimesi Timea. <em>Helikon: Irodalomtudom\u00e1nyi Szemle. <\/em>1994\/40. 3-4. 491-509.<\/p>\n<p>Laqueur, Thomas. Making Sex: Body and Gender From the Greeks to Freud. Cambridge: Harvard UP, 1990.<\/p>\n<p>Malson, Helen: Anorexic Bodies and the Discursive Production of Feminine Excess. In <em>Body Talk. The Material and Discursive Regulation of Sexuality, Madness and Reproduction.<\/em> Szerk. Jane M. Ussher. London, Routledge, 1997. 223-246.<\/p>\n<p>Marks, Elaine &#8211; Isabelle de Courtivron. Szerk: <em>New French Feminisms. An Anthology<\/em>. Amherst, The U of Massachusetts Press, 1980.<\/p>\n<p>Mitchell, W.J.T. A kimondhatatlan \u00e9s az elk\u00e9pzelhetetlen. <em>Apert\u00fara<\/em>. Ford. Matuska \u00c1gnes. 2008\/IV.1. <a href=\"http:\/\/apertura.hu\/2008\/osz\/mitchell\">http:\/\/apertura.hu\/2008\/osz\/mitchell<\/a><\/p>\n<p>Mumford, Rebecca, Stacy Gillis, Gillian Howie, eds. <em>Third Wave Feminism<\/em><em>: A Critical Exploration.<\/em> Palgrave Macmillan, 2007.<\/p>\n<p>Moi, Toril: Representation of Patriarchy: Sexuality and Epistemology in Freud\u2019s <em>Dora<\/em> In<em> Dora\u2019s Case. Freud-Hysteria-Feminism.<\/em> Szerk. Charles Bernheimer &#8211; Claire Kahane. New York, Columbia University Press, 1990. 181-200. Szexualit\u00e1s \u00e9s episztemol\u00f3gia Freud D\u00f3r\u00e1j\u00e1ban. Ford. Batty\u00e1n Katalin. <em>Thalassa: Pszichoanal\u00edzis\u2013T\u00e1rsadalom\u2013Kult\u00fara<\/em>. 1996\/1. 21-36.<\/p>\n<p>Price, Janet and Margrit Schildrick. Eds. <em>Feminist Theory and the Body. A Reader<\/em>. New York: Routledge, 1999.<\/p>\n<p>Punday, Daniel. <em>Narrative Bodies. Toward a Corporeal Narratology<\/em>. New York: Palgrave, 2003.<\/p>\n<p>&#8212;. <em><a href=\"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-content\/uploads\/2019\/02\/Punday_A-Corporeal-Narratology.doc\">&#8220;A Corporeal Narratology<\/a>.&#8221; Style. <\/em>Summer 2000.<\/p>\n<p>Ramazanoglu, Caroline, ed. <em>Up Against Foucault: Explorations of Some Tensions Between Foucault and Feminism,<\/em> 1993.<\/p>\n<p>Radway, Janice A. <em>Reading the Romance. Women, Patriarchy and Popular Literature<\/em>. North Carolina Up, 1984.<\/p>\n<p>Robinson, Sally: <em>Engendering the Subject. Gender and Self-representation in Contemporary Women\u2019s Fiction<\/em>. Albany, State University of New York Press, 1991.<\/p>\n<p>Russo, Mary: <em>The Female Grotesque<\/em>. London, Routledge, 1995.<\/p>\n<p>Ruthrof, Horst: Principles of Corporeal Pragmatics. <em>The Public Journal of Semiotics<\/em>. 2007\/07. I.2. 12-30.<\/p>\n<p>Sedgwick, Eve Kosofsky: <em>Tendencies<\/em>. London: Routledge, 1994.<\/p>\n<p>S\u00e9llei, N\u00f3ra. <em>\u201eL\u00e1nny\u00e1 v\u00e1lik, s \u00edrni kezd\u201d. 19. sz\u00e1zadi angol \u00edr\u00f3n\u0151k.<\/em> Debrecen, Kossuth Egyetemi Kiad\u00f3, 1999.<\/p>\n<p>Shildrick, Margrit: <em>Embodying the Monster. Encounters with the Vulnerable Self<\/em>. London: Sage, 2002.<\/p>\n<p>Shildrick, Margrit &#8211; Janet Price: <em>Vital Signs. Feminist Reconfigurations of the Bio\/logical Body<\/em>. Edinburgh University Press, 1998.<\/p>\n<p>&#8212;. Szerk: <em>Feminist Theory and the Body. <\/em>New York, Routledge, 1999.<\/p>\n<p>Smith, Sidonie: <em>Subjectivity, Identity, and the Body. Women\u2019s Autobiographical Practices in the Twentieth Century<\/em>. Bloomington, Indiana UP, 1993.<\/p>\n<p>Somers, Margaret R. &#8211; Gloria D. Gibson: Reclaiming the Epistemological \u2018Other\u2019: Narrative and the Social Constitution of Identity. In <em>Narrative and Social Identity<\/em>. <em>Social Theory and the Politics of Identity. <\/em>Szerk. Craig Calhoun. Oxford, Blackwell, 1994. 37-99.<\/p>\n<p>Stacey, Jackie: <em>Teratologies: A Cultural Study of Cancer<\/em>. London, Routledge, 1997.<\/p>\n<p>Stone, Sandy: The Empire Strikes Back. A Posttranssexual Manifesto. In <em>Writing on the Body. Female Embodiment and Feminist Theory.<\/em> Szerk. Katie Conboy &#8211; Nadia Medina &#8211; Sarah Stanbury. New York, Columbia UP, 1997. 337-360.<\/p>\n<p><em>TNT ef. T\u00e1rsadalmi Nemek Tudom\u00e1nya Interdiszciplin\u00e1ris E-Foly\u00f3irat<\/em>. http:\/\/tntefjournal.hu\/<\/p>\n<p>Turner, Bryan, M. Featherstone, M. Hepworth eds. <em>The Body: Social Process and Cultural Theory.<\/em> Sage, 1991. <em>A test. T\u00e1rsadalmi fejl\u0151d\u00e9s, kultur\u00e1lis te\u00f3ria. <\/em>Szerk. M. Featherstone &#8211; M. Hepworth &#8211; B. Turner. Budapest, J\u00f3sz\u00f6veg M\u0171hely Kiad\u00f3, 1997.<\/p>\n<p>Ussher, Jane M. Ed.<em> Body Talk. The Material and Discursive Regulation of Sexuality, Madness and Reproduction.<\/em> London: Routledge, 1997.<\/p>\n<p>Young, Iris Marion: <em>Throwing Like a Girl<\/em> <em>and Other Essays in Feminist Philosophy and Social Theory.<\/em> Bloomington, Indiana University Press, 1990.<\/p>\n<p>Warhol, Robin L. &#8211; Diane P. Szerk: Herndl. <em>Feminisms. An Anthology of Literary Theory and Criticism.<\/em> New Brunswick, Rutgers UP, 1991.<\/p>\n<p>Weir, Alison: Self-Identity as Domination. The Misrecognition of Hegel in de Beauvoir, Derrida and Jessica Benjamin. <em>Sacrificial Logics<\/em>. <em>Feminist Theory and the Critique of Identity.<\/em> Routledge, 1996.<\/p>\n<p>Wolf, Naomi: <em>A sz\u00e9ps\u00e9g kultusza <\/em>(<em>The Beauty Myth<\/em>). Ford. Foll\u00e1rdt Nat\u00e1lia. Debrecen, Csokonai, 1999.<\/p>\n<p>Zsad\u00e1nyi, Edit:\u00a0 <em>A m\u00e1sik n\u0151. A n\u0151i szubjektivit\u00e1s narrat\u00edv alakzatai<\/em>. Budapest, R\u00e1ci\u00f3, 2006.<\/p>\n<p>Zs\u00e9lyi Ferenc. \u201cCelluloid Closeting. A n\u00e9z\u0151, a n\u00e9zett \u00e9s a l\u00e1tott.\u201d <em>Apert\u00fara <\/em>2009.IV.2.<\/p>\n<p>\u017di\u017eek, Slavoj: <em>For They Know Not What They Do: Enjoyment as a Political Factor<\/em>. London, Verso, 1991.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Subjectivity and the Gendered Body, lit, lect, MAEN G3 Gender Track, ANG MA G3 The aim of this lecture course is to examine the paradoxical space of the body, particularly in its relation to engendered subjectivity. We shall simultaneously decipher the ideologically pre\/in-scribed positive cultural embodiment, ie. the disciplined subjectivity\u2019s docile text written on the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":205,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1127","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/1127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/comments?post=1127"}],"version-history":[{"count":31,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/1127\/revisions"}],"predecessor-version":[{"id":1712,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/1127\/revisions\/1712"}],"up":[{"embeddable":true,"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/pages\/205"}],"wp:attachment":[{"href":"http:\/\/ieas-szeged.hu\/downtherabbithole\/wp-json\/wp\/v2\/media?parent=1127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}